REVIEW: Netflix’s ‘Al-Rawabi School for Girls’ returns with surprising twists

The show is directed by Tima Shomali. (YouTube)
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Updated 22 February 2024
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REVIEW: Netflix’s ‘Al-Rawabi School for Girls’ returns with surprising twists

DHAHRAN: Jordanian Netflix show “Al-Rawabi School for Girls” returned on Feb. 15 after a two-year hiatus. Viewers flooded the Netflix MENA comments section when the trailer for season two dropped; they had hoped that the story would pick up where it left off in season one, but, much like high school, fresh blood — and fresh drama — graced our screens instead, with an entirely new cast introduced. Actresses in the new season include Raneem Haitham, Kira Yaghnam, Tara Abboud, Sarah Yousef, Tara Atalla, and Thalia Alansari.

This time around, the show’s Jordanian creator, writer, and director Tima Shomali took on even more responsibility, appearing on screen in a surprise role that is so fitting you could argue it was written precisely for her. Like the first season, this one was also co-created and co-written by Shirin Kamal and Islam Al-Shomali.

 

 

For her 2015 appearance at the Woman in the World Summit in New York, Shomali, a popular YouTube sketch comedy writer, was introduced as “the Tina Fey of the Arab World.” And “Al-Rawabi School for Girls” has been compared to Fey’s “Mean Girls.”

 

 

And there are similarities: “Al-Rawabi School for Girls” features cliques and clueless adults as well as insecure teens who try to gain control over their lives with mixed results. But it would be remiss to simply label the show as a version of something else. “Al-Rawabi” is quintessentially Jordanian, Arab, and Middle Eastern, but also universal. It comes from a place of deep understanding of how it is to be a young, Arab girl.

Like the debut season, each episode in season two ends with a message asking viewers to reach out for help if they find themselves troubled by any of the issues portrayed in the plot lines, such as bullying, eating disorders, or even suicidal thoughts.

 

 

There are only six episodes, but all are packed with a punch that will hit you straight in the gut. You will discover unlikely alliances and cautionary tales. One day a girl might be top of the popular list, the next she could end be dead or forgotten.

Fans hoping for some closure of the events of season one shouldn’t worry — in a brief but powerful moment, many of the original cast members make a mid-season cameo that will answer many questions without anyone saying a word.

 

 

This second season of “Al-Rawabi” follows the recent Netflix release of the Saudi film “From the Ashes,” which was inspired by the true story of a fire that broke out at an all-girls school in the Kingdom. Both projects have hit the Top 10 list on Netflix MENA, further demonstrating that there is an insatiable appetite for wanting to understand these narratives of young Arabs.


Canadian Lebanese singer Maya Waked on music, identity, home

Updated 24 January 2026
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Canadian Lebanese singer Maya Waked on music, identity, home

  • Late father’s love of music shaped childhood’s soundtrack

DUBAI: For Canadian Lebanese singer Maya Waked, music has always been inseparable from memory.

Some of her earliest recollections are rooted in her family home in Lebanon, where her late father’s love of music shaped the soundtrack of her childhood.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Maya Waked (@wakedmaya)

 

“He had a beautiful voice, so he used to sing a lot at home,” she recalled, adding that he made her and her sisters listen to Arab icons like Fairuz, Asmahan, Umm Kulthum and Mohammed Abdel Wahab. “These are my first memories.”

Waked’s sound today blends Arabic melodies with improvisation and international textures, resonating across borders. (Supplied)

Music was not just something playing in the background; it was an experience her parents actively nurtured. Waked grew up attending weekly concerts, operas and musical events, an upbringing she describes as “a blessing.” But when she left Lebanon as a teenager, that connection briefly shifted. Living and studying in France for a few years, she found herself leaning into European culture, wanting to feel modern and influenced by her new surroundings.

It was only later, after moving to Canada, that her relationship with her Arab identity came into sharp focus. “This is where it hit me that my roots are my refuge,” she said. “My resources. This is where I find myself ... my stability.” In Canada she hosted a radio program for the Arabic diaspora, speaking Arabic on air and reconnecting with her culture while far from home.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Maya Waked (@wakedmaya)

Waked said she never felt torn between cultures. Instead, she learned to live comfortably in all of them. “You can have your identity that is a mix of everything,” she said, explaining that while she sings mainly in Lebanese, her music carries influences from French literature, jazz, bossa nova and global sounds. That multiculturalism has become the foundation of her artistic identity.

Waked’s sound today blends Arabic melodies with improvisation and international textures, resonating across borders.

Some of her earliest recollections are rooted in her family home in Lebanon, where her late father’s love of music shaped the soundtrack of her childhood. (Supplied)

Her recent performance in Saudi Arabia, at the Ritz-Carlton Jeddah, marked a new milestone in her regional journey. It was her first time performing in the Kingdom, and she said: “It was a very meaningful experience for me. I felt that the audience was very curious and very open. They are great listeners and very cultured. They know the songs and recognized some of the tunes.”

Looking ahead, Waked said she was currently in the process of recording new music and planning a music video following performances across the region.