Burkina junta orders France 24 off air after Al-Qaeda interview

According to official figures, jihadists control about 40 percent of the country. (AFP/File)
Short Url
Updated 27 March 2023
Follow

Burkina junta orders France 24 off air after Al-Qaeda interview

  • Burkina Faso has been battling a jihadist insurgency since 2015
  • France 24 has been accused of ‘legitimising the terrorist message’ in the country

OUAGADOUGOU: The military junta in Burkina Faso on Monday suspended all broadcasts by the France 24 news channel in the west African country after it interviewed the head of Al-Qaeda North Africa.
Burkina Faso, which witnessed two coups last year, is battling a jihadist insurgency that spilled over from neighboring Mali in 2015.
“By opening its channel to the head of AQIM (Al-Qaeda in the Islamic Maghreb), France 24 not only acts as a communications agency for these terrorists but also offers ... legitimacy to terrorist actions and hate speech,” the junta spokesman said, referring to a March 6 interview with AQIM head Abu Ubaydah Yusuf Al-Annabi.
“Therefore the government has decided... to suspend sine die the diffusion of France 24 programs on all national territory,” spokesman Jean-Emmanuel Ouedraogo said.
The France 24 broadcast was cut around 0900 GMT on Monday, AFP journalists said.
On March 6, France 24 broadcast written replies given by Al-Annabi to 17 questions posed by the news channel’s specialist on jihadist issues, Wassim Nasr.
“We believe this is part of a process of legitimising the terrorist message and we know about the effects of this message in this country,” Ouedraogo later told RTB national television.
In Paris, France 24 hit back branding the Burkinabe government statement “outrageous and defamatory.”
“The management of France 24 condemns this decision and disputes the baseless accusations calling into question the channel’s professionalism,” the broadcaster said.
It stressed that the AQIM chief’s interview had not been directly aired but used as an account to confirm that the group had detained a French hostage who was released in Niger last week.
“The security crisis the country (Burkina Faso) is going through must not be a pretext for muzzling the media,” France 24 said.
The French foreign ministry also issued a statement saying it “regrets” the suspension and voicing “constant and determined commitment in favor of press freedom.”

In December, the Burkina junta suspended Radio France Internationale (RFI), which belongs to the same France Medias Monde group as France 24, accusing the radio station of airing a “message of intimidation” attributed to a “terrorist chief.”
Both RFI and France 24, which cover African affairs closely and are popular in francophone nations, have been suspended in neighboring Mali, which is also run by a military junta fighting jihadist forces.
According to France 24 one third of Burkina’s population watches the channel every week.
The military government in Ouagadougou said it would continue to “defend the vital interests of our people against anyone who acts as a loudspeaker for terrorist acts and the divisive hate speech of these armed groups.”
In March, the ruling junta in Mali announced the suspension of the broadcasting authorization granted to RFI and France 24, after they published stories implicating the national army in abuses against civilians.
One of the world’s poorest nations, Burkina Faso’s soldiers staged two coups in 2022 over the failure to tackle the threat from jihadist groups.
More than 10,000 civilians, troops and police have been killed, according to one NGO estimate, and at least two million people have been displaced.
With jihadists effectively controlling about 40 percent of the country, according to official figures, junta leader Captain Ibrahim Traore vowed to recover lost territory after taking power in September.
But jihadist attacks have escalated since the start of the year, with dozens of soldiers and civilians killed every week.
Former colonial power France has in the past year withdrawn troops from Mali, Burkina Faso and the Central African Republic.
The pullout from Mali and Burkina Faso, where French soldiers were supporting the Sahel nations in the long-running insurgency, came on the back of a wave of local hostility.


Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape

Updated 15 January 2026
Follow

Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape

  • The publication features established and emerging talents elevating the region across design, fashion, art, tech, music, architecture and media
  • Saudi fashion designer Hatem Alakeel seeks to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences

DUBAI: When Saudi fashion designer Hatem Alakeel interviewed Princess Reema bint Bandar Al-Saud before her appointment as Saudi ambassador to the US, the longtime advocate of women’s empowerment made a powerful prediction: “I look forward to the day that the Saudi woman is no longer the story but rather a phenomenal achievement.”

That moment would become the foundation for Gems of Arabia, an arts and culture audio-visual podcast that spotlights the creative talents shaping the landscape of Saudi Arabia and the broader region.

Over six years, Gems of Arabia has documented the sweeping transformation of the Kingdom’s art and culture scene, and is now evolving into a full-fledged magazine.

Hatem Alakeel is a Saudi fashion designer. (Supplied)

“It started off as a column I used to write, and from there, it turned into a podcast. Now it is growing into a magazine,” Dubai-based Alakeel, the magazine’s founder and editor-in-chief, told Arab News ahead of the launch of the digital publication on Thursday.

Besides spotlighting celebrated regional artists, Alakeel said Gems of Arabia is in search of the “hidden gems” elevating the region across design, fashion, art, tech, music, architecture and media.

The magazine serves as a platform for talented, authentic creatives and tech entrepreneurs unable to articulate their work “because they don’t have the public relations or capacity to promote themselves even through social media.”

Alakeel added: “Our job is to identify all these authentic people; you don’t have to be famous, you just have to be authentic, and have a great story to tell.”

The digital publication offers a dynamic blend of short-form podcasts, coverage of regional cultural events, in-depth features and editorials, long-form interviews and artist profiles — spotlighting both celebrated and emerging talents. This is complemented by social media vox pops and bite-sized coverage of art events across the region.

Alakeel, who also runs Authenticite, a consulting and creative production agency connecting creators and brands who want to understand Saudi culture, said the magazine content is “carefully curated” to feature topics and personalities that resonate in the region.

What differentiates Gems of Arabia, he said, is its story of continuity and substance amassed over the years that has captured the evolution of the wider regional landscape.

“The website represents an archive of nearly 150 articles compiled through years of podcasts and long-form conversations that show continuity and depth changes,” he said.

“So, it’s an evolution and it’s another home for all our content and our community.”

Growing up in France, Alakeel said his mission started early on when he felt the need to represent his Saudi culture “in a way where it can hold its own internationally.”

Through his first brand, Toby, he sought to bring the traditional thobe into modern designs and introduce it to the luxury fashion world. This mission was accomplished when his thobe designs were placed alongside global labels such as Harvey Nichols, Dolce & Gabbana and Prada.

What began as a personal design mission would soon expand into a broader platform to champion Saudi talent. 

“I was articulating my culture through fashion and it just felt natural to do that through the incredible people that the region has,” Alakeel said, adding that the magazine aims to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences.

“Art is such a great way of learning about a culture and a country,” he said. 

On the ground in Saudi Arabia, the publication hosts GEMS Forum, a series of live cultural gatherings that bring together prominent artistic figures for in-depth conversations later transformed into podcast episodes recorded with a live audience.

Alakeel said the print edition of Gems of Arabia will debut in March, designed as a collectible coffee-table quarterly distributed across the Gulf.

He envisions the platform growing into a long-term cultural record.

“It's a Saudi-centric magazine, but the idea is to make it inclusive to the region and everyone authentic has a seat at the table,” said Alakeel.