Music with a message: Saudi indie band puts social issues in the Hejazi vernacular

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The band’s name translates as ‘me and us,’ which reinforces the idea that when songs are about social issues they have a meaning for everyone. (Supplied)
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The band’s name translates as ‘me and us,’ which reinforces the idea that when songs are about social issues they have a meaning for everyone. (Supplied)
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Updated 15 September 2023
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Music with a message: Saudi indie band puts social issues in the Hejazi vernacular

  • Jeddah-based Ana Nahn serve up a blend of Arabic music with a rock twist
  • ‘Local musicians … can produce impactful independent music,’ singer says

RIYADH: Arabic music with a rock mentality? Songs with a message sung in the Hejazi dialect? Those might not be the traditional ingredients for a hit in Saudi Arabia, but for one indie band they are proving to be a recipe for success.

Ana Nahn released their debut single “What Did I Do?” in 2019. It tells the story of a man who wakes up one day to find himself trending on Twitter and wondering how it happened.

The role of social media in modern-day society is an idea the band has returned to many times since and remains at the core of their being.




The band’s name translates as ‘me and us,’ which reinforces the idea that when songs are about social issues they have a meaning for everyone. (Supplied)

“We wanted to address current social concerns on social media or topics that are important for people who were raised in Saudi Arabia,” lead singer and synth player Abdulmalik Zubailah told Arab News.

“And we wanted to do so without seeming preachy because we are a part of that society.”

Based in Jeddah, the band also features Maan Balila on drums, Saleh bin Saif on tabla and keyboards, and Saif Mufti and Shaher Karkashan, both on bass.

FASTFACTS

• Ana Nahn released their debut single ‘What Did I Do?’ in 2019. It tells the story of a man who wakes up one day to find himself trending on Twitter and wondering how it happened.

• The role of social media in modern-day society is an idea the band has returned to many times since and remains at the core of their being.

“We like to think of ourselves as an alternative Hijazi music group, and we sing in Arabic,” Zubailah said.

“Local musicians with a strong sense of culture can produce impactful independent music, employing their culture and societal themes.”




The band’s name translates as ‘me and us,’ which reinforces the idea that when songs are about social issues they have a meaning for everyone. (Supplied)

The band’s name translates as “me and us,” which reinforces the idea that when songs are about cultural or social issues they have a meaning for everyone.

Their latest release, “Harfiyan,” meaning “literally” in Arabic, is a portrait of how people on social media, in the quest to impress others, can sometimes lose their identity.

But not every track has such a weighty message. The song “Ginger, Honey and Lemon,” for instance, is a warm tribute to the titular tonic that many Saudis regard as a panacea for all ills.

“The message of the song isn’t that we are attempting to eliminate the use of ginger, honey and lemon. Rather, it’s a humorous song that discusses some of the remedies that we grew up knowing and some that are promoted now on WhatsApp,” Zubailah said.

The band perform mostly in their home city, at venues like the Jeddah Hub, Virgin Megastore, The Music Space, Makan Music Center and The Basement, to name a few. But they have also been seen at Bohemia in Alkhobar, the Syrup Lounge in Riyadh and Sama Abha in Abha.

“The local scene is expanding,” Zubailah said.

While he is encouraged by the support provided by industry bodies within the Kingdom, the indie music scene still had a long way to go, he added.

“I think it’s a wonderful step that the Saudi Music Commission is promoting emerging talent because there is so much (of it).

“We are not accustomed to promoting local talent, and I think we are still a long way from developing a truly authentic music scene.”

Indie music is very much an emerging scene in Saudi Arabia but relaxed entertainment regulations have aided its growth.

The Anghami music platform even has a dedicated “Saudi Indie” category to reflect its growing popularity among young people.

Ana Nahn’s music can also be found on Spotify, YouTube and Apple Music.

