Review: With its Oscar-nominated lead, ‘Aftersun’ captures a parent-child relationship perfectly

In the running for an Oscar for its lead star Paul Mescal, “Aftersun” has had incredible — and unexpected — success on the awards circuit. (Supplied)
Short Url
Updated 12 March 2023
Follow

Review: With its Oscar-nominated lead, ‘Aftersun’ captures a parent-child relationship perfectly

CHENNAI: In the running for an Oscar for its lead star Paul Mescal, “Aftersun” has had incredible — and unexpected — success on the awards circuit after is Cannes Film Festival 2022 debut.

Coming from Scottish-born, New York-based director Charlotte Wells, “Aftersun” is a sweetly poignant story of a young single father and his 11-year-old daughter as they spend their summer in a Turkish resort. The understated and emotionally fulfilling drama talks about love and loss, but there is no melancholy and it is well worth a watch on Apple TV+.

As the movie rolls on, we see young father Calum and his daughter Sophie (newcomer Frankie Corio) on a holiday in Turkey in the late 1990s.

The father-daughter duo have fun moments playing water polo or diving underwater, but we cannot miss the quiet anguish of Calum and Sophie — she misses her mother and he his wife, and the holiday has all the ingredients of a bitter-sweet moment in time.

A very personal work, Wells says the inspiration for “Aftersun” were her holiday albums from her childhood and her deep admiration for her father.

I was reminded of Lynne Ramsay’s early works such as “Gasman” (1997) and “Ratcatcher” as both Ramsay and Wells share a common trait — they have this marvellous ability to capture memories on screen. Editor Blair McClendon mixes and matches the past with the present in a seamless style. A quiet work that in a very few words says such a lot about the father and his daughter, it is difficult to recall any movie which has captured a parent-child relationship with such precise detail and with such stylistic finesse. 


‘The Rip’ — Damon and Affleck reunite for slick action thriller

Updated 23 January 2026
Follow

‘The Rip’ — Damon and Affleck reunite for slick action thriller

DUBAI: Hollywood’s greatest bromance (no, Pitt and Clooney’s Noughties’ partnership doesn’t come close) is in the spotlight again in Netflix action thriller “The Rip,” in which Matt Damon and Ben Affleck star as — what else — best friends, Dane Dumars and JD Byrne.

They are cops. Specifically, officers in the Tactical Narcotics Unit of the Miami police force, so not your run-of-the-mill street cops. These guys are mavericks, as are their crew, Numa Baptiste (Teyana Taylor), Lolo Salazar (Catalina Sandino Moreno) and Mike Ro (Steven Yeun). We know they’re mavericks because they do things like put their feet on tables, drink beer, and have nose rings and tattoos.

TNT captain Jackie Velez has just been murdered, and rumors abound of dirty cops robbing large amounts of money from drug houses. Suspicion for both these crimes falls on TNT — now headed by Dane.

When Dane receives a tip about a house where a stash of drug money might be, the team head there and discover $20 million of drug cartel cash in the attic. They know that they have to count the money on site (as per regulations) but also know they’re likely to be attacked by the cartel at any minute. Rather than calling the haul in, as protocol dictates, Dane demands his team hand over their phones. Is this because he knows they’re in a high-risk situation and doesn’t want them to attract attention from the rumored dirty cops? Or does he have something more nefarious in mind? His team aren’t sure (not even JD). And director and co-writer Joe Carnahan cleverly keeps the audience guessing for a good while. As the clock ticks, trust between the TNT members starts to fray.

Carnahan adeptly ratchets up the tension and maintains the tricky balance between revealing too much and removing the stakes entirely, and revealing too little and frustrating viewers. The chemistry between Affleck and Damon is — as you’d expect from a pair who’ve been friends since they were 10 — entirely convincing and central to the film’s believability. The rest of the cast hold their own, credibly portraying the camaraderie between colleagues constantly required to have each other’s back.

The plot twists (and there are many) work well —surprising without being too far-fetched — and Carnahan’s slick direction, and the Affleck-Damon special sauce, make “The Rip” an enjoyable distraction.