Iran shutters bookshop over hijab law violation: media

As part of efforts to enforce the ban over the past year, authorities have closed several businesses for not respecting the dress code. (AFP/File)
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Updated 22 December 2023
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Iran shutters bookshop over hijab law violation: media

  • A major bookshop in Tehran faced punitive measures after it allowed unveiled women to enter the premises without a headscarf

TEHRAN: Iranian police on Friday closed a major bookshop in the center of the capital Tehran for allowing unveiled women to enter the premises without a compulsory headscarf, a newspaper reported.
The closure is part of punitive measures by authorities over the past year against women and businesses who fail to observe the Islamic republic’s strict dress code.
“Today, at around noon (0830 GMT), police officers went to the central Tehran branch of Shahr-e-Ketab (book city in Farsi) and closed it,” reformist Shargh daily said on its website.
Shargh cited the reasons for the closure as “the non-observance of trade union regulations and the orders of the interior ministry” as well as “the presence of customers without veils.”
The bookshop confirmed its closure by authorities in a brief statement on its official Instagram account without elaborating.
Covering the head and the neck has been compulsory for women in Iran since 1983, following the 1979 Islamic revolution.
Women in Iran have increasingly defied the dress code since mass protests triggered by the September 16 death in police custody last year of 22-year-old Mahsa Amini, an Iranian Kurd, who was arrested for allegedly flouting the dress rules.
During the months-long demonstrations, several hundred people were killed, including dozens of security forces, and thousands were arrested.
As part of efforts to enforce the ban over the past year, authorities have closed several businesses for not respecting the dress code and installed surveillance cameras in public places to monitor violations.
State media reported in July increased police patrols aimed at catching those ignoring the law and in September, parliament voted in favor of a bill that would toughen penalties on those who breach the dress code.


Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape

Updated 15 January 2026
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Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape

  • The publication features established and emerging talents elevating the region across design, fashion, art, tech, music, architecture and media
  • Saudi fashion designer Hatem Alakeel seeks to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences

DUBAI: When Saudi fashion designer Hatem Alakeel interviewed Princess Reema bint Bandar Al-Saud before her appointment as Saudi ambassador to the US, the longtime advocate of women’s empowerment made a powerful prediction: “I look forward to the day that the Saudi woman is no longer the story but rather a phenomenal achievement.”

That moment would become the foundation for Gems of Arabia, an arts and culture audio-visual podcast that spotlights the creative talents shaping the landscape of Saudi Arabia and the broader region.

Over six years, Gems of Arabia has documented the sweeping transformation of the Kingdom’s art and culture scene, and is now evolving into a full-fledged magazine.

Hatem Alakeel is a Saudi fashion designer. (Supplied)

“It started off as a column I used to write, and from there, it turned into a podcast. Now it is growing into a magazine,” Dubai-based Alakeel, the magazine’s founder and editor-in-chief, told Arab News ahead of the launch of the digital publication on Thursday.

Besides spotlighting celebrated regional artists, Alakeel said Gems of Arabia is in search of the “hidden gems” elevating the region across design, fashion, art, tech, music, architecture and media.

The magazine serves as a platform for talented, authentic creatives and tech entrepreneurs unable to articulate their work “because they don’t have the public relations or capacity to promote themselves even through social media.”

Alakeel added: “Our job is to identify all these authentic people; you don’t have to be famous, you just have to be authentic, and have a great story to tell.”

The digital publication offers a dynamic blend of short-form podcasts, coverage of regional cultural events, in-depth features and editorials, long-form interviews and artist profiles — spotlighting both celebrated and emerging talents. This is complemented by social media vox pops and bite-sized coverage of art events across the region.

Alakeel, who also runs Authenticite, a consulting and creative production agency connecting creators and brands who want to understand Saudi culture, said the magazine content is “carefully curated” to feature topics and personalities that resonate in the region.

What differentiates Gems of Arabia, he said, is its story of continuity and substance amassed over the years that has captured the evolution of the wider regional landscape.

“The website represents an archive of nearly 150 articles compiled through years of podcasts and long-form conversations that show continuity and depth changes,” he said.

“So, it’s an evolution and it’s another home for all our content and our community.”

Growing up in France, Alakeel said his mission started early on when he felt the need to represent his Saudi culture “in a way where it can hold its own internationally.”

Through his first brand, Toby, he sought to bring the traditional thobe into modern designs and introduce it to the luxury fashion world. This mission was accomplished when his thobe designs were placed alongside global labels such as Harvey Nichols, Dolce & Gabbana and Prada.

What began as a personal design mission would soon expand into a broader platform to champion Saudi talent. 

“I was articulating my culture through fashion and it just felt natural to do that through the incredible people that the region has,” Alakeel said, adding that the magazine aims to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences.

“Art is such a great way of learning about a culture and a country,” he said. 

On the ground in Saudi Arabia, the publication hosts GEMS Forum, a series of live cultural gatherings that bring together prominent artistic figures for in-depth conversations later transformed into podcast episodes recorded with a live audience.

Alakeel said the print edition of Gems of Arabia will debut in March, designed as a collectible coffee-table quarterly distributed across the Gulf.

He envisions the platform growing into a long-term cultural record.

“It's a Saudi-centric magazine, but the idea is to make it inclusive to the region and everyone authentic has a seat at the table,” said Alakeel.