New series of children’s books offers personalized tales of the Arab world  

Hicham Zaraket, co-founder of Joozoori, with the book “My Trip to Lebanon.” (Supplied)
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Updated 10 August 2023
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New series of children’s books offers personalized tales of the Arab world  

  • Joozoori Books’ co-founders want to help parents connect kids to their cultural heritage 

DUBAI: Through the colorful pages of a new series of children’s books, young readers can embark on a cultural tour across 15 Arab nations from North Africa to the Levant and the Gulf.  

The series comes from Joozoori Books (Joozoori means ‘my roots’ in Arabic), founded by Lebanese-Algerian siblings Sarah and Hicham Zaraket and Hicham’s wife, Tunisian-German illustrator Soufeina Zaraket.  

Sarah lives in Paris, while Hicham and Soufeina reside in Berlin. However, they haven’t forgotten their roots.  




A spread from Joozoori Books’ “My Trip to Saudi Arabia,” illustrated by Sarah Marey. (Supplied)

“We know what it’s like to live away from your home and family. We also know how important it is to be rooted in your heritage and culture,” Sarah tells Arab News. The idea for Joozoori was as a result of the Zaraket family not finding genuine, fun children’s books for their own kids that demonstrated the Arab world’s varied cultures and offered a sense of connection to their heritage.  

Each book can be customized with the reader’s name printed in Arabic on the front cover — “Arwa’s Trip to Iraq,” for example. According to the company website, “When a child sees their name on a book, it makes them feel like they are truly a part of its events and are more likely to retain its message.”  

The books are also bilingual: the original text is in standard Arabic, and readers can select a second accompanying language: English, French, or an Arabic dialect. Readers should also specify their gender, as the story’s language will be adjusted accordingly.  




(L to R) Sarah Zaraket (co-founder of Joozoori), Zarifi Haidar (illustrator), Samar Mahfouz Barraj (author), Maya Fidawi (illustrator), Lara Jannoun (graphic designer). (Supplied)

The stories were written by Lebanese-born author Samar Mahfouz Barraj, and their detailed illustrations were created by various illustrators from around the region, shining a light on Arab talent. The team also collaborated with dozens of cultural advisors to get the tiniest of details of each country’s cultural life and historical background — from national clothing to local cuisine — as accurate as possible.  

Aside from the books, the team has also developed posters to teach youngsters how to count and spell. The letters and numbers are accompanied by images of local symbols — ornamental coffee cups, incense holders decorated with palm trees, and metallic ‘dallah’ coffee pots in Saudi Arabia, for example.   

The books all follow a similar plot: A child living in the capital city of a country with their family loses their talking cat and, while searching for their pet on the streets – in the company of a local bird, the child discovers five different cities — perhaps at the seaside, or in the mountains, or among historical ruins — in their country. The books also offer a window into the everyday moments in friendly neighborhoods and old markets.  




“My Trip to Saudi Arabia.” (Supplied)

“The details of our illustrations are there so parents can interact with the kids. The goal is to spark conversations,” says Sarah. The books’ target audience is children aged 3 to 12, but they’ve also proven to be a hit with adults.  

“My Trip to Saudi Arabia” was illustrated by Sarah Marey, who lived in the Kingdom for more than 18 years. The story begins in Riyadh. A boy wearing a traditional white thobe is looking for his cat Nala (apparently a common name for felines in Saudi), in his bedroom. His adventures take him as far as the Makkah province, Jeddah, and the archaeological jewel of AlUla. One of the featured locations is Jeddah’s vibrant and open-air market, Souk Al-Balad. The boy runs joyously through its paths, populated with merchants and customers. 

“Abdallah looked around at all the goods displayed in the shops,” reads the text. “He loved the smell of the delicious traditional foods floating in the air.” And the story does mention specific Saudi delicacies such as kleicha, a sort of cookie from Al-Qasim province traditionally filled with sweet date paste.  

The country’s modern and traditional architecture is also explored in the story. The child flies over well-known monuments including the Kingdom Centre Tower and the Clock Towers near the Kaaba.  

Whether the story is set in Saudi, Morocco, or Jordan, Joozoori is a labor of love, a celebration of culture, an attempt to build familial bonds and a community around the world.  

“It’s a cultural platform that can reunite Arabs. We want all Arabs to love their countries and develop a bond with their kids,” says Sarah. “We’re lucky that our Arabic language unites us, why can’t we bond over other things?” 


Showtime: The best television of 2025 

Updated 26 December 2025
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Showtime: The best television of 2025 

  • From belly laughs to gut punches, here are the must-watch shows of the year 

‘Adolescence’ 

This harrowing drama consisted of four episodes, all shot in a single take. It told the story of 13-year-old Jamie Miller (the debut role for Owen Cooper, who deservedly won an Emmy for his faultless performance), who is accused of murdering a schoolmate, and the aftermath of that accusation for his family. “Adolescence” was the perfect blend of style and substance; you could marvel at the “balletic production processes that must have been involved,” as our reviewer noted, even while squirming in your seat at the painfully raw performances of the excellent ensemble cast. “It may be one of the most upsetting shows released this year,” our review concluded, “but it is also a remarkable work of art.” 

‘Severance’ S2 

Apple’s absorbing sci-fi comedy-drama expanded its universe in season two, as Mark S (Adam Scott) and his team of data refiners dealt with the fallout from their successful, if brief, escape from their ‘severed’ floor — where work and out-of-work memories and personalities are controlled and delineated by a chip embedded in their brains — at Lumon, during which they tried to alert the outside world to the cruelties of their working conditions. “Creator Dan Erickson and director Ben Stiller waste no time in rediscovering the subtle blend of tangible oddness and sinister dystopian creepiness that made the first season such an uncomfortable joy,” our reviewer wrote.  

‘Stranger Things’ S5 Vol. 1 

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‘Mo’ S2 

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‘Andor’ S2 

The best of the multitude of TV spinoffs from “Star Wars,” “Andor” was only two seasons long, and the majority of viewers would already have known what was coming (spoiler: the events of “Rogue One” were coming). But its story of a population rising up against the erosion of their rights was both convincing and timely. “With ‘Andor,’ (creator Tony) Gilroy and (star Diego) Luna have truly set the gold standard for what future ‘Star Wars’ can be,” our reviewer wrote. “Not just a space opera, but real stories of transformation and beauty.” 

‘The Studio’ 

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‘Slow Horses’ S5 

The fifth season of this excellent, darkly humorous espionage drama wasn’t its strongest, but even so, it trumped most of the competition. British super-spy Jackson Lamb and his crew of misfit agents at Slough House were once again embroiled in high-level conspiracies when their resident tech nerd Roddy gets a glamorous new girlfriend who everyone — or, at least, everyone except for Roddy — can see is well out of his league. That led us into a plot covering Islamic extremism, the British far-right, and much more, all held together by Gary Oldman’s scene-stealing turn as Lamb. 

‘Last One Laughing’ 

Putting a group of 10 comedians in a room for six hours and telling them not to laugh isn’t the greatest premise on paper, but this UK adaptation of the Japanese show “Documental,” featuring a stellar lineup of some of Britain’s funniest people — and host Jimmy Carr — was an absolute joy. From Joe Wilkinson being eliminated by Lou Sanders’ whispered “Naughty tortie” to eventual winner Bob Mortimer’s whimsical flights of fancy, there was so much to love about this endearingly silly show. And credit to the casting directors — the mix of comics was central to its success.