Saudi fashion industry seen as a catalyst for economic diversification as it eyes global recognition

Brimming with diversity, Saudi Arabia’s topography offers picture-perfect backdrops for local and international fashion designers. (Photo: Saudi Style Council/NEOM)
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Updated 12 September 2023
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Saudi fashion industry seen as a catalyst for economic diversification as it eyes global recognition

  • Vision 2030 reforms have laid the ground for talented young Saudi designers to flourish in the industry
  • Acclaimed Saudi designer Yousef Akbar says the Kingdom recognizes fashion is a “serious business”

DUBAI: Move over, Milan. Not today, New York. It’s Riyadh’s turn to shine on the global catwalk as social reforms and economic diversification across the gamut of sectors propel Saudi Arabia toward the ranks of international capitals of the fashion industry.

In July, Mohammed Ashi became the first Saudi designer to show at Paris Haute Couture Week — a leading event in the global fashion calendar — by invitation of the Federation de la Haute Couture et de la Mode.




Models present creations by Ashi Studio during the Women's Haute-Couture Fall/Winter 2023/2024 Fashion Week in Paris n July 6, 2023. (AFP)

This September, a hundred Saudi brands will head to Italy’s style capital Milan to present their designs in WHITE Milano, one of the most anticipated events during Milan Fashion Week. 

The rise of Saudi fashion designers is a relatively recent development, owing in part to a host of government-sponsored initiatives, including the Ministry of Culture’s Fashion Commission, established in 2020 to lead the sector’s expansion.

Saudi fashion emerged as an important catalyst for economic growth and diversification in line with Crown Prince Mohammed bin Salman’s Vision 2030 reform agenda, launched in 2016 to help the Kingdom branch out beyond hydrocarbons.




The Since 2087 gallery in Jeddah. Since 2087 is a brand founded by Saudi creative director Abduljalil Abduljawad. (Supplied)

The Fashion Commission recently published a report, “The State of Fashion in the Kingdom of Saudi Arabia 2023,” to help local and international stakeholders understand the scale of the opportunity offered by the country’s emerging fashion industry.

“It holds the largest projected growth rate of any other large, high-income market,” Burak Cakmak, CEO of the Fashion Commission, told Arab News.

“Fashion is now very much a key economic driver of Saudi Arabia’s growth with the report showing retail demand for fashion products in the Kingdom is forecast to increase by 48 percent to $32 billion in 2025, with luxury retail set to enjoy 19 percent growth.

“We’re taking Saudi fashion from a predominantly domestic-focused market to the international stage and our home-grown brands, some established and some emerging, attend major fashion weeks and are building customer bases around the world.”




Burak Cakmak, CEO of the Saudi Fashion Commission. (Supplied)

Among the initiatives spearheaded by the Ministry of Culture through the Fashion Commission is the first-ever Riyadh Fashion Week, scheduled to take place from Oct. 20-23. The aim is “to sit among the most popular fashion weeks in the world,” Cakmak said. 

“We look forward to giving a warm welcome to visitors from across the globe and showcasing what Saudi fashion and luxury has to offer.”

While fashion shows have been held in private settings in Saudi Arabia for many years, it is only since the social reforms implemented after 2016, including the suspension of laws requiring women to wear head coverings, that such events moved into the public domain.

Dolce & Gabbana staged its first fashion show in the historic desert region of AlUla in 2022, while other prominent fashion and jewelry brands such as Chaumet and Van Cleef & Arpels, among others, have also staged events in the Kingdom. 

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Saudi Arabia’s Ministry of Culture established the Fashion Commission in 2020 to lead the sector’s expansion.

Demand for fashion products in the Kingdom is forecast to increase by 48 percent to $32 billion in 2025.

Above all, the Vision 2030 reforms have cleared the way for talented young Saudi designers to flourish in the industry, establishing their careers and showcasing their work on the domestic, regional and global stage.

“The world has its eye on Saudi Arabia — whether it’s through our participation in global sports, promoting the Kingdom as a new tourism destination, or a global player in the start-up economy,” Marriam Mossalli, a Saudi lifestyle editor, journalist and founder of communications agency Niche Arabia, told Arab News.

