Saudi channel Al-Thaqafeyah to broadcast BAFTA film awards exclusively across MENA

Scottish actor David Tennant is set to host the ceremony
Short Url
Updated 17 February 2024
Follow

Saudi channel Al-Thaqafeyah to broadcast BAFTA film awards exclusively across MENA

  • Sophie Ellis-Bextor will perform ‘Murder on the Dancefloor’ two decades after its release

RIYADH: Al-Thaqafeyah, a Saudi cultural channel operated by MBC Group, has announced that it is the exclusive Middle East and North Africa broadcaster of this year’s BAFTA film awards.

Set to be broadcast live from London’s Royal Festival Hall on Sunday, Feb. 18, the ceremony promises a night of glamor, celebration and performances, showcasing “the best of British and global cinema.”

Hosted by the acclaimed actor David Tennant, the 2024 EE BAFTA Film Awards will celebrate exceptional achievements in film, performance and craftsmanship over the past year, highlighting the power of storytelling and creativity.

In a special highlight of the evening, British singer Sophie Ellis-Bextor will take to the stage to perform the hit “Murder on the Dancefloor.” More than two decades after its release, the song has enjoyed a remarkable resurgence in popularity, thanks in large part to the film “Saltburn.”

With the track becoming a viral sensation — inspiring countless TikTok videos and climbing international charts — Ellis-Bextor’s performance at the film awards marks a notable moment in the song’s legacy.

The event starts at 5:45 p.m. GMT, live from the red carpet, hosted by Clara Amfo and Alex Zane. The main awards show begins at 7 p.m. GMT.

Both events will be broadcast live on Al-Thaqafeyah via free-to-air television and online through Shahid, the Arabic streaming platform.


Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

Updated 17 January 2026
Follow

Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

  • The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive

PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.