Review: Be prepared for deep story and complexity in ‘Baldur’s Gate 3’

Latest incarnation of the 1998 series creates very human experience despite outrageous fantasy world. (Larian Studios)
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Updated 26 September 2023
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Review: Be prepared for deep story and complexity in ‘Baldur’s Gate 3’

  • Latest incarnation of the 1998 series creates very human experience despite outrageous fantasy world

LONDON: The “Baldur’s Gate” series dates to 1998 and this latest incarnation (available for both PC and PS5) allows gamers into a vast and hugely complex fantasy world of Dungeons and Dragons, with hundreds of customization options as you weave your story from the depths of the Underdark, to the glittering rooftops of the Upper City.

For those unfamiliar with the series, adjusting to this world, its history and lore, as well as the practical aspects of turn-based role-playing game, or RPG, combat, can be difficult. But, if you are willing to persevere, you are rewarded with a story of incredible depth all shaped by your choices.

The story begins — following significant time choosing your character’s class and appearance — with you trapped on a nautiloid ship where you witness an Illithid also known as “mind flayer” place a tadpole into your brain. One dramatic air battle with dragons later and you are free and desperate to cure this contagion.

As ever with RPGs, you balance a central quest alongside a steadily increasing number of side quests. There is a fair amount of dialogue but the choices within it, which often involve going to the role of a dice, feel substantive and the silky tones of the narrator give you greater immersion into the impressive world that you find yourself in. 

Combat is turn-based and akin to a game of chess with each of your four-person team possessing certain skills and strengths that need to be knitted together for success. Again, the pace of this style of game is very different from the quick reactions of other more conventional fighting fantasies like “Elden Ring” but again after a time complexity becomes familiarity.

Movement around the battle space is limited, jumping becomes an important attribute and enemy spells or actions like throwing grease can force some of your party to miss their turn, sometimes with lethal implications. Leveling up is a serious affair offering a host of new skills, but patience is required to read and understand each. 

The dice mechanic can seem a bit arbitrary at first but once you get to grip with the logic of a character’s developing strengths it can reinforce the sense that your choices matter. Charismatic characters can persuade non-playable characters to do what they want, whilst stronger ones can try and use intimidation to get to a similar outcome. Again, it is worth spending time slowly understanding the menus, dialogue histories and item effects to really get the most out of the game. 

The world is varied and can be fast-travelled. Music and atmosphere are both solid but one of the most enjoyable aspects of the game is the relationship between your tadpole-infected group of four. It is your choices that determine who you travel with, and the world’s history will mean some companions will not get on with each other. Time spent resting in the game’s “camp” facility offers further dialogue and the chance for your characters’ relationships to become stronger. This all means that “Baldur’s Gate 3” creates a very human experience despite the outrageous fantasy world in which it is based. 


Saja Kilani shines at BAFTAs 2026

Updated 23 February 2026
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Saja Kilani shines at BAFTAs 2026

DUBAI: Palestinian-Jordanian-Canadian actress Saja Kilani, one of the stars of “The Voice of Hind Rajab,” stepped onto the BAFTA Film Awards 2026 red carpet in a sculptural look from Bottega Veneta’s Spring 2026 collection.

Nominated for Best Film Not in the English Language, Kaouther Ben Hania’s “Voice of Hind Rajab” tells the story of Hind Rajab Hamada, who was fleeing the Israeli military in Gaza City with six relatives last year when their car came under fire.

The sole survivor of the Israeli attack, who was then shot and killed, her desperate calls recorded with the Red Crescent rescue service caused international outrage.

Kilani plays Rana Faqih, the real-life Palestine Red Crescent Society volunteer who spoke to Hamada in the final hours of her life as she waited, surrounded by the bodies of her family, for help to come. 

Meanwhile, politically charged thriller “One Battle After Another” won six prizes, including Best Picture, at the British Academy Film Awards on Sunday, building momentum ahead of Hollywood’s Academy Awards next month.

Blues-steeped vampire epic “Sinners” and gothic horror story “Frankenstein” won three awards each, while Shakespearean family tragedy “Hamnet” won two, including Best British Film.

“One Battle After Another,” Paul Thomas Anderson’s explosive film about a group of revolutionaries in chaotic conflict with the state, won awards for directing, adapted screenplay, cinematography and editing, as well as for Sean Penn’s supporting performance as an obsessed military officer.

“This is very overwhelming and wonderful,” Anderson said as he accepted the directing prize. He paid tribute to his longstanding assistant director, Adam Somner, who died of cancer in November 2024, a few weeks into production.

“We have a line from Nina Simone that we used in our film, ‘I know what freedom is: It’s no fear,’” the director said. “Let’s keep making things without fear. It’s a good idea.”

Bookies’ favorite Jessie Buckley won the Best Actress prize for her portrayal of grieving mother Agnes Hathaway, wife of William Shakespeare, in “Hamnet.” Buckley, 36, is the first Irish performer to win the Best Actress prize at the awards.

She dedicated her award “to the women past, present and future who taught me and continue to teach me how to do it differently.”

Horror film “Sinners” took home trophies for director Ryan Coogler’s original screenplay, the film’s musical score and for Wunmi Mosaku’s supporting actress performance as herbalist and healer Annie.

The British-Nigerian actor said that in the role she found “a part of my hopes, my ancestral power and my connection, parts I thought I had lost or tried to dim as an immigrant trying to fit in.”