1st contemporary art museum inaugurated in Riyadh with Argentinian Bienalsur show

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In a move to promote contemporary art and empower artists in the Kingdom, the SAMoCA will become a platform for promoting best contemporary artistic practices and works by local and international artists. (Supplied)
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In a move to promote contemporary art and empower artists in the Kingdom, the SAMoCA will become a platform for promoting best contemporary artistic practices and works by local and international artists. (Supplied)
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In a move to promote contemporary art and empower artists in the Kingdom, the SAMoCA will become a platform for promoting best contemporary artistic practices and works by local and international artists. (Supplied)
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In a move to promote contemporary art and empower artists in the Kingdom, the SAMoCA will become a platform for promoting best contemporary artistic practices and works by local and international artists. (Supplied)
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Updated 03 November 2023
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1st contemporary art museum inaugurated in Riyadh with Argentinian Bienalsur show

  • This space ‘serves the idea that there are concrete roots and forms of innovation here’

RIYADH: The Saudi Ministry of Culture on Tuesday inaugurated the Museum of Contemporary Art (SAMoCA), in Riyadh’s JAX district.

The museum in JAX, displaying a permanent art collection, is integrated with another in Diriyah which will present three temporary exhibitions every year along with cultural and artistic events.

Featured Saudi artist, Saeed Gebaan, told Arab News: “This is a great and essential step that we needed to take.




In a move to promote contemporary art and empower artists in the Kingdom, the SAMoCA will become a platform for promoting best contemporary artistic practices and works by local and international artists. (Supplied)

“We have older contemporary works by older generations of artists and this space serves the idea that there are concrete roots and forms of innovation here that visitors can experience from all over the world.”

The first collection on display is part of the traveling Bienalsur, the International Contemporary Art Biennial of South America, under the theme “Imagine: Dreams, Utopias, Fantasies,” which launched in July 2022, in the Argentine capital Buenos Aires.

We have older contemporary works by older generations of artists and this space serves the idea that there are concrete roots and forms of innovation here that visitors can experience from all over the world.

Saeed Gebaan, Saudi artist

It includes creative works by more than 400 artists from 27 countries, including 10 from Saudi Arabia.

Gebaan said: “When they told me the work was selected to showcase in Riyadh, I was ecstatic because we want to present works here in the country to get people excited to come and see the creativity in the region.”




In a move to promote contemporary art and empower artists in the Kingdom, the SAMoCA will become a platform for promoting best contemporary artistic practices and works by local and international artists. (Supplied)

In Gebaan’s kinetic installation “Soul,” audiences can see a slate of sand slowly bubbling up and almost freezing until it animates once again. Combining science and human nature, the work questions visual contradictions and dimensions of existence.

When experiencing the piece, Gebaan hoped audiences would “question the work and witness an element change completely and then come back to its original form. It’s an odd thing to witness.”

We’re experiencing a field that’s growing so proficiently and with a high level of expertise, it feels that all the elements of this show, how it started and what it came to be, reflects the full picture of the art scene in such an optimistic and positive way.

Hatem Al-Ahmad, Saudi-Syrian artist

Saudi-Syrian artist Hatem Al-Ahmad channeled his multidisciplinary practice into, “To Speak in Synergy.” The video installation shows a filmed performance of 11 volunteer community members in Abha — where the artist lives — painting juniper trees with copper sulphate calcium, used for plant preservation and disease prevention.

The performance was an act of collective action to proactively acknowledge and address the ongoing destruction of the world’s ecosystems.




In a move to promote contemporary art and empower artists in the Kingdom, the SAMoCA will become a platform for promoting best contemporary artistic practices and works by local and international artists. (Supplied)

Al-Ahmad said: “It’s a hope for healing. We’re experiencing a field that’s growing so proficiently and with a high level of expertise, it feels that all the elements of this show, how it started and what it came to be, reflects the full picture of the art scene in such an optimistic and positive way.”

Shahd Youssef’s artwork “Great Smog” poses a possible solution to air pollution inspired by London’s weather conditions that left the English capital in a blanket of lethal fog, killing 12,000 people in 1952. It ultimately led the British government to pass the Clean Air Act in 1956.




In a move to promote contemporary art and empower artists in the Kingdom, the SAMoCA will become a platform for promoting best contemporary artistic practices and works by local and international artists. (Supplied)

Pieces of processed charcoal-like material coated with biochar are plastered on a section of the white walls of the exhibition space. The material actively reduces CO2 in the atmosphere.

With a psychology background, Youssef derived the ideas behind her work from human suffering, global issues, and the effects of human activity on the environment.

She said: “I also focus on the concept of finding solutions within the cause itself; here, the same material was hazardous, but it can also be used in alternative ways to combat that.”

