Jordan restaurant offers mansaf-lovers an opportunity for a nap after meals

This combination of photos, created on July 15, 2023, features the Jordanian iconic dish “mansaf” (right) and a customer during during a post-meal nap nap in a restaurant in Amman. (Supplied)
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Updated 15 July 2023
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Jordan restaurant offers mansaf-lovers an opportunity for a nap after meals

  • Mansaf is a traditional Levantine dish made of lamb cooked in a sauce of fermented dried yogurt
  • The air-conditioned “bedroom” offers mansaf-lovers a good post-meal napping opportunity

AMMAN: With the Jordanian iconic dish “mansaf” believed to cause severe sleepiness, a restaurant in Amman is offering its customers a napping opportunity to overcome their post-meal tiredness.

Mansaf is thought to cause drowsiness due to its high-fat ingredients, especially during hot weather, prompting lovers of Jordan’s celebrated national dish to avoid restaurants and only eat it at home where they can have a quick nap.

However, a restaurant in Jordan’s capital Amman has solved the post-meal sleepiness of mansaf by providing lovers of the traditional Levantine dish with beds for a quick nap.

Named “Moab” after the ancient Kingdom of Moab in Jordan’s southern city of Karak, the restaurant only serves mansaf.

“The idea to put beds in the restaurant started as a joke and decoration to reflect the sleepiness mansaf-eaters’ experience after they have the high-fat meal,” Musab Mubeideen, son of the restaurant’s owner, told Arab News.

He said that mansaf “is a fat-laden meal cooked with lamb meat, rice and jameed (ghee), and these ingredients put together are just a recipe for sleepiness and total tiredness.”

Mubaideen is from the city of Karak, 90 km south of Amman, which is famous for its high-quality “jameed.”

“Why don’t you put beds in the restaurant,” said a customer, who was rubbing his eyes and was sleepy after eating mansaf. Then other customers told us the same,” Mubaideen said.

“So we brought beds and set them up in a separate section in the restaurant. Customers now really use them for a quick nap after they have mansaf,” he said.

The “bedroom,” he said, has an air-conditioner and is also quiet, offering mansaf-lovers a good napping opportunity. “They also can have traditional Jordanian coffee there.”

Mansaf, meaning a large platter, is a traditional Levantine dish made of lamb cooked in a sauce of fermented dried yogurt and served with rice or bulgar. The Jordanian version of mansaf uses bread on the bottom of the plate.


At Jazan festival, Suad Al-Asiri paints memory, land and leadership

Updated 13 January 2026
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At Jazan festival, Suad Al-Asiri paints memory, land and leadership

  • Local artist channels personal hardship into works that reflect Jazan’s identity, heritage
  • Jazan: A Nation and a Prince, places region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi

RIYADH: At the Ahad Al-Masarihah pavilion at Jazan Festival 2026, Suad Al-Asiri’s paintings blend memory, place and personal history, offering visual narratives shaped by beauty and hardship. 

A novelist and visual artist, Al-Asiri has long used art as a storytelling tool. After a near-fatal car accident in March 2024, her work took on a new urgency. Bedridden for 11 months, cut off from the public world for more than a year, she describes that period as one of the most painful in her life — yet also transformative. 

“First of all, praise be to God for granting me life, as the accident was extremely severe,” she said. “By God’s grace, I was given a new life. All my thinking after the accident was about becoming an inspiration to others — about enduring pain and obstacles, and still leaving an impact.” 

Her return to public life came in 2025, when she participated in National Day celebrations with the ministry of interior. By the time she arrived at Jazan Festival, she was ready to channel that experience into her art. 

The centerpiece of her display, “Jazan: A Nation and a Prince,” places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi, governor and deputy governor of Jazan respectively. 

Visitors linger over the details: the painting incorporates coffee beans, sesame and khudair — materials drawn from local products.

“I wanted people to recognize these products immediately,” she said. “They are part of Jazan’s daily life, and using them makes the work more tangible, more connected to everyday experience.” 

The painting sparks conversation. Visitors discuss leadership, identity, and the intimate relationship between people and their environment. 

Beyond the central piece, Al-Asiri presents individual portraits of the two princes, expanding the dialogue into a broader exploration of heritage and memory.  

Her journey into art is tied to her life as a storyteller. Early experiments with charcoal and pencil evolved into abstract art, drawn by its expressive freedom. 

From there, she explored realism, surrealism, and eventually modern art, particularly pop art, which has earned her wide recognition in artistic circles. Her novels and media work complement her visual practice, earning her the title “the comprehensive artist” from the governor.

Yet what stands out most in this exhibition is how Al-Asiri’s personal resilience flows through each piece. Her experience of surviving a devastating accident, enduring months of immobility, and returning to the public eye informs every brushstroke. 

Visitors sense not just her artistic skill, but her determination to turn life’s hardships into inspiration for others. 

Walking through the pavilion, one can see it in the way she blends heritage symbols, southern landscapes, and scenes of daily life. 

Each painting becomes both a document and a dialogue — a celebration of Jazan’s culture, a reflection on identity, and a testament to the power of human perseverance. 

At Jazan Festival 2026, Suad Al-Asiri’s art is a quiet, persistent inspiration for anyone who pauses long enough to listen.