Industry insiders say Pakistan government’s proposed fund will ‘keep film culture alive’

In this file photo taken on June 9, 2015, a Pakistani camera crew adjusts a camera as they prepare to take part in the filming of a scene during the shooting of Pashto film in Murree, some 65kms north of Islamabad. (AFP/File)
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Updated 16 June 2023
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Industry insiders say Pakistan government’s proposed fund will ‘keep film culture alive’

  • Pakistan last week earmarked $7 million to finance films and $3.5 million for health insurance of artistes
  • Industry stake-holders say local cinema is currently going through ‘tough’ time, fund will improve situation

KARACHI: The Pakistani government’s $7 million fund to finance films would help the cinema grow in the South Asian country, industry insiders said on Thursday, hailing the initiative along with an another $3.5 million allocated for health insurance for artistes.

In a first last week, Pakistan earmarked Rs2 billion ($7 million) to finance films and Rs1 billion ($3.5 million) for health insurance of artistes in the federal budget for the fiscal year 2023-24.

Pakistan’s Information and Broadcasting Minister Marriyum Aurangzeb made the announcement and said the fund would play a “major role” in the growth of Pakistan’s film industry.

Industry stake-holders say the minister held separate meetings with them to discuss steps for the improvement of the Pakistani cinema and sought their feedback ahead of the announcement.

“It’s a huge incentive for filmmakers to come forward and make films. It is brilliant what the government has done. It will have great results, if implemented, and will benefit the industry in the long-run,” Nadeem Mandviwala, owner of Atrium Cinemas, told Arab News.

“At this moment, the government, particularly Marriyum [Aurangzeb], is trying their best to implement it in the essence and the spirit of the idea. She took personal interest in it.”

Initially, the idea to devise a policy to support the industry originated in 2018 during the tenure of former prime minister Imran Khan, but nothing concrete materialized at that point.

The situation of cinemas worsened with Pakistan imposing a ban on Indian films in 2019, followed by huge losses due to the COVID-19 pandemic.

Similarly, Mandviwala said, they requested the government to create a portal to provide health insurance to all artistes, including technicians, instead of providing funds to those appealing for treatment.

“There is no money exchange here. The government will cover the health insurance. We suggested the government to create a portal where every artist can register themselves so they don’t have to beg for it,” he said.

“For film production, the government will pay the bills, pay the artists and take care of other expenses instead of giving money.”

Nadeem Beyg, a leading Pakistani director, said Pakistani cinema was going through a “tough” time right now.

“If the country takes the right turn, it will improve the condition of the film industry too. With better facilities, insurance of artists and import of films, the situation will get better,” Beyg told Arab News.

“At this point it’s more important to keep film culture alive. We need [to make] more films. There is no big Hollywood film coming out to keep local cinemas running after August 2023.”

Sheikh Amjad Rashid, chairman of the Distribution Club (Pvt) Ltd, said he met the information minister last week in Islamabad, where she shared future plans to “promote” the Pakistani film industry.

“A film council will be made once the fund is approved in the budget. It will be a big incentive and will have a big impact on the industry,” Rashid said.

“We aim to promote young filmmakers, particularly those who have studied film from abroad, if they want to make something.”

He said he had requested the minister to provide an incentive to cinema by easing duty and not charging electricity bill on commercial rates.

“Until cinemas grow, the industry won’t grow,” he said.

However, Yasir Hussain, an actor and scriptwriter, questioned how the fund would reach young filmmakers like him.

“Is there a committee or directors’ guild that will distribute the money or will this money go to Syed Noor or old directors,” Hussain asked.

“Or will young, emerging directors like myself will also get an opportunity to make films with this money?”


Where We Are Going Today: Forn Wa Saj in Riyadh and Jeddah

Updated 12 December 2025
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Where We Are Going Today: Forn Wa Saj in Riyadh and Jeddah

If you live in this part of the world, then you know exactly what it feels like to wake up on a Friday morning with your friends or your family yearning for a good manoosha and a cup of hot karak tea. Choosing the right place, however, can be quite the task.

With so many manaeesh restaurant options on the market, it gets difficult to differentiate between the good and the bad, the classic traditional and the “modern twist” that is just trying too hard.

Forn Wa Saj, in both Riyadh and Jeddah, is somewhat in between.

They have your classic akkawi, zaater, lahmah bel ajeen and others, but they also include some wildcard house specials such as a pesto halloumi, pepperoni and even a pumpkin spread.

Their lahmah bel ajeen is a great option; it is flavorful and contains just the right amount of tanginess.

For zaatar fans, its flavor is good — perhaps the zaatar labneh would have been a better option.

For the house specials, there were some hits and misses. Esh albulbul (mixed cheese with labneh and honey) is for sure a success. The balance of sweet, creamy and slightly salty is excellent.

Both the musakhan and falafel manaeesh are pretty good but could use some minor adjustments — the musakhan is great quality chicken but you might wish for a bit less tanginess, and the falafel just need more falafel.

Overall, Forn Wa Saj is a good choice for your weekend breakfast. It may not blow you away but will leave you satisfied.

The portion sizes are pretty generous, and although the prices are a bit high, they are average among the more “modern” manaeesh restaurants.