The work is displayed for the first time in Riyadh. “I’m so grateful and happy for it to be here,” she added.

In a move to promote contemporary art and empower artists in the Kingdom, the SAMoCA will become a platform for promoting best contemporary artistic practices and works by local and international artists.

The exhibition will run until Dec. 31 in JAX and is part of the country’s ongoing initiatives to enhance quality of life and promote international cultural exchange. Tickets are available via the ministry’s Discover Culture page at https://dc.moc.gov.sa/home/event-tickets/51/bienalsur/

 

 


Saudi Arabia witnessing comprehensive cultural development, says expert

Updated 14 February 2026
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Saudi Arabia witnessing comprehensive cultural development, says expert

  • Clotilde Entrecanales of Acciona hails pace of change in Kingdom

JEDDAH: Museums, exhibitions and art centers play a crucial role in the development of free and educated societies such as the one now burgeoning in Saudi Arabia, an expert has told Arab News.

Clotilde Entrecanales, the Spanish art historian and cultural executive who heads Acciona Living & Culture, a leading creator of technology-driven interactive museums, exhibits and events, said the Kingdom is making efforts to expand the role of culture development to show the world the greatest possible cultural offer.

She added that the Kingdom has quickly infused new energy into the region, and is rapidly establishing itself as a global cultural hub through massive investment in world-class museums, public art and international events, aligning with its 2030 vision.

She said: “With around 70 percent of the population under 30, cultural consumption looks very different than in Europe or the US. These spaces can’t feel like quiet, isolated institutions … they need to be fast, dynamic, brave and deeply connected to the city, blending into everyday urban life rather than sitting apart from it.”

Asked about the role of these sites in the evolving global cultural landscape, particularly in emerging cultural hubs like Saudi Arabia, Entrecanales said: “Our vision is to be a purpose-led partner for cultural and entertainment institutions, helping them be more relevant, connected, inclusive and sustainable.”

She added: “In emerging cultural hubs like Saudi Arabia, that approach feels especially relevant. The cultural transformation underway is moving fast — with major heritage and cultural destinations being developed and opened to the world.”

Speaking about her impression of the Kingdom’s approach to blending heritage with modernity face, Entrecanales said: “Others who attempt to achieve this balance often end up turning heritage into a theme, a layer of storytelling or a cultural program. What feels different about Saudi’s approach is how much pressure there is to treat heritage as the foundation, not just the surface.

“When you’re building at this speed and scale, there’s always a risk that history becomes a backdrop instead of a backbone. The projects that work best are the ones that slow down just enough to let the past set the rhythm for the present.”

Regarding opportunities and challenges, she said: “The opportunity is nothing less than positioning Saudi Arabia as a global cultural center. The challenge, as always, lies in balancing the speed and scale of that ambition with long-term sustainability and a sense of authenticity that remains credible and rooted.”

She added: “You can really feel this in places like the Islamic Arts Biennale, which shows hundreds of historical artefacts of the Islamic world, while re-framing them through contemporary scenography and designs by some of the best design studios in the world; or in AlUla, a world-class heritage site that hosts a major contemporary platform like Desert X, allowing ancient context and present-day artistic practice to coexist in a way that feels genuine.”

Under her guidance, ACCIONA Cultura aspires to create museums and cultural experiences that function as landmarks while fostering sustainable, inclusive and immersive interactions.

She elaborated on how the company is integrating technology, culture, and sustainability to preserve and promote the region’s cultural heritage: “We always start with human connection and storytelling: what’s the story, what should people leave with? Tech comes later.”

Recently, ACCIONA Cultura has been involved in significant projects in Saudi Arabia and is looking forward for more.

She said: “Right now, for example, we’re designing and curating a museum gallery where the entire space is shaped by the practice of a Saudi artist. Another example is the Net Zero exhibition at the King Abdulaziz Center for World Culture (Ithra), where we brought together Saudi and international artists to explore sustainability and our relationship with the planet, including voices like Dina Haddadin, Mohammed Al-Faraj, and Zahrah Al-Ghamdi.”

She added: “One of the projects I’m most proud of isn’t a museum, but our NEXT IN Summit, which we’ve hosted in two editions in our ACCIONA Campus in Madrid, highlighting the Kingdom’s unprecedented cultural momentum as it builds future-facing institutions with a startup mindset.”

About further collaboration with Saudi Arabia, she said: “Let’s just say … something’s definitely simmering in the kitchen.”

Commenting on being recognized among the Blooloop 50 Museum Influencers for 2025, she said: “It means a lot. More than anything, it feels like a nod to the years of teamwork and dedication behind Acciona Cultura, rather than to me personally.”