Filmmaker Talal Almusaad talks ‘weird, psychedelic’ short film ‘Salem’s Legs’ at RSIFF

Saudi filmmaker Talal Almusaad is making his cinema debut with a short film titled ‘Salem’s Legs.’ (Supplied)
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Updated 05 December 2023
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Filmmaker Talal Almusaad talks ‘weird, psychedelic’ short film ‘Salem’s Legs’ at RSIFF

RIYADH: At just 18, Saudi filmmaker Talal Almusaad is making his cinema debut with a short film titled “Salem’s Legs” at the Red Sea International Film Festival.

Almusaad was raised in the Eastern Province city of Dhahran at a time when cinemas were nonexistent in the Kingdom. Nevertheless, he saw films, notably the “Halloween” movie franchise, during visits to Bahrain. He cites Hollywood film giants Stanley Kubrick and Quentin Tarantino as among his favorite directors.

“From childhood, all I wanted to do was tell stories,” Almusaad, who is based in Riyadh, told Arab News. 

The fledgling director said that he is interested in making films about Saudi culture for non-Arab audiences, but also wants to surprise Arab audiences with “creepy and weird” plots.

“I want to make something new in Saudi cinema,” he said.

“Salem’s Legs,” which runs for just five minutes, is an Arabic-language dark comedy about two young friends, Salem and Mohammed. When the former swallows an anonymous pill and collapses, Mohammed panics and believes that his friend has died. He tries to get rid of Salem’s body by rolling it up in a carpet. Their adventures lead them to the Saudi desert.




‘Salem’s Legs,’ which runs for just five minutes, is an Arabic-language dark comedy. (Supplied)

“It’s a weird, psychedelic movie. You can even see that in our poster,” said the director of the fluorescent pop-art design.

“There is no message in the film, but that is the message: You don’t have to do a film with a message just to brag and say you’re an artist.”

The plotline was put together by scriptwriter Nawaf Alzahrani and the film features three actors, Mohammed Alajmi, Salem Alattas, and Norah Abdalaziz.

“I told the group, ‘Let’s make something we love. Don’t think about if we win or lose at the Red Sea Festival.’”

The film was shot in just 48 hours and will be screened at Vox Cinema in the Red Sea Mall on Dec. 5 and 8.

It is a surreal experience for Almusaad to showcase his work at the festival, as he only recently graduated from high school and hopes to study filmmaking abroad.

He would like to shoot one more film in his homeland, which has recently undergone a major transformation in terms of cinema access and production. At the festival alone, there are more than five Saudi feature films screening this year.

“If you told me five years ago that many filmmakers will do films in Saudi Arabia, I would not have believed that. It’s crazy,” Almusaad said.


‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

Updated 06 February 2026
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‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

RIYADH: Angel Manuel Soto directs this odd-couple action-comedy with a confidence and flair that — along with the chemistry between its central performers and its better-than-you’d-ever-expect script — just about raises it above the slop swarming the streamers.

Jason Momoa and Dave Bautista play estranged half-brothers Jonny and James Halle. Both have the same father — a not-much-liked private detective called Walter who’s just been killed in a hit-and-run in Hawaii (where they were raised and where James, a Navy SEAL, still lives). Neither brother is particularly upset to hear the news of Walter’s death, but when Yakuza henchmen attack Jonny in his Oklahoma home (where he’s a maverick, heavy-drinking cop) demanding a package sent by Walter (a package he hasn’t yet received), he decides to return to Hawaii for the first time in years to attend the funeral and investigate further.

Jonny’s reunion with James is less than cordial, but he does meet James’ wife Leila and their kids for the first time. Leila is a child-psychologist — not afraid to call the brothers out on their emotional shortcomings, nor to try and help them fix their fractured fraternity.

The brothers’ investigation uncovers a plan to build a casino on Hawaiian home lands (an area held in trust for Native Hawaiians). The developer is the extremely wealthy Marcus Robichaux (played with gleeful pantomime-villain campness by Claes Bang), who — it turns out — had hired Walter to investigate his wife, who had hired Walter to investigate her husband.

Now our heroes know who they have to bring down, they’re into far more comfortable territory (both for the characters and, you suspect, the actors). Yep. Forget the dialogue, it’s action time.

Cue multiple scenes of high-octane mayhem expertly helmed by Soto in what’s essentially a slightly updated (emotional healing!) throwback to the dumb-but-fun action blockbusters of the Eighties and Nineties. The nostalgia isn’t hidden, either. The soundtrack starts with Guns N’ Roses and ends with Phil Collins. And there’s a shoutout to Jean-Claude Van Damme in between.

There’s a plot here too, but, honestly, who cares? Momoa and Bautista get to flex their considerable muscles, show off their ink, and make a few wisecracks. No one’s watching this for a clever twist, right? Watch it hoping for a couple hours of entertaining excitement and you’ll be well satisfied.