Escape to Okinawa, Japan’s historic island paradise 

Aerial view of Iriomote island in Okinawa, Japan. (Shutterstock)
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Updated 08 December 2023
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Escape to Okinawa, Japan’s historic island paradise 

  • The prefecture offers outstanding scenery, plenty of history and culture, and a laidback vibe  

OKINAWA: Located at the intersection of trade routes that linked Japan, China, south-east Asia and the tiny islands that dot the Pacific Ocean, the Japanese prefecture of Okinawa has adopted flavors from all its neighbors, but still managed to remain true to its cultural and historic roots. 

Those influences can be tasted in the area’s cuisine and witnessed in its unique architectural styles, festivals and attitudes that are more laidback Pacific than formal Japanese. And local people — descendants of the Ryukyuan Kingdom that was absorbed into Japan in 1872 — still take a fierce pride in being distinct. 

Now Japan’s most southerly prefecture, Okinawa consists of more than 150 islands, dotted between southern Kyushu to a point just over the horizon from Taiwan. Some of the more remote islands are uninhabited while others have just a handful of homes in communities that have changed little in generations. Bullocks pull wooden carts across the beach flats and the sound of three-string “shamisen” being plucked floats on the warm evening air. 




Shuri Castle which overlooks Naha in Okinawa. (Shutterstock)

The lifestyles of those outer islands is quite a contrast to Naha, the regional capital — less than two hours’ flying time from Tokyo and connections to the Middle East. 

Kokusaidori runs for more than 2 km through the heart of the city and, while touristy, is still the best place to get your first taste of Okinawa. Cafes, bars, boutiques and gaudy stores selling trinkets are cheek-by-jowl.  

Okinawan cuisine is a blend of many influences, with fish abundant in the surrounding waters, pork imported from China when the Ryukyus were still independent and fruits and spices from south-east Asia. For non-Muslims, no visit would be complete without sampling goya champuru, the islands’ signature dish that typically combines pork, tofu, eggs and goya, a green gourd with its own distinctive, bitter taste. Pork belly (rafute), simmered in soy sauce before being glazed with brown sugar, is another favorite, along with the local take on soba noodles. 




Kokusaidori, the main street in Naha, Okinawa's capital city. (Shutterstock)

Just off Kokusaidori is the covered market where many of the restaurants source their ingredients every day. In a warren of narrow alleyways, stalls are also piled high with every conceivable household utensil, local fabrics and electronic gadgets that you never knew you needed. 

Naha is overlooked from the east by Shuri Castle. The main elements of the UNESCO World Heritage site were razed to the ground by fire in 2019, but work is underway to rebuild the iconic red structure and it is expected to once again be fully open to visitors by 2026. 

Despite the damage, the castle is still worth visiting. The fortified buildings on the site dating back to the 12th century CE, when Shuri was the center of Ryukyuan politics, diplomacy and culture. An earlier version of the castle was designated a national treasure in 1925, but was destroyed in the fierce fighting that took place in Okinawa in the closing stages of World War II. 




Water buffalo cart near Iriomote island. (Shutterstock)

Its outer fortifications, gateways and courtyards escaped damage in the most recent fire, and their gracefully curving walls of limestone are markedly different from traditional Japanese castles. A series of decorated gateways lead deeper into the complex, their designs reflecting Chinese as well as Japanese and Ryukyuan influences. 

Okinawa’s islands are dotted with fortresses that were the power bases of local warlords, with Zakimi Castle another well-preserved example dating from the early 1400s. On the west coast of the main island, it dominates a hill overlooking the town of Yomitan and its thick walls complement the curves of the coastline below. 

The islands’ recent history is overshadowed by the brutal battles that took place here in 1945. The Okinawa Prefectural Peace Memorial Museum opened in 1975 to give a fuller sense of the human tragedy. Built atop sea cliffs in the far south of the prefecture, on the site of the Imperial Japanese Army’s last stand, the museum’s gardens have rings of tall black stones bearing the names of each of the more than 250,000 men, women and children who died in the fighting here, regardless of nationality. A short walk away, along an avenue lined with memorials to the dead of each of Japan’s prefectures, is the tiny cave where the commanding officer of the defeated defenders committed suicide rather than surrender. 

Peace has once more returned to Okinawa and for anyone in search of true tranquility, consider a trip to Iriomote, the second-largest of the islands. It is famous for its unspoiled natural environment and a unique species of wild cat. 

Its sparse coastal communities are linked by a single road and the island’s interior is largely untouched — and protected as a national park. Visitors can explore by sea kayak, while a 20-km trail leads through the jungles of the interior and the mangrove swamps of the coast, all providing an enviable escape from the pace of modern city life. 


Riyadh exhibition to trace the origins of Saudi modern art

Updated 07 January 2026
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Riyadh exhibition to trace the origins of Saudi modern art

  • Features painting, sculpture and archival documents
  • Open from Jan. 27-April 11 at Saudi national museum

DUBAI: A new exhibition in Riyadh is focusing on the origins of Saudi Arabia’s modern art scene, examining how a generation of artists helped shape the Kingdom’s visual culture during a period of rapid change.

The “Bedayat: Beginnings of Saudi Art Movement” show reportedly traces the emergence of creative practices in Saudi Arabia from the 1960s to the 1980s, an era that laid the groundwork for today’s art ecosystem.

On view from Jan. 27 until April 11 at the National Museum of Saudi Arabia, it includes works and archival material that document the early years of modern and abstract art in the Kingdom, according to the organizers.

It will examine how artists responded to shifting social, cultural and economic realities, often working with limited infrastructure but a strong sense of purpose and experimentation.

The exhibition is the result of extensive research led by the Visual Arts Commission, which included dozens of site visits and interviews with artists and figures active during the period.

These firsthand accounts have helped to reconstruct a time when formal exhibition spaces were scarce, art education was still developing, and artists relied heavily on personal initiative to build communities and platforms for their work.

Curated by Qaswra Hafez, “Bedayat” will feature painting, sculpture, works on paper and archival documents, many of which will be shown publicly for the first time.

The works will reveal how Saudi artists engaged with international modernist movements while grounding their practice in local heritage, developing visual languages that spoke to both global influences and lived experience.

The exhibition will have three sections, beginning with the foundations of the modern art movement, and followed by a broader look at the artistic concerns of the time.

It will conclude with a focus on four key figures: Mohammed Al-Saleem, Safeya Binzagr, Mounirah Mosly and Abdulhalim Radwi.

A publication, documentary film and public program of talks and workshops will accompany the exhibition, offering further insight into a pivotal chapter of Saudi art history and the artists who helped define it.