Saudi Arabia’s Red Sea Film Fest announces projects selected for its development program
Updated 14 March 2023
Arab News
DUBAI: Saudi Arabia’s Red Sea International Film Festival this week announced the Saudi, Arab and African projects selected for the fourth edition of Red Sea Lodge, the festival’s development program in collaboration with TorinoFilmLab and sponsored by the Film AlUla film commission.
According to a released statement, budding filmmakers will get the chance to receive mentorship from industry professionals as part of the creative training program.
Winners will take home a portion of the total $200,000 in prizes that will be awarded during the festival’s 2023 edition in December.
The selected projects from Saudi Arabia include director Ghadeer Binabbas’s “How To Not Get Married In Saudi Arabia,” Director Lina Mahmoud’s “Sukun,” Mujtaba Saeed’s “Mecca Berlin,” Amaal Yousef’s “By Hasnaa’s Side” and Sarah Mohammed Almuneef’s “Lost Soul.”
The projects from the Arab region include Mohamed Kassaby’s “An Endless Night,” Samer Battikhi’s “To Each Their Own,” Wessam Hachicho’s “Temporary Lives,” Wissam Tanios’s “The Sun Has Seen Everything” and Fatma Riahi’s “My Father Killed Bourguiba,” while the African projects are Naishe Nyamubaya’s “Black Snake” and Vincho Nchogu’s “Fantastic Tale.”
Why this year’s Golden Globes race feels so unpredictable
No dominant frontrunner and openness among voters
‘Hamnet,’ ‘Sinners,’ ‘Sentimental Value’ in contention
Updated 09 January 2026
Raffi Boghosian
LOS ANGELES: With the Golden Globes approaching, this awards season has taken on an unusually fluid shape. Instead of a single dominant frontrunner, the race is being defined by range, taste, and a noticeable openness among voters.
Prestige dramas are sharing space with ambitious studio films, while several contenders have built momentum quietly rather than through aggressive campaigns. The result is a season that feels unpredictable — in the best possible way.
Recently announced presenters include a wide cross section of film, television, and music figures. (Supplied)
That sense of openness is reflected not only in the awards race itself, but also in the broader tone surrounding this year’s ceremony. The 83rd Annual Golden Globes will air live on CBS on Sunday, Jan. 11, 2026, with comedian and actress Nikki Glaser returning as host.
Recently announced presenters include a wide cross section of film, television, and music figures.
Among them are Julia Roberts, George Clooney, Jennifer Garner, Kevin Hart, Miley Cyrus, Snoop Dogg, Amanda Seyfried, Ana de Armas, Ayo Edebiri, Colman Domingo, Dakota Fanning, Kathryn Hahn, Queen Latifah, Zoe Kravitz, and Pamela Anderson.
The 83rd Annual Golden Globes will air live on CBS on Sunday, Jan. 11, 2026, with comedian and actress Nikki Glaser returning as host. (Supplied)
The diversity and generational range of the presenter lineup mirrors the season itself, blending established icons with contemporary voices and signaling a ceremony that leans into variety rather than predictability.
In the drama categories, “Hamnet” has emerged as a serious presence, earning steady respect across critics’ groups and industry conversations. Its restrained approach and emotional weight have resonated with audiences and awards watchers who value craft over spectacle.
At the same time, “Sinners” and “Sentimental Value” remain firmly in contention, particularly if voters gravitate toward character-driven storytelling rather than formal experimentation.
Among them are Julia Roberts, George Clooney, Jennifer Garner, Kevin Hart, Miley Cyrus, Snoop Dogg, Amanda Seyfried, Ana de Armas, Ayo Edebiri, Colman Domingo, Dakota Fanning, Kathryn Hahn, Queen Latifah, Zoe Kravitz, and Pamela Anderson. (Supplied)
On the musical or comedy side, “One Battle After Another” appears especially well-positioned, carried by strong ensemble work and a level of sustained buzz that has followed it throughout the season.
The acting races are no less competitive. Wagner Moura has placed himself near the front of the Best Actor, Drama conversation for his performance in “The Secret Agent,” a role widely praised for its restraint and complexity.
Michael B. Jordan continues to generate strong support for “Sinners,” reinforcing his position as a consistent awards presence.
In the musical or comedy field, Timothee Chalamet has become a frequent prediction for “Marty Supreme,” a performance many see as both charismatic and strategically timed.
The actress races are equally open, with Jessie Buckley and Rose Byrne widely cited as leading figures, while the supporting categories continue to spotlight standout work from Stellan Skarsgard and Inga Ibsdotter Lilleaas.
In directing, momentum appears to favor Paul Thomas Anderson for “One Battle After Another,” reflecting both critical admiration and industry confidence.
Screenplay and score conversations have included “Sinners” and “KPop Demon Hunters,” underscoring a year that balances artistic ambition with broader appeal.
However the night ultimately unfolds, this year’s Golden Globes feels less about safe consensus choices and more about recognizing work that lingered long after the credits rolled.
From the nominees to the presenters taking the stage, the ceremony reflects a film year defined by confidence, creative risk, and a refreshing absence of certainty.
