REVIEW: Trouble lies ahead in ‘The Lost Flowers of Alice Hart’ 

“The Lost Flowers of Alice Hart” is adapted from Holly Ringland’s novel of the same name. (Supplied)
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Updated 11 August 2023
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REVIEW: Trouble lies ahead in ‘The Lost Flowers of Alice Hart’ 

  • Sigourney Weaver shines in this new drama on Amazon Prime 

LONDON: There’s a fascinating opening few minutes to Amazon’s new limited series, “The Lost Flowers of Alice Hart” — adapted from Holly Ringland’s novel of the same name. Nine-year-old Alice lives a seemingly idyllic life in the gorgeous Australian countryside with her doting mother and (initially, at least) loving father. But then, over the course of a few scenes, we start to notice that Alice, and her mother Agnes, are sporting some nasty looking bruises, and that her father, Clem, rules his house with a decidedly closed fist. It’s an arresting about-turn, especially for the first episode. 




“The Lost Flowers of Alice Hart” is Amazon’s new limited series. (Supplied)

Once we’re all up to speed, however, “The Lost Flowers of Alice Hart” wastes no more time — limited, in this case, is right, as the show premieres with three episodes, with weekly releases for the following four. As the reality of Agnes and Alice’s situation sinks in, we learn exactly why a very young girl dreams of setting her father on fire. Soon after reading a book about a phoenix rising from the ashes, their house is consumed in a mysterious blaze, with Alice the only survivor. If that seems a little on the nose, it’s because it is. And it’s not the only time “The Lost Flowers” leans into portentous forbearing. The entire thing is dripping with symbolism. So much so that, on occasion, it can feel a little condescending — hand-holding to the point of being patronizing can leave a nasty taste in the mouth.  

But “The Lost Flowers” has a secret weapon: Sigourney Weaver as Alice’s grandmother June, who takes her to live on her flower farm. Her (presumably) Australian accent might be a little hit-and-miss, but everything else about her performance is a triumph. Every worried frown and eye flick betrays unspoken secrets and (as yet) unrevealed truths about the farm, Clem, Agnes and even Alice herself. Between Weaver and the extremely talented Alyla Browne as Alice — Alycia Debnam-Carey (“Fear The Walking Dead”) plays the adult Alice later in the series — it’s possible to forgive the more egregious bouts of pretension and enjoy this beautifully shot, scored and acted show.  


Sotheby’s to hold second Saudi Arabia auction titled ‘Origins’

Updated 23 December 2025
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Sotheby’s to hold second Saudi Arabia auction titled ‘Origins’

  • 70 works by local, Mideast, international artists on Jan. 31
  • Work of late Saudi artist Safeya Binzagr will also be on sale

DUBAI: Sotheby’s will have its second auction in Saudi Arabia on Jan. 31 featuring more than 70 works by leading local, Middle East and international artists.

Titled “Origins,” the sale will be staged again in Diriyah, the birthplace of the Kingdom and a UNESCO World Heritage Site. The full selection will be available for free public viewing at Bujairi Terrace from Jan. 24.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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The event coincides with the opening of the Diriyah Contemporary Art Biennale and comes just ahead of the debut of Art Basel Doha in February, marking Art Basel’s first fair in the Middle East.

The sale spans a wide range of collecting categories, including Ancient Sculpture, 20th-Century Design and Prints, Middle Eastern, Modern and Contemporary, Latin American, and Modern and Contemporary South Asian.

Ashkan Baghestani, Sotheby’s head of sale and contemporary art specialist, said in a recent press release that the second auction reflects the company’s continued commitment to Saudi Arabia’s growing ecosystem.

Among the headline lots is “Coffee Shop in Madina Road” (1968) by Safeya Binzagr (1940–2024), estimated at $150,000 to $200,000. She is considered one of Saudi Arabia’s pioneering artists and the “spiritual mother” of contemporary local art.

The piece comes from the collection of Alberto Mestas Garcia, Spain’s ambassador to Saudi Arabia from 1966 to 1976, and his wife, Mercedes Suarez de Tangil Guzman.

A 1989 untitled painting by Mohammed Al-Saleem (1939–1997), estimated at $150,000 to $200,000, is from a private collection in Bahrain. The work exemplifies his Horizonism style, inspired by desert landscapes, and follows his record $1.1 million sale at Sotheby’s London in 2023.

Also included is “Demonstration” (1968) by Iraqi modernist Mahmoud Sabri (1927–2012), estimated at $400,000 to $500,000. The work reflects Sabri’s socially engaged practice and combines social realism with Christian imagery in a charged depiction of mourning and protest.

Samia Halaby’s “Copper” (1976), estimated at $120,000 to $180,000, highlights the artist’s move toward abstraction in the 1970s. Halaby, born in Jerusalem and now based in the US, has works in major international collections and participated in the 60th Venice Biennale in 2024.

A rare early work by Egyptian artist Ahmed Morsi, “Deux Pecheurs” (“Two Fishermen”) (1954), is estimated at $120,000 to $180,000. Morsi’s works have appeared only five times at auction previously and are held in major museum collections worldwide.

International highlights include Pablo Picasso’s “Paysage” (1965), estimated at $2 million to $3 million. Painted in Mougins during the final decade of his life, the work reflects Picasso’s late engagement with landscape and his dialogue with art history.

Anish Kapoor’s large-scale concave mirror sculpture “Untitled” (2005), estimated at $600,000 to $800,000, is also offered. Executed during a period of major institutional recognition for the artist, the work comes from Kapoor’s iconic mirror series.

Andy Warhol’s “Disquieting Muses (After de Chirico) (1982), estimated at $800,000 to $1.2 million, reinterprets Giorgio de Chirico’s 1917 painting through Pop Art repetition. The sale includes Warhol’s set of four Muhammad Ali screenprints from 1978, estimated at $300,000 to $500,000.

Jean Dubuffet’s “Le soleil les decolore” (1947), estimated at $800,000 to $1.2 million, appears at auction for the first time. Painted after the artist’s travels in the Sahara, the work reflects his response to desert landscapes and nomadic life.

The auction will also feature seven works by Roy Lichtenstein from the personal collection of Dorothy and Roy Lichtenstein.

Leading the group are “Interior with Ajax (Study)” (1997), estimated at $600,000 to $800,000, and “The Great Pyramid Banner (Study)” (1980), estimated at $150,000 to $200,000.