“There are so many sectors that utilize fashion, whether it’s the staff uniforms of a new resort by the Red Sea Development Company, or costumes for a new play produced by the General Entertainment Authority. There are so many opportunities for young Saudi talent to get involved and have their homegrown aesthetic celebrated.” 




Princess Noura bint Faisal Al-Saud, top left, wearing designs by Mona Alshebil. Alshebil, Niche Arabia founder Marriam Mossalli (top, right) and Mohammed Ashi (above, left) are among the Saudi creative talents who have entered the international fashion scene. (Photos: Mona Alshebil/Lina Qummosani/Saudi Fashion Commission/AFP)

 


In 2021, the Fashion Commission launched the “100 Saudi Brands” initiative, aimed at supporting and empowering Saudi designers by providing them with mentorship, guidance and resources to help them achieve international success in the fashion industry. 

The initiative has demonstrated the Saudi government’s commitment to promoting and developing the country’s fashion industry while supporting its designers to reach their full potential. 

“Being part of the 100 Saudi Brands for the last two years, I have greatly benefited from all the experts we worked with,” Saudi designer Mona Alshebil told Arab News. 

“Moreover, we participated in Milan Fashion Week, New York Fashion Week and Paris Fashion Week, with the support of the Fashion Commission.”

Others, such as the acclaimed designer Yousef Akbar, whose designs were featured on the cover of Vogue Arabia’s June edition celebrating new Saudi talent, say that until a few years ago there was no fashion industry to speak of in the Kingdom. Now that has all changed.




Saudi fashion designer Yousef Akbar. (Instagram)

“The fashion industry is now recognized as serious business for the government,” Akbar told Arab News. “Whereas before nothing was done about it. There was no fashion industry. Now there is the recognition that fashion is important, and it plays a key cultural and economic role. 

“Secondly, the Saudi government’s investment in establishing the industry is crucial and thirdly, which in my opinion is the most important, are the designers themselves, because there is a lot of talent in the Kingdom and without the designers, there is no industry.”

Now, people around the world “can finally see that there are talented designers in the region and they’re just as good as anyone international.”

At the end of 2023, the Fashion Commission will also launch a first-of-its-kind product development studio in Riyadh. The production space will enable designers to create prototypes and samples to hasten market entry.




Brimming with diversity, Saudi Arabia’s topography offers picture-perfect backdrops for local and international fashion designers. (Photo: Saudi Style Council/NEOM)

The studio will be outfitted with cutting-edge technology, including 3D knitting and laser-cutting machines, with a view to being on par with the best factories in the world. Still, there is a lot of work to be done to forge a prosperous future for the fashion sector.

“We need to lay the foundation for an authentic fashion ecosystem that can evolve with the country, as well as complement the global fashion industry,” Mossalli said. 

“From manufacturing and sales to marketing and media, Saudi Arabia can adopt best practices and find its niche among its international counterparts.”

This will involve continued investment in human talent.

“We will continue to be guided by the data as we build the foundations for an internationally networked value chain and invest in Saudi Arabia’s talent pipeline through educational programs to produce world-class designers, ensuring the Kingdom continues to grow as an integral part of the global fashion scene,” said Fashion Commission CEO Cakmak.




Mona Alshebil designs. Mona Alshebil is a Saudi fashion designer and part of the 100 Saudi Brands Organization. (Photo Courtesy of Mona Alshebil)

Many of the Kingdom’s up-and-coming designers are striving not only to grow their own brands but also showcase their country’s heritage and identity on the regional and international stage. 

Fashion, therefore, has the potential to contribute both economic growth and enhance a sense of national pride. 

“As an emerging designer in Saudi Arabia, my goal is to contribute to the growth and development of the fashion industry in the Kingdom,” said Saudi designer Alshebil. 

“I am passionate about showcasing the unique beauty and creativity of Saudi fashion to the world, while also creating opportunities for local talent and celebrating the cultural diversity of Saudi Arabia.”

