Saudi National Orchestra gives a rousing performance in New York

The “Marvels of Saudi Orchestra” concert was an invite-only event held at the Metropolitan Opera House in New York City. (Arab News)
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Updated 18 September 2023
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Saudi National Orchestra gives a rousing performance in New York

  • The first session of the concert ended with an Arabized version of the classic American song “Fly Me to the Moon,” made popular by Frank Sinatra
  • Oscar-winning actor Adrien Brody was in the audience at the event in New York

NEW YORK: The Saudi National Orchestra and Choir performed on Sunday at the world-renowned Metropolitan Opera House in New York City.

The “Marvels of Saudi Orchestra” concert, a collaborative effort between the Saudi Theater and Performing Arts Commission, the Saudi Music Commission, the Metropolitan Opera, and the Kingdom’s Ministry of Culture, was the Saudi National Orchestra’s debut event in the US.

“Art has the possibility of triumphing over adversity,” Metropolitan Opera General Manager Peter Gelb said in his opening speech at the event.

The concert showcased Saudi Arabia’s rich cultural and musical heritage, opening with a series of folk songs under maestro Riab Ahmed. The musical numbers were masterfully performed by a large orchestra of musicians playing modern and traditional Arab instruments, including the oud and flute.

Performers wore traditional Saudi garb, while female singers in the choir donned purple dresses and headscarves. Each song demonstrated a different type of traditional Saudi music while various performing arts on display included Samri, Majrour, Rubsh, Al-Khatwa, and Liwa.

The first session of the concert ended with an Arabized version of the classic American song “Fly Me to the Moon,” made popular by Frank Sinatra.

After the opening session, Saudi opera singer Reemaz Oqbi — one of the only Saudis to ever study opera — took to the stage with a rendition of “Habanera” from the world-famous opera Carmen, followed by the American vintage piece “Kiss Me Again.”

The concert’s third session brought the atmosphere back to the West with the Dizzy Gillespie All-Stars. The jazz group first performed pieces inspired by their namesake, the great American trumpeter and bandleader John Birks “Dizzy” Gillespie.

After an East-meets-West, jazz-Arabic fusion instrumental song played by Saudi musicians and the Dizzy Gillespie All-Stars, the latter group’s saxophonist Tim Ries praised the collaboration between the two.

“We need no words, only the heart that beat together. We’ve become like family after only two days,” Ries said.

The concert ended with a medley of popular Saudi songs played by the Saudi National Orchestra and Dizzy Gillespie All-Stars together, ending in a rousing rendition of “The Renewer” by Abbas Ibrahim.

The Saudi National Orchestra and Choir is the seventh initiative in a series of projects launched by the Ministry of Culture, aligning with the cultural heritage oriented goals of Saudi Vision 2030. Though this is their first time performing in the US, the musicians have performed in Riyadh, Jeddah, Paris, Mexico, and Jordan.


Yataghan boutique in Jeddah celebrates Saudi heritage

Updated 20 December 2025
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Yataghan boutique in Jeddah celebrates Saudi heritage

JEDDAH: Yataghan, the contemporary Saudi jewelry house founded in 2008 by designer and entrepreneur Sarah Abudawood, has announced an expansion with its Riyadh debut at Kingdom Centre, alongside the relocation of its headquarters and flagship store to a street-front location on Jeddah’s Thalia Street.

The brand, known for blending Arabian heritage with modern minimalism, unveiled two boutiques designed as immersive experiences rather than mere retail spaces.

Every detail of the new Jeddah location has been carefully curated; brass accents inspired by the Yataghan blade evoke precision and luxury, while striped, gray onyx symbolizes continuity and progress, according to the brand’s founder. Vast windows, softened by Yataghan’s signature hexagonal motif, a symbol of harmony, order, and strength, flood the boutiques with natural light, creating an inviting environment for visitors.

Inspired by the Yataghan sword, with its distinctive, single-edged blade, the brand’s collections fuse minimalist design with Arabic calligraphy and tribal motifs.

“The name Yataghan draws its meaning from the two swords on the Saudi flag — a symbol that has always fascinated me for what it represents: conviction, protection, truth, and above all, balance,” Abudawood told Arab News.

“The Yataghan sword, known for its graceful curve and exquisite craftsmanship, embodies purpose and precision. It is drawn to defend what matters and to guard what is sacred. It sets boundaries and restores equilibrium, reminding us that strength is not only about force, but about knowing when to advance and when to stand still.

“That balance is reflected in every piece we create. Because, like the sword, Yataghan is more than an ornament; it is a statement of purpose, and identity.”

Abudawood explained the cultural inspiration behind the brand, highlighting pieces connected to Saudi identity. “This branch carries designs that are deeply connected to Saudi identity and cultural memory. Some pieces are exclusive, inspired by symbols, rhythms, and forms rooted in our heritage, interpreted through a modern lens … Jeddah, in particular, has a unique spirit: fluid, expressive, open, and layered with history. That essence subtly informs the designs you’ll find here.” 

The founder also spoke of the brand’s philosophy of minimalism and meaningful design.

“It comes from my belief that simplicity creates space for meaning. I have always been drawn to architecture and the principle that form must follow function. I design with intention; nothing is accidental. Every line has a purpose, every curve holds a story. Minimalism, for me, is not about removing emotion; it is about distilling it. I want each piece to feel timeless, personal, and quietly powerful.”

The label has been flaunted by high-profile clients — including Jennifer Lopez, Lady Gaga and Lama Akeel — but Abudawood emphasized the brand’s focus on connection over visibility. “Whether someone is a public figure or not, what moves me is when they feel seen by the jewelry. Yataghan has always been about resonance, about creating pieces that speak to identity, strength, and personal stories,” she said.

Looking ahead, 2026 will mark new chapters for Yataghan, including local and international expansion, innovative collections, and a stronger focus on storytelling and community collaborations. “Growth has never been about reach alone; it’s about depth, integrity, and lasting impact,” Abudawood added.

“Ultimately, what drives me is purpose. I’m motivated by the desire to create work that matters, to offer women something that reflects who they are, not who they’re expected to be. Design, for me, is a form of dialogue, a way to translate emotion into form. As long as I’m creating with honesty, intention, and heart, I know I’m exactly where I’m meant to be.”