Elon Musk threatens to reassign NPR’s Twitter account

The headquarters for National Public Radio (NPR) stands on North Capitol Street on April 15, 2013, in Washington. (AP File Photo)
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Updated 04 May 2023
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Elon Musk threatens to reassign NPR’s Twitter account

  • The non-profit news organization stopped tweeting from its main account after Twitter abruptly labeled it as ‘state-affiliated media’

WASHINGTON: Elon Musk threatened to reassign National Public Radio’s Twitter account to “another company,” according to the non-profit news organization, in an ongoing spat between Musk and media groups since his $44 billion acquisition of Twitter last year.

“So is NPR going to start posting on Twitter again, or should we reassign @NPR to another company?” Musk wrote in one email late Tuesday to NPR reporter Bobby Allyn.
NPR stopped tweeting from its main account after Twitter abruptly labeled NPR’s main account as “state-affiliated media” last month, a term that’s also been used to identify outlets controlled or heavily influenced by authoritarian governments. Twitter then changed the label to “government-funded media.”
NPR said that both labels were inaccurate and undermined its credibility — noting the nonprofit news company operates independently of the US government. Federal funding from the Corporation for Public Broadcasting accounts for less than 1 percent of NPR’s annual operating budget, the company said.
The last tweets on NPR’s main account are from April 12 — when the news organization shared a thread of other places readers and listeners can find its journalism.
Twitter temporarily slapped other news organizations — including the BBC and PBS — with “government-funded media” labels. PBS also stopped using its Twitter account in response.
In an article written by Allyn late Tuesday, the NPR tech reporter detailed the messages that the billionaire owner of Twitter sent regarding NPR’s account. Musk pointed to NPR’s choice to stop tweeting as justifying possibly reassigning the account.
“Our policy is to recycle handles that are definitively dormant,” Musk wrote in one email. “Same policy applies to all accounts. No special treatment for NPR.”
According to Twitter’s online policy, the social media platform determines an account’s inactivity based on logging on — not tweeting. Twitter says that users should log in at least every 30 days to keep their accounts active, and that “accounts may be permanently removed due to prolonged inactivity.”
Musk’s comments and his actions, however, do not always match and it is uncertain if he will actually reassign NPR’s handle, regardless of Twitter’s published policy on account activity.
When asked by NPR who would be willing to use NPR’s Twitter account, Musk replied, “National Pumpkin Radio,” along with a fire emoji and a laughing emoji, NPR reported.
It is unknown if NPR has logged into its account, which currently has a blue check without the previous “government-funded media” label, since April. The Associated Press reached out to NPR for comment early Wednesday.
Musk disbanded Twitter’s media and public relations department after the takeover.
As of Wednesday, the NPR Twitter handle still appeared to belong to NPR. If Musk does reassign the account to another user, experts warn of misinformation and further loss of credibility.
“Potentially losing access to a handle as a form of pressure is really just a continuation of eroding the credibility of information sharing on Twitter,” Zeve Sanderson, executive director of New York University’s Center for Social Media and Politics told The Associated Press.
“For journalism, there’s not only brand safety concerns, but in addition to that, there are a ton of concerns around misinformation potentially being perceived as a lot more credible — because someone (could be) tweeting from from the NPR handle when it’s really not them,” Sanderson added.
It is the latest volley in what many experts describe as a chilling and uncertain landscape for journalism on Twitter since Musk acquired the company in October.
In addition to removing news organization’s verifications and temporarily adding labels like “government-funded media” on some accounts, Musk abruptly suspended the accounts of individual journalists who wrote about Twitter late last year.
In response to Musk’s Tuesday emails, Liz Woolery, digital policy lead at literary organization PEN America said that it is “hard to imagine a more potent example of Musk’s willingness to use Twitter to arbitrarily intimidate and retaliate against any person or organization that irks him, with or without provocation.”
“It’s a purely authoritarian tactic, seemingly intended to undermine one of the country’s premier and most trusted news organizations— one that is especially important to rural communities across the US” Woolery added in a Wednesday statement.


Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape

Updated 15 January 2026
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Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape

  • The publication features established and emerging talents elevating the region across design, fashion, art, tech, music, architecture and media
  • Saudi fashion designer Hatem Alakeel seeks to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences

DUBAI: When Saudi fashion designer Hatem Alakeel interviewed Princess Reema bint Bandar Al-Saud before her appointment as Saudi ambassador to the US, the longtime advocate of women’s empowerment made a powerful prediction: “I look forward to the day that the Saudi woman is no longer the story but rather a phenomenal achievement.”

That moment would become the foundation for Gems of Arabia, an arts and culture audio-visual podcast that spotlights the creative talents shaping the landscape of Saudi Arabia and the broader region.

Over six years, Gems of Arabia has documented the sweeping transformation of the Kingdom’s art and culture scene, and is now evolving into a full-fledged magazine.

Hatem Alakeel is a Saudi fashion designer. (Supplied)

“It started off as a column I used to write, and from there, it turned into a podcast. Now it is growing into a magazine,” Dubai-based Alakeel, the magazine’s founder and editor-in-chief, told Arab News ahead of the launch of the digital publication on Thursday.

Besides spotlighting celebrated regional artists, Alakeel said Gems of Arabia is in search of the “hidden gems” elevating the region across design, fashion, art, tech, music, architecture and media.

The magazine serves as a platform for talented, authentic creatives and tech entrepreneurs unable to articulate their work “because they don’t have the public relations or capacity to promote themselves even through social media.”

Alakeel added: “Our job is to identify all these authentic people; you don’t have to be famous, you just have to be authentic, and have a great story to tell.”

The digital publication offers a dynamic blend of short-form podcasts, coverage of regional cultural events, in-depth features and editorials, long-form interviews and artist profiles — spotlighting both celebrated and emerging talents. This is complemented by social media vox pops and bite-sized coverage of art events across the region.

Alakeel, who also runs Authenticite, a consulting and creative production agency connecting creators and brands who want to understand Saudi culture, said the magazine content is “carefully curated” to feature topics and personalities that resonate in the region.

What differentiates Gems of Arabia, he said, is its story of continuity and substance amassed over the years that has captured the evolution of the wider regional landscape.

“The website represents an archive of nearly 150 articles compiled through years of podcasts and long-form conversations that show continuity and depth changes,” he said.

“So, it’s an evolution and it’s another home for all our content and our community.”

Growing up in France, Alakeel said his mission started early on when he felt the need to represent his Saudi culture “in a way where it can hold its own internationally.”

Through his first brand, Toby, he sought to bring the traditional thobe into modern designs and introduce it to the luxury fashion world. This mission was accomplished when his thobe designs were placed alongside global labels such as Harvey Nichols, Dolce & Gabbana and Prada.

What began as a personal design mission would soon expand into a broader platform to champion Saudi talent. 

“I was articulating my culture through fashion and it just felt natural to do that through the incredible people that the region has,” Alakeel said, adding that the magazine aims to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences.

“Art is such a great way of learning about a culture and a country,” he said. 

On the ground in Saudi Arabia, the publication hosts GEMS Forum, a series of live cultural gatherings that bring together prominent artistic figures for in-depth conversations later transformed into podcast episodes recorded with a live audience.

Alakeel said the print edition of Gems of Arabia will debut in March, designed as a collectible coffee-table quarterly distributed across the Gulf.

He envisions the platform growing into a long-term cultural record.

“It's a Saudi-centric magazine, but the idea is to make it inclusive to the region and everyone authentic has a seat at the table,” said Alakeel.