Spray and play as Riyadh stages first street art festival

The festival is being staged by the Visual Arts commission, part of the Saudi Ministry of Culture's Visual Arts Commission. (Supplied)
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Updated 21 October 2023
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Spray and play as Riyadh stages first street art festival

  • Artists from around the world to feature in celebration of fast-growing art form

RIYADH: Street art by 30 local, regional and international artists will feature in a citywide celebration that promises to turn the Saudi capital into “a place to play.”

The inaugural Riyadh Street Art Festival will run from Nov. 15 to Dec. 6, and will be curated by Cedar Lewisohn and Saudi artist Basmah Felemban.

It is being staged by the Visual Arts Commission, part of the Saudi Ministry of Culture, and follows Noor Riyadh, the annual celebration that has illuminated the Saudi capital with light installations for the past three years.

“We are excited about street art as a genre and bringing it to Riyadh,” Lewisohn told Arab News. “We see the street art form speaking to different communities locally, regionally and internationally.”

Lewisohn curated a landmark street art exhibition at Tate Modern in London 2008, and has also edited books on the subject and self-published several publications. He was the curator of the “Outside The Cube” project for HangarBicocca Foundation in Milan in 2016, the first event dedicated to street art in the city.

The collaboration also includes additional art forms and activities, such as dance, performing arts and skateboarding, Lewisohn said.

“This idea of using the city as a place to play is a strong theme,” he added.

Murals, sculpture, and events staged by regional and international artists will be featured in the festival, which will also include discussions, lectures and workshops exploring the history of street art.

Live music, dancers, a skate park, street art fashion and family-friendly creative spaces will add to the attractions.

Organizers say the festival will also spotlight female artists, and young and aspiring street artists in the Kingdom.

Felemban, who has been involved in several exhibitions in the country, including “21,39” in Jeddah, said the growing art scene is being noticed throughout the Kingdom.

“There’s a lot of development when it comes to art in Saudi Arabia being noticed by all classes and societies,” she told Arab News.

“We don’t just have art festivals, but also niche platforms that artists can engage with, such as biennales and commercial festivals, and also research-based artistic opportunities. “Art schools are going to open soon. In every city, it seems there is a project for an art school or an academy.”

Felemban, a self-taught graphic designer and artist, received a master’s degree in Islamic and traditional art from the Prince’s Foundation School of Traditional Arts in London in 2017. In 2014, she won the Arab Women of the Year Awards’ “young talent” category.

Supporting the growth of the Kingdom’s art scene has been a priority for Felemban.

Street art is already a popular art form in Saudi Arabia, and the Riyadh festival “will allow everyone to understand the best way to deal with the genre,” she said.

“It’s important to support up-and-coming artists interested in the genre, and to support graffiti shops and skate shops (in the Kingdom) so that they can grow and survive,” she added.


Highlights from Saher Nassar’s ‘Chronicles from the Storm’ exhibition in Dubai

Updated 27 February 2026
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Highlights from Saher Nassar’s ‘Chronicles from the Storm’ exhibition in Dubai

DUBAI: Here are three highlights from Saher Nassar’s ‘Chronicles from the Storm,’ which runs until March 18 at Zawyeh Gallery in Dubai.

‘Chronicles No. 1’

In his latest solo exhibition, the Palestinian artist “reimagines events that push past emotional capacity toward moral exhaustion, questioning the ethical certainty of the human spirit when faced with immense suffering,” according to the show catalogue, with works that “contemplate the devaluation of hope as a fundamental factor of human survival, sometimes revealed as currency for escape, sometimes seen in people resorting to their primal instincts to endure.”

‘Chronicles No. 8’

“Drawing from both personal and collective experiences, the exhibition unfolds as a layered reflection on how repeated trauma reshapes perception, belief, and the instinct to survive,” a press release for the show states. “Nasser translates lived realities into visual studies that move beyond immediate reaction. Rather than seeking resolution or catharsis, the works dwell in a state of moral exhaustion.”

‘Chronicles No. 3’

In “Chronicles from the Storm,” the UAE-based multidisciplinary artist is not attempting to offer answers, the press release suggests; rather, he is “bearing witness” and “inviting viewers to sit with unresolved questions and the uneasy persistence of the human spirit in the aftermath of the storm.” The works on show “carry a restrained intensity, resisting spectacle in favor of contemplation,” the release continues.