 


Saudi Arabia witnessing comprehensive cultural development, says expert

Updated 14 February 2026
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Saudi Arabia witnessing comprehensive cultural development, says expert

  • Clotilde Entrecanales of Acciona hails pace of change in Kingdom

JEDDAH: Museums, exhibitions and art centers play a crucial role in the development of free and educated societies such as the one now burgeoning in Saudi Arabia, an expert has told Arab News.

Clotilde Entrecanales, the Spanish art historian and cultural executive who heads Acciona Living & Culture, a leading creator of technology-driven interactive museums, exhibits and events, said the Kingdom is making efforts to expand the role of culture development to show the world the greatest possible cultural offer.

She added that the Kingdom has quickly infused new energy into the region, and is rapidly establishing itself as a global cultural hub through massive investment in world-class museums, public art and international events, aligning with its 2030 vision.

She said: “With around 70 percent of the population under 30, cultural consumption looks very different than in Europe or the US. These spaces can’t feel like quiet, isolated institutions … they need to be fast, dynamic, brave and deeply connected to the city, blending into everyday urban life rather than sitting apart from it.”

Asked about the role of these sites in the evolving global cultural landscape, particularly in emerging cultural hubs like Saudi Arabia, Entrecanales said: “Our vision is to be a purpose-led partner for cultural and entertainment institutions, helping them be more relevant, connected, inclusive and sustainable.”

She added: “In emerging cultural hubs like Saudi Arabia, that approach feels especially relevant. The cultural transformation underway is moving fast — with major heritage and cultural destinations being developed and opened to the world.”

Speaking about her impression of the Kingdom’s approach to blending heritage with modernity face, Entrecanales said: “Others who attempt to achieve this balance often end up turning heritage into a theme, a layer of storytelling or a cultural program. What feels different about Saudi’s approach is how much pressure there is to treat heritage as the foundation, not just the surface.

“When you’re building at this speed and scale, there’s always a risk that history becomes a backdrop instead of a backbone. The projects that work best are the ones that slow down just enough to let the past set the rhythm for the present.”

Regarding opportunities and challenges, she said: “The opportunity is nothing less than positioning Saudi Arabia as a global cultural center. The challenge, as always, lies in balancing the speed and scale of that ambition with long-term sustainability and a sense of authenticity that remains credible and rooted.”

She added: “You can really feel this in places like the Islamic Arts Biennale, which shows hundreds of historical artefacts of the Islamic world, while re-framing them through contemporary scenography and designs by some of the best design studios in the world; or in AlUla, a world-class heritage site that hosts a major contemporary platform like Desert X, allowing ancient context and present-day artistic practice to coexist in a way that feels genuine.”

Under her guidance, ACCIONA Cultura aspires to create museums and cultural experiences that function as landmarks while fostering sustainable, inclusive and immersive interactions.

She elaborated on how the company is integrating technology, culture, and sustainability to preserve and promote the region’s cultural heritage: “We always start with human connection and storytelling: what’s the story, what should people leave with? Tech comes later.”

Recently, ACCIONA Cultura has been involved in significant projects in Saudi Arabia and is looking forward for more.

She said: “Right now, for example, we’re designing and curating a museum gallery where the entire space is shaped by the practice of a Saudi artist. Another example is the Net Zero exhibition at the King Abdulaziz Center for World Culture (Ithra), where we brought together Saudi and international artists to explore sustainability and our relationship with the planet, including voices like Dina Haddadin, Mohammed Al-Faraj, and Zahrah Al-Ghamdi.”

She added: “One of the projects I’m most proud of isn’t a museum, but our NEXT IN Summit, which we’ve hosted in two editions in our ACCIONA Campus in Madrid, highlighting the Kingdom’s unprecedented cultural momentum as it builds future-facing institutions with a startup mindset.”

About further collaboration with Saudi Arabia, she said: “Let’s just say … something’s definitely simmering in the kitchen.”

Commenting on being recognized among the Blooloop 50 Museum Influencers for 2025, she said: “It means a lot. More than anything, it feels like a nod to the years of teamwork and dedication behind Acciona Cultura, rather than to me personally.”