What We Are Reading Today: American Classicist by Victoria Houseman

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Updated 08 October 2023
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What We Are Reading Today: American Classicist by Victoria Houseman

Edith Hamilton (1867–1963) didn’t publish her first book until she was 62. But over the next three decades, this former headmistress would become the 20th century’s most famous interpreter of the classical world. Today, Hamilton’s Mythology (1942) remains the standard version of ancient tales and sells tens of thousands of copies a year. During the Cold War, her influence even extended to politics, as she argued that postwar America could learn from the fate of Athens after its victory in the Persian Wars. 

In “American Classicist,” Victoria Houseman tells the fascinating life story of a remarkable classicist whose ideas were shaped by — and aspired to shape — her times. 

Hamilton studied Latin and Greek from an early age, earned a BA and MA at Bryn Mawr College, and ran a girls’ prep school for 26 years. After retiring, she turned to writing. Hamilton traveled around the world, formed friendships with Gertrude Stein and Ezra Pound, and was made an honorary citizen of Athens.


What We Are Reading Today: Making Waste by Sophie Gee

Updated 02 March 2026
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What We Are Reading Today: Making Waste by Sophie Gee

Why was 18th-century English culture so fascinated with the things its society discarded? Why did Restoration and Augustan writers such as Milton, Dryden, Swift, and Pope describe, catalog, and memorialize the waste matter that their social and political worlds wanted to get rid of—from the theological dregs in “Paradise Lost” to the excrements in “The Lady’s Dressing Room” and the corpses of “A Journal of the Plague Year?” In “Making Waste,” the first book about refuse and its place in Enlightenment literature and culture, Sophie Gee examines the meaning of waste at the moment when the early modern world was turning modern.

Gee explains how English writers used contemporary theological and philosophical texts about unwanted and leftover matter to explore secular, literary relationships between waste and value. She finds that, in the 18th century, waste was as culturally valuable as it was practically worthless—and that waste paradoxically revealed the things that the culture cherished most.