BAGHDAD: Iraq’s prime minister on Thursday visited injured patients and the families of victims in northern Iraq days after a deadly wedding fire killed around 100 people, as two more people died from their injuries.
Mohammed Shia Al-Sudani arrived in Nineveh province early Thursday with a delegation of ministers and security officials, state television reported. He met with the wounded and family members of victims at Hamdaniyah Hospital and Al-Jumhoori Hospital.
He later visited the Syriac Catholic Mar Behnam Monastery to express his condolences to victims.
A health official, speaking on condition of anonymity in line with regulations, told The Associated Press that two critically burned victims — a 30-year-old woman and a 4-year-old child — died from their injuries.
Around 250 panicked guests surged for the exits on Tuesday night in the Haitham Royal Wedding Hall in the predominantly Christian area of Hamdaniya near Mosul after the ceiling panels above a pyrotechnic machine burst into flames.
Authorities said around 100 people died in the incident, and the death toll is expected to rise with at least 100 other people still injured, many of them critically burned.
The venue’s owners have been accused of violating safety protocols.
The Mosul Municipality on Wednesday called for the closure of hotels, restaurants, and other venues that don’t have safety approvals or have ignored warnings.
Funeral processions continued Thursday at the Saint Behnam Syriac Catholic Church. A video circulating on Iraqi media and social media showed the bride and groom among the crowd mourning.
The Interior Ministry said highly flammable building materials contributed to the disaster and accused the owners of violating safety and security protocols. The tragedy was the latest to hit Iraq’s Christian minority, which has dwindled to a fraction of its former size over the past decade.
A security official told the AP that one of the venue’s owners and 13 workers and employees are currently under investigation. The official said that negligence caused the incident and that the government is preparing to compensate survivors and the families of victims. He speak on condition of anonymity because he was not authorized to speak to the press.
A government spokesperson said the authorities will conduct strict inspections of hotels, schools, restaurants and event venues to make sure they are complying with safety standards.
One owner of the venue, Chonny Suleiman Naboo, told The Associated Press that an electrical fault caused the fire and denied that they had neglected safety procedures.
Iraq’s prime minister visits wedding fire victims as 2 more people die from their injuries
Iraq’s prime minister visits wedding fire victims as 2 more people die from their injuries
- Around 250 panicked guests surged for the exits on Tuesday night in the Haitham Royal Wedding Hall in the predominantly Christian area of Hamdaniya near Mosul
Ramadan lanterns: A symbol of celebration
CAIRO: Muslims around the world are observing Ramadan, a month of dawn-to-dusk fasting, intense prayer and charity.
The holy month has long been associated with a rich tapestry of customs and traditions that define its unique celebrations.
Among the most prominent symbols of these festivities is the Ramadan lantern, a cherished emblem that illuminates streets and homes, reflecting the spiritual and cultural essence of the season.
In the historic districts of Cairo — such as Al-Hussein, Al-Azhar and Sayyida Zeinab — millions of Egyptians gather to celebrate Ramadan.
These neighborhoods are transformed into vibrant scenes of light and color, adorned with elaborate illuminations and countless Ramadan lanterns that hang across streets and balconies.
Vendors line the bustling alleys, offering a wide array of goods associated with the sacred month.
Foremost among these cherished items is the Ramadan lantern, which remains the most iconic and sought-after symbol of the season, embodying both tradition and festivity.
The lantern, in its earliest form, served as a vital source of illumination in ancient times.
Initially, torches crafted from wood and fueled with oils were used to light homes and pathways.
During the Middle Ages, Egyptians advanced their methods of lighting, developing oil lamps and decorative lanterns. In the Mamluk era, streets were illuminated on a wider scale, and artisans excelled in architectural innovation, producing intricately designed lanterns adorned with refined artistic motifs.
Gamal Shaqra, professor of modern history, told Arab News: “The story of the Ramadan lantern is widely traced back to the Fatimid era, with several narratives surrounding its origin. One account links it to Jawhar Al-Siqilli, the general who founded Cairo and built Al-Azhar Mosque, and to the arrival of Caliph Al-Muizz li-Din Allah in 969 A.D.
“According to this, Egyptians welcomed the Fatimid caliph by carrying lanterns to light his path, using them as both illumination and a gesture of celebration.”
He added: “Following this historic scene, lanterns began to be used to light streets and public spaces. Over time, the lantern evolved into a defining symbol of Ramadan festivities, as children took to the streets carrying their brightly lit lanterns and chanting traditional songs celebrating the holy month.
“The tradition continued to flourish during the Ayyubid and Mamluk periods, with lantern designs becoming increasingly diverse. In the era of Mohammad Ali, the craft saw further development, as lanterns were manufactured from metal sheets and fitted with colored glass, marking a significant evolution in both design and production.”
Methods of manufacturing the Ramadan lantern have diversified over time, alongside the evolution of its artistic designs in the modern era.
With the advancement of tools and technology, merchants have increasingly introduced wooden lanterns crafted using laser-cut techniques, offering intricate patterns and contemporary styles.
Despite these innovations, handcrafted lanterns continue to retain their distinctive value and authenticity. Made by skilled artisans, these traditional pieces remain deeply cherished, preserving the spirit of heritage and craftsmanship associated with the holy month.
Artist Mohamed Abla told Arab News that the design of the Ramadan lantern was inspired by the form of the mishkat — the ornate niche found in mosques that embodies Islamic art and traditionally serves as a source of illumination.
He added that the lantern had long been a subject for visual artists, who had depicted it in their paintings as a symbol of folk heritage and the enduring traditions associated with celebrating the holy month.
During a tour of popular marketplaces, a clear variation in lantern prices was noted, reflecting the craftsmanship and effort invested in their production.
In the tourist markets along Al-Moeaz Street, brass and bronze lanterns are prominently displayed in antique shops, showcasing elaborate designs that appeal to both visitors and collectors seeking traditional Ramadan decor.
