Iran freedom struggle stars at Berlin film fest

Bono and Adam Clayton of U2 attend the screening of the documentary movie 'Kiss the Future' at the 73rd Berlinale International Film Festival in Berlin. (Reuters)
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Updated 20 February 2023
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Iran freedom struggle stars at Berlin film fest

  • French-Iranian actor Golshifteh Farahani said that cinema was a crucial fuel for the freