Saudi Arabia ‘poised for major global media role,’ says Telfaz11 CEO Alaa Fadan

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As the streaming environment becomes more cluttered, audiences are looking for local, quality content making it ever more important for the Middle east to foster local talent, says the CEO. (Supplied)
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Saudi studio Telfaz11 and the Kingdom’s media production hub NEOM signed a deal this month to cooperate on at least nine TV and film productions over the next three years. (Supplied)
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Updated 10 June 2023
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Saudi Arabia ‘poised for major global media role,’ says Telfaz11 CEO Alaa Fadan

  • Studio’s partnership with NEOM to see 9 nine TV and film productions in next 3 years

DUBAI: Saudi studio Telfaz11 and the Kingdom’s media production hub NEOM signed a deal this month to cooperate on at least nine TV and film productions over the next three years.

“We are thrilled to embark on this partnership with NEOM and to be part of their mission to create a new world-class media hub in Saudi Arabia,” Telfaz11’s CEO Alaa Fadan told Arab News recently.

The partnership “reemphasizes Telfaz11’s core vision and DNA of investing in the creative culture” and provides the company with “new opportunities for growth and innovation,” he added.

Two feature films and one TV series are already in development, and a few other projects have been identified as well, he said.

Telfaz11 has “a rich slate of projects mapped out for the next three years” and will work with NEOM to select which projects would be rolled out as part of the deal, Fadan said.

HIGHLIGHTS

Last year, the Saudi Film Commission announced the Daw funding program dedicated to supporting local productions and talent.

This year Saudi Arabia’s Cultural Development Fund launched a $234-million Film Sector Financing Program as well as a $100-million film sector fund to foster the growth of domestic media.

The Kingdom has made remarkable strides in recent years, driven by visionary initiatives focusing on developing the media and entertainment sectors, says the CEO.

In 2021, Saudi Arabia drew $238 million in box-office revenue compared to only $112 million in 2019, according to research firm Omdia.

Beyond production, the company would also be setting up an office in NEOM by the end of the year, which is “part of a strategic move that will facilitate our vision for expansion in the Kingdom,” he said.

Telfaz11’s physical presence in NEOM will allow it to “increase collaboration with other industry partners, enhance knowledge sharing, and access state-of-the-art facilities,” he added.




Telfaz11’s CEO Alaa Fadan

Lastly, the two entities will work on “multi-disciplinary talent development programs” as part of the partnership, “creating a vibrant talent pool across the value chain and strong career opportunities for graduates,” Fadan said.

They will work with national and international experts to devise programs across different areas of film production including scriptwriting, on-set production training and more.

As the streaming environment becomes more cluttered, audiences are looking for local, quality content making it ever more important for the Middle East, and Saudi Arabia in particular, to foster local talent, he said.

“We are at the epicenter of a massive investment in streaming, driving MENA’s explosive entertainment growth and we see this driving an increase in investment in local content,” said Fadan.

“As the demand for quality content rises, it reinforces the importance of our work and motivates us to continually raise the bar in terms of creativity and production value,” he added.

Telfaz11 has witnessed the streaming boom firsthand. It was among the first local companies to sign a deal with Netflix. In 2020, the streaming giant inked a pact to produce eight films by Telfaz11 after a successful partnership on the studio’s short-film collection “Six Windows in the Desert.”

For Fadan, the partnership with Netflix “presents a significant milestone in promoting local storytelling and elevating the visibility of Saudi and Middle Eastern content worldwide.”

It is, however, not restricting itself to only Netflix and taking a “versatile approach to content creation and distribution” that includes partnering with various platforms, to cater to a wider set of audiences with a diverse content mix, he explained.

YouTube and other social media platforms are important to the company, which has nearly 3.5 million subscribers on the video-sharing channel as well as a partnership with MBC’s streaming platform Shahid for digital content.

“Our collaborations with these platforms exemplify our commitment to reaching audiences through various channels,” Fadan said.

Since its inception in 2011, he added, Telfaz11 has been on “a mission to cultivate the voice of Saudi and empower local creative talent in the region.”

The studio has been working to “unlock the potential of Saudi Arabia’s creative economy, and generate new opportunities for actors, filmmakers, screenwriters, and content creators,” he added.

The Kingdom’s creative economy is poised for success with major investments in the media, film and entertainment industries.

“This development has sparked a surge in the demand for quality content, creating opportunities for production companies like ours, Telfaz11, to contribute to the burgeoning film industry in the Kingdom,” Fadan said.

More than 30 productions have been shot in NEOM alone over the past 18 months, including “Desert Warrior,” “Dunki” and “Rise of the Witches.”

Last year, the Saudi Film Commission announced the Daw funding program dedicated to supporting local productions and talent. And this year Saudi Arabia’s Cultural Development Fund launched a $234-million Film Sector Financing Program as well as a $100-million film sector fund to foster the growth of domestic media.

These are just a few of the initiatives announced by the Kingdom, and as a result, “Saudi Arabia is poised to play a significant role in the global media landscape, both in content creation and production,” Fadan said.

“The country has made remarkable strides in recent years, driven by visionary initiatives focusing on developing the media and entertainment sectors,” he added.

In 2021, Saudi drew $238 million in box-office revenue compared to only $112 million in 2019, according to research firm Omdia.

Moreover, box-office revenues in the Kingdom are forecast to surpass $1 billion by 2020 making it one of the world’s top-20 cinema markets, according to another report.

“The combination of diverse storytelling, technological advancements, and increased international collaborations positions Saudi Arabia as an emerging force within the global media landscape,” said Fadan.


Journalist working for German media arrested in Turkiye

Updated 58 min 48 sec ago
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Journalist working for German media arrested in Turkiye

  • A Turkish journalist working for the German public broadcaster Deutsche Welle (DW) has been arrested on accusations of “spreading false news” and “insulting the president“

ISTANBUL: A Turkish journalist working for the German public broadcaster Deutsche Welle (DW) has been arrested on accusations of “spreading false news” and “insulting the president,” the Istanbul prosecutor’s office has said.
Alican Uludag was arrested in Ankara on Thursday, the office said, on charges stemming from posts on a social media account.
Uludag’s lawyer said the journalist was being targeted for articles written for DW about the repatriation of Turkish citizens affiliated with the Daesh group.
“Alican Uludag was taken into custody (...) because of his article entitled ‘Turkiye Prepares to Repatriate Turkish Citizens Affiliated with the Islamic State’,” said attorney Tora Pekin.
Deutsche Welle said late Thursday that the “charges refer to a message published on X about a year and a half ago” in which Uludag “criticized measures taken by the Turkish government that allegedly led to the release of possible Daesh terrorists” and “accused the government of corruption.”
He was “arrested and taken away in front of his family by about thirty police officers. His home was searched and computer equipment was seized,” it said.
He is due to appear before prosecutors in Istanbul on Friday, the prosecutor’s office said.
According to a representative of Reporters Without Borders (RSF), Erol Onderoglu, “the arrest of Alican Uludag is part of a process of judicial harassment against serious journalists.”
The media watchdog group denounced “the relentless arbitrary practices that are now targeting a journalist who may have disturbed the authorities because of his investigations.”
DW chief Barbara Massing demanded Uludag’s immediate release.
“That a journalist is treated like a common criminal, taken away by some thirty police officers and immediately transferred to Istanbul, constitutes targeted intimidation and shows the extent to which the government is massively repressing press freedom,” she said in a statement.