 


Music ‘haven of freedom’ Tangiers hosts global jazz festival

Updated 28 April 2024
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Music ‘haven of freedom’ Tangiers hosts global jazz festival

  • This year’s Jazz Day will be held over four days starting on Saturday, during which talks and open-air performances will be held in Tangiers

TANGIERS, Morocco: The Moroccan city of Tangiers, which has a long history as a haven of inspiration for American jazz musicians, will host UNESCO’s International Jazz Day for the first time on Tuesday.
Over the last century, jazz greats such as Randy Weston, Idrees Sulieman and Max Roach all crossed the Atlantic to play and record music in the North African port city, perched on the edge of the Strait of Gibraltar.
“The city has had a fascinating power of attraction on a wave of intellectuals and musicians,” Philippe Lorin, the founder of an annual Tangiers jazz festival, told AFP.
“It’s not for nothing that a writer once said there was always a cruise liner in New York preparing to sail for Tangiers.”
This year’s Jazz Day will be held over four days starting on Saturday, during which talks and open-air performances will be held in Tangiers.
The festivities will culminate in an “All-Star Global Concert” on Tuesday led by jazz icon Herbie Hancock, also featuring bassists Marcus Miller and Richard Bona, as well as guitarist Romero Lubambo.
The city’s cosmopolitan artistic reputation stems from its location between Africa and Europe as well as its history, having been administered by several colonial powers from 1923 to 1956, the year Morocco gained independence.
This melting pot of influences prompted visits from international writers and poets, notably from the Beat Generation movement, as well as African American musicians seeking to find “their African roots,” Moroccan historian Farid Bahri told AFP.
Lorin said that Tangiers “was a haven of freedom — just like jazz music.”

A pivotal moment in the city’s musical history came in 1959, when Tangiers jazz promoter Jacques Muyal — then just a teenager — recorded a session with trumpeter Idrees Sulieman, pianist Oscar Dennard, bassist Jamil Nasser and drummer Buster Smith at the Radio Tanger International studio.
The recording gained renown in jazz circles decades before its distribution as “The 4 American Jazzmen In Tangier” album in 2017.
Bahri, the author of “Tangiers, a world history of Morocco,” said “the presence of American musicians in Tangiers was also linked to a very active American diplomacy.”
Famous US pianist Randy Weston settled in Tangiers for five years after visiting 14 African countries in 1967 during a tour organized by the US State Department.
The Brooklynite virtuoso would play a key role in building the musical reputation of the city, to which he dedicated his 1973 album “Tanjah.”
“Randy was an exceptional, kind and respectful man,” said Abdellah El Gourd, a 77-year-old Moroccan legend of gnawa music, a centuries-old style played with a three-stringed lute and steel castanets, rooted in West African rituals and Sufi traditions.
“He gave a lot to the city and its musicians,” added the friend and collaborator of Weston, who died in 2018.

Together, El Gourd and Weston blurred the lines of their respective genres, creating the beginnings of jazz-gnawa fusion, which remains a key part of Tangiers’ musical legacy.
“The language barrier was never a problem because our communication was through (musical) scales,” El Gourd recalled in a rehearsal room lined with old photos and memorabilia from the years he toured with Weston and jazz saxophonist Archie Shepp.
“Our language was music.”
The two men’s collaborative work would years later yield the acclaimed 1992 album “The Splendid Master Gnawa Musicians of Morocco.”
Two years after settling in the city, Weston opened the African Rhythms jazz club, above the iconic Cinema Mauritania in downtown Tangiers.
“We used to rehearse there,” El Gourd recalled. “Randy would invite his musician friends. It was a beautiful time.”
With El Gourd’s help, Weston launched Tangiers’ first-ever jazz festival in 1972, featuring big names such as drummer Max Roach, flautist Hubert Laws, double-bassist Ahmed Abdul-Malik, and saxophonist Dexter Gordon.
“It was quite a unique experience, because it was the first time we played in front of such a large audience,” said El Gourd, who was then used to small crowds for gnawa performances.
Weston and El Gourd’s festival was only held once.
But three decades later it inspired Lorin to create the Tanjazz festival, which is held in the port city every September.


Guerlain’s Ann-Caroline Prazan on mixing cultures, Mideast inspiration 

Updated 27 April 2024
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Guerlain’s Ann-Caroline Prazan on mixing cultures, Mideast inspiration 

DUBAI: Ann-Caroline Prazan, the director of art, culture, and heritage at French luxury beauty brand Guerlain, shared her affection for the Middle East and shed light on why she is so keen to mesh together cultures when creating new products.

“The Guerlain family is totally in love with the region. I am in love with this region because it is like a paradise,” she told Arab News. “People here love fragrances and they are such experts. When Guerlain creates a fragrance for the Middle East, it is always with a French touch.”

Prazan and Diala Makki at the Dubai event. (Supplied)

For Prazan, who joined the Guerlain team in 2000, understanding the brand’s story has been pivotal, motivating her to craft fragrances over her 24-year tenure, prioritizing longevity over trends.

“It is important to understand the past to create a future,” Prazan said. “You know, a house is like a big tree. You need to know the roots to create the leaves and to create new flowers. Without roots, you cannot do anything if you do not understand the brand.”

“Innovation is our obsession,” she added. “Guerlain created the first lipsticks, the first lip liners, the first modern perfume, the first moisturizing Nivea cream was by Guerlain.”

Guerlain has collaborated with regional creatives before. (Supplied)

Her regional knowledge shapes Guerlain’s tailored fragrances for its customers.

“You have the best perfumers here, local perfumers. What was interesting is to mix the roots with the leaves to mix different cultures. And for me, when you mix different cultures, when you mix traditions and modernity, you can create beautiful products,” she explained.

Guerlain has collaborated with regional creatives before. In 2023, the brand worked with Lebanese artist Nadine Kanso to design a fragrance bottle for the label, making her the first Arab designer to collaborate with the LVMH-owned perfume and beauty house.

The Parfumerie D’Art collection features the Bee Bottle by Baqué Molinié. (Supplied)

She designed 30 limited edition bee-inspired bottles, decorated with 1,720 crystals, with Arabic calligraphy that read “Love.”

At an event in Dubai last week, the label chose to work with contemporary Tunisian artist Nja Mahdaoui, who showcased his abstract Arabic calligraphy with engraved Cherry Oud bottles serving as place cards for the invitees.

Balqees performed at the DUbai event. (Supplied)

The brand also created a number of bottles, showcased at the event in Dubai, that celebrate Arab design elements.

The Parfumerie D’Art collection features the Bee Bottle by Baqué Molinié. Unveiled to mark Eid Al-Fitr this year, the bottle features hand-placed mother-of-pearl beads and moonstones, designed by the Parisian atelier as a tribute to the “wonders of Arab architectural art,” according to a released statement.


‘Bridgerton’ actress says she was warned not to campaign for Palestinians

Updated 27 April 2024
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‘Bridgerton’ actress says she was warned not to campaign for Palestinians

  • Nicola Coughlan: Hollywood insiders told her advocacy could harm her career
  • Irish star feels ‘moral responsibility’ to campaign for ceasefire, continue to fundraise 

LONDON: Irish actress Nicola Coughlan has revealed that she was told her Palestinian advocacy could harm her career.

The “Bridgerton” and “Derry Girls” star told Teen Vogue she had been warned by people in Hollywood not to be openly supportive of Palestinian rights, but has continued to campaign for a ceasefire in Gaza and still publicly wears an Artists4Ceasefire pin.

“You do get told, ‘you won’t get work, you won’t do this,’ but I also think, deep down, if you know that you’re coming from a place of ‘I don’t want any innocent people to suffer,’ then I’m not worried about people’s reactions,” she said.

“My family lived in Jerusalem back in the late ‘70s, early ’80s, before I was born, so I heard first hand stories about them living there.”

She said her father, who served in the Irish military, went to a “lot of war-torn regions after the conflict and try and help rebuild,” and this had left a profound impression on her.

“I’m so lucky I’ve gotten to this point in my career, and I’m privileged as a white woman, first off.

“Then the fact that I get to do the job I love and travel the world and meet amazing people, I feel a moral responsibility to give back.”

She has made a point of continuing to campaign and raise money around the issue, adding: “To me, it always becomes about supporting all innocent people, which sounds oversimplified, but I think you’ve got to look at situations and just think, ‘Are we supporting innocent people no matter where they’re from, who they are?’ That’s my drive.”

Coughlan said social media plays a role in driving advocacy but it requires nuance. “More of us should be trying to understand how upsetting and traumatising this is for Jewish people, and how horrific it is that all these innocent people in Palestine are being murdered,” she added.

A number of Hollywood figures have faced repercussions for their open support of the Palestinians or criticism of Israel.

Mexican actress Melissa Barrera was fired from the latest “Scream” film over social media posts in support of Palestine, while director Jonathan Glazer caused controversy for using his acceptance speech at the Oscars for his film “The Zone of Interest” to criticize the Gaza war.


‘Game of Thrones’ star Liam Cunningham says world will ‘not forget’ those who stayed silent on Gaza

Updated 26 April 2024
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‘Game of Thrones’ star Liam Cunningham says world will ‘not forget’ those who stayed silent on Gaza

  • Irishman has been vocal advocate for Palestinian causes for decades

LONDON: Irish actor Liam Cunningham has said the public will “not forget” those who have not voiced support for Palestinians during the ongoing Israel-Hamas conflict in Gaza.

The “Game of Thrones” star has been a vocal advocate for Palestinian causes for decades. Speaking during a demonstration in Dublin led by Irish-Palestinian Ahmed Alagha, who has lost 44 family members in the recent Israeli assault on Gaza, Cunningham said he has been commended by his peers in the past for his activism.

“What concerns me is that the people who do care and are not doing anything are, in my opinion, worse than the people who don’t care,” he said.

Cunningham was asked if he had spoken to other actors to convince them to show support for the Palestinian cause, but responded by saying he could not speak for others, The Independent reported.

However, he added, “The internet doesn’t forget. When this comes around, when the ICJ (International Court of Justice) and ICC (International Criminal Court) hopefully do their work honorably, it is going to come out,” he said.

“And the people who didn’t talk — it is not going to be forgotten. It’s livestreamed, this genocide, and (saying) you didn’t know is not an option. You did know. And you did nothing. You stayed quiet. I need to be able to look in the mirror, and that’s why I speak,” he added.

A month after Israel launched its onslaught on Gaza in response to Hamas incursions on Oct. 7 in Israeli territory in which nearly 1,200 people were killed and around 250 hostages were taken, Cunningham said that for Irish people to ignore the treatment of Palestinians would be to “betray” their history.

“If we allow ourselves to accept this behavior, then we allow it to happen to us,” he said at the time. “We have to stand up for standards. We have to stand up for international law and it reduces us as human beings if we don’t.”

Israel’s assault on Gaza has killed more than 34,000 Palestinians, around two-thirds of them children and women, according to Hamas-run health authorities in the enclave.


Saudi Film ‘Hajjan’ wins 6 nominations at Critics Awards for Arab Films

Updated 26 April 2024
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Saudi Film ‘Hajjan’ wins 6 nominations at Critics Awards for Arab Films

DUBAI: Saudi Arabia-based film “Hajjan,” directed by Egyptian filmmaker Abu Bakr Shawky, is nominated for six categories at the eighth Critics Awards for Arab Films.

The movie is competing in the best feature film, best screenplay, best actor, best music, best cinematography and best editing categories. 

“Hajjan” tells the story of Matar, a boy who embarks on a journey across the desert with his camel, Hofira.

The movie is a co-production between the Kingdom’s King Abdulaziz Center for World Culture, or Ithra, and Egyptian producer Mohamed Hefzy’s Film Clinic. 

The movie, which is written by Omar Shama from Egypt and the Kingdom’s Mufarrij Almajfel, stars Saudi actors Abdulmohsen Al-Nemer, Ibrahim Al-Hsawi, among others. 

The awards ceremony, scheduled for May 18 on the sidelines of the Cannes Film Festival, is organized by the Arab Cinema Center in Cairo and assessed by a panel of 209 critics representing 72 countries. 

Sudanese director Mohamed Kordofani’s inaugural feature film, “Goodbye Julia,” and Tunisian filmmaker Kaouther Ben Hania’s Oscar-nominated documentary, “Four Daughters,” scored nominations in seven categories. 

Jordanian filmmaker Amjad Al-Rasheed’s “Inshallah A Boy” and Palestinian-British director Farah Nabulsi’s “The Teacher” have six nominations.