Saudi National Orchestra gives a rousing performance in New York

The “Marvels of Saudi Orchestra” concert was an invite-only event held at the Metropolitan Opera House in New York City. (Arab News)
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Updated 18 September 2023
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Saudi National Orchestra gives a rousing performance in New York

  • The first session of the concert ended with an Arabized version of the classic American song “Fly Me to the Moon,” made popular by Frank Sinatra
  • Oscar-winning actor Adrien Brody was in the audience at the event in New York

NEW YORK: The Saudi National Orchestra and Choir performed on Sunday at the world-renowned Metropolitan Opera House in New York City.

The “Marvels of Saudi Orchestra” concert, a collaborative effort between the Saudi Theater and Performing Arts Commission, the Saudi Music Commission, the Metropolitan Opera, and the Kingdom’s Ministry of Culture, was the Saudi National Orchestra’s debut event in the US.

“Art has the possibility of triumphing over adversity,” Metropolitan Opera General Manager Peter Gelb said in his opening speech at the event.

The concert showcased Saudi Arabia’s rich cultural and musical heritage, opening with a series of folk songs under maestro Riab Ahmed. The musical numbers were masterfully performed by a large orchestra of musicians playing modern and traditional Arab instruments, including the oud and flute.

Performers wore traditional Saudi garb, while female singers in the choir donned purple dresses and headscarves. Each song demonstrated a different type of traditional Saudi music while various performing arts on display included Samri, Majrour, Rubsh, Al-Khatwa, and Liwa.

The first session of the concert ended with an Arabized version of the classic American song “Fly Me to the Moon,” made popular by Frank Sinatra.

After the opening session, Saudi opera singer Reemaz Oqbi — one of the only Saudis to ever study opera — took to the stage with a rendition of “Habanera” from the world-famous opera Carmen, followed by the American vintage piece “Kiss Me Again.”

The concert’s third session brought the atmosphere back to the West with the Dizzy Gillespie All-Stars. The jazz group first performed pieces inspired by their namesake, the great American trumpeter and bandleader John Birks “Dizzy” Gillespie.

After an East-meets-West, jazz-Arabic fusion instrumental song played by Saudi musicians and the Dizzy Gillespie All-Stars, the latter group’s saxophonist Tim Ries praised the collaboration between the two.

“We need no words, only the heart that beat together. We’ve become like family after only two days,” Ries said.

The concert ended with a medley of popular Saudi songs played by the Saudi National Orchestra and Dizzy Gillespie All-Stars together, ending in a rousing rendition of “The Renewer” by Abbas Ibrahim.

The Saudi National Orchestra and Choir is the seventh initiative in a series of projects launched by the Ministry of Culture, aligning with the cultural heritage oriented goals of Saudi Vision 2030. Though this is their first time performing in the US, the musicians have performed in Riyadh, Jeddah, Paris, Mexico, and Jordan.


‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

Updated 06 February 2026
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‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

RIYADH: Angel Manuel Soto directs this odd-couple action-comedy with a confidence and flair that — along with the chemistry between its central performers and its better-than-you’d-ever-expect script — just about raises it above the slop swarming the streamers.

Jason Momoa and Dave Bautista play estranged half-brothers Jonny and James Halle. Both have the same father — a not-much-liked private detective called Walter who’s just been killed in a hit-and-run in Hawaii (where they were raised and where James, a Navy SEAL, still lives). Neither brother is particularly upset to hear the news of Walter’s death, but when Yakuza henchmen attack Jonny in his Oklahoma home (where he’s a maverick, heavy-drinking cop) demanding a package sent by Walter (a package he hasn’t yet received), he decides to return to Hawaii for the first time in years to attend the funeral and investigate further.

Jonny’s reunion with James is less than cordial, but he does meet James’ wife Leila and their kids for the first time. Leila is a child-psychologist — not afraid to call the brothers out on their emotional shortcomings, nor to try and help them fix their fractured fraternity.

The brothers’ investigation uncovers a plan to build a casino on Hawaiian home lands (an area held in trust for Native Hawaiians). The developer is the extremely wealthy Marcus Robichaux (played with gleeful pantomime-villain campness by Claes Bang), who — it turns out — had hired Walter to investigate his wife, who had hired Walter to investigate her husband.

Now our heroes know who they have to bring down, they’re into far more comfortable territory (both for the characters and, you suspect, the actors). Yep. Forget the dialogue, it’s action time.

Cue multiple scenes of high-octane mayhem expertly helmed by Soto in what’s essentially a slightly updated (emotional healing!) throwback to the dumb-but-fun action blockbusters of the Eighties and Nineties. The nostalgia isn’t hidden, either. The soundtrack starts with Guns N’ Roses and ends with Phil Collins. And there’s a shoutout to Jean-Claude Van Damme in between.

There’s a plot here too, but, honestly, who cares? Momoa and Bautista get to flex their considerable muscles, show off their ink, and make a few wisecracks. No one’s watching this for a clever twist, right? Watch it hoping for a couple hours of entertaining excitement and you’ll be well satisfied.