Industry insiders say Pakistan government’s proposed fund will ‘keep film culture alive’

In this file photo taken on June 9, 2015, a Pakistani camera crew adjusts a camera as they prepare to take part in the filming of a scene during the shooting of Pashto film in Murree, some 65kms north of Islamabad. (AFP/File)
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Updated 16 June 2023
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Industry insiders say Pakistan government’s proposed fund will ‘keep film culture alive’

  • Pakistan last week earmarked $7 million to finance films and $3.5 million for health insurance of artistes
  • Industry stake-holders say local cinema is currently going through ‘tough’ time, fund will improve situation

KARACHI: The Pakistani government’s $7 million fund to finance films would help the cinema grow in the South Asian country, industry insiders said on Thursday, hailing the initiative along with an another $3.5 million allocated for health insurance for artistes.

In a first last week, Pakistan earmarked Rs2 billion ($7 million) to finance films and Rs1 billion ($3.5 million) for health insurance of artistes in the federal budget for the fiscal year 2023-24.

Pakistan’s Information and Broadcasting Minister Marriyum Aurangzeb made the announcement and said the fund would play a “major role” in the growth of Pakistan’s film industry.

Industry stake-holders say the minister held separate meetings with them to discuss steps for the improvement of the Pakistani cinema and sought their feedback ahead of the announcement.

“It’s a huge incentive for filmmakers to come forward and make films. It is brilliant what the government has done. It will have great results, if implemented, and will benefit the industry in the long-run,” Nadeem Mandviwala, owner of Atrium Cinemas, told Arab News.

“At this moment, the government, particularly Marriyum [Aurangzeb], is trying their best to implement it in the essence and the spirit of the idea. She took personal interest in it.”

Initially, the idea to devise a policy to support the industry originated in 2018 during the tenure of former prime minister Imran Khan, but nothing concrete materialized at that point.

The situation of cinemas worsened with Pakistan imposing a ban on Indian films in 2019, followed by huge losses due to the COVID-19 pandemic.

Similarly, Mandviwala said, they requested the government to create a portal to provide health insurance to all artistes, including technicians, instead of providing funds to those appealing for treatment.

“There is no money exchange here. The government will cover the health insurance. We suggested the government to create a portal where every artist can register themselves so they don’t have to beg for it,” he said.

“For film production, the government will pay the bills, pay the artists and take care of other expenses instead of giving money.”

Nadeem Beyg, a leading Pakistani director, said Pakistani cinema was going through a “tough” time right now.

“If the country takes the right turn, it will improve the condition of the film industry too. With better facilities, insurance of artists and import of films, the situation will get better,” Beyg told Arab News.

“At this point it’s more important to keep film culture alive. We need [to make] more films. There is no big Hollywood film coming out to keep local cinemas running after August 2023.”

Sheikh Amjad Rashid, chairman of the Distribution Club (Pvt) Ltd, said he met the information minister last week in Islamabad, where she shared future plans to “promote” the Pakistani film industry.

“A film council will be made once the fund is approved in the budget. It will be a big incentive and will have a big impact on the industry,” Rashid said.

“We aim to promote young filmmakers, particularly those who have studied film from abroad, if they want to make something.”

He said he had requested the minister to provide an incentive to cinema by easing duty and not charging electricity bill on commercial rates.

“Until cinemas grow, the industry won’t grow,” he said.

However, Yasir Hussain, an actor and scriptwriter, questioned how the fund would reach young filmmakers like him.

“Is there a committee or directors’ guild that will distribute the money or will this money go to Syed Noor or old directors,” Hussain asked.

“Or will young, emerging directors like myself will also get an opportunity to make films with this money?”


Incoming: The biggest movies due out before summer 2026 

Updated 01 January 2026
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Incoming: The biggest movies due out before summer 2026 

  • From Baby Yoda’s big-screen debut to the return of Miranda Priestly, here are some of the biggest films heading our way in the next few months 

‘Project Hail Mary’ 

Directors: Phil Lord, Christopher Miller 

Starring: Ryan Gosling, Sandra Huller, Lionel Boyce 

Due out: March 

MGM paid a reported $3 million to acquire the rights to this 2021 sci-fi novel by Andy Weir (author of “The Martian”), which has now been adapted for this blockbuster starring Gosling as Dr. Ryland Grace. Grace wakes up on a spacecraft with no memory of who he is or why he’s there. He gradually works out that he’s the sole survivor of a crew sent to the Tau Ceti solar system hoping to find a way to fix the results of a “catastrophic event” on Earth. Fortunately, it turns out Grace is kind of a science genius. Equally fortunately, it turns out he may not have to save the world all on his own.  

‘Good Luck, Have Fun, Don’t Die’ 

Director: Gore Verbinski 

Starring: Sam Rockwell, Haley Lu Richardson, Michael Pena 

Due out: January 

After its premiere at Fantastic Fest last year, Variety described Verbinski’s sci-fi action comedy as “an unapologetically irreverent, wildly inventive, end-is-nigh take on the time-loop movie” with a “hyper-referential script … full of inside jokes for gamers.” The guy stuck in that time loop is Rockwell’s man from the future, who’s on his 118th attempt to save the world from a rogue artificial intelligence. To do so, he needs to convince just the right mix of misfits from the late-night patrons of a diner in Los Angeles to undertake what could well be a suicide mission.  

‘Wuthering Heights’ 

Director: Emerald Fennell 

Starring: Margot Robbie, Jacob Elordi, Hong Chau 

Due out: February 

Fennell’s latest feature is billed as a “loose adaptation” of Emily Bronte’s 1847 Gothic classic —the story of the ill-fated passion shared between the well-to-do Catherine Earnshaw and Heathcliff, a young man of low social standing and uncertain ethnic origins, in the moorlands of Yorkshire in northern England. Warner Bros. are playing up the love-story side of Bronte’s layered and often troubling novel, setting a Valentine’s week release. 

‘The Super Mario Galaxy Movie’ 

Director: Aaron Horvath, Michael Jelenic 

Voice cast: Chris Pratt, Anya Taylor-Joy, Charlie Day 

Due out: April 

Critics were not especially kind to 2023’s “The Super Mario Bros. Movie,” but that certainly didn’t dissuade audiences, who made it the second-highest grossing film of that year, behind only “Barbie.” With the same team returning to helm and voice the movie (with the additions of Benny Safdie and Brie Larson to the cast), chances are that “Galaxy” will have much the same reaction from the two groups as the eponymous Brooklyn plumber and his brother Luigi head into outer space with Princess Peach and Toad to take on Bowser’s son, Bowser Jr (Safdie). 

‘Michael’ 

Director: Antoine Fuqua 

Starring: Jaafar Jackson, Nia Long, Miles Teller 

Due out: April 

The biggest biopic of the year will likely be this feature about one of the most culturally significant music stars in history, Michael Jackson — aka The King of Pop. It depicts his journey from child star in the Jackson 5 to global superstar in the Eighties, and reportedly does not whitewash the allegations of child sexual abuse that dogged the singer for years (with producer Graham King saying he wanted to “humanize but not sanitize” Jackson’s story)  — although Michael’s own daughter, Paris, has described the script as “sugar-coated” and “dishonest.” 

‘The Devil Wears Prada 2’ 

Director: David Frankel 

Starring: Meryl Streep, Anne Hathaway, Emily Blunt 

Due out: May 

With all the original stars returning (despite the reported initial reluctance of Streep and Hathaway to do so) along with the director and main producer, this sequel to the acclaimed 2006 comedy drama about aspiring journalist Andrea “Andy” Sachs (Hathaway), who lands a job as PA to an absolute nightmare of a fashion-magazine editor — Miranda Priestly (Streep) should be a guaranteed hit. If it sticks to the story of Lauren Weisberger’s “Revenge Wears Prada: The Devil Returns,” then we’ll find that Andy, a decade on, is now herself the editor of a bridal magazine and planning her own wedding. But she’s still haunted by her experiences with Miranda.  

‘The Mandalorian and Grogu’ 

Director: Jon Favreau 

Starring: Pedro Pascal, Sigourney Weaver, Jeremy Allen White 

Due out: May 

The latest feature from the “Star Wars” franchise builds on one of its most successful TV spinoffs, “The Mandalorian.” It sees bounty hunter Din Djarin (aka The Mandalorian) and his one-time target-turned-adoptive son Grogu — the Force-sensitive infant from the same species as the Jedi master Yoda — enlisted by the New Republic to help them combat the remaining Imperial warlords threatening the galaxy after the collapse of the Galactic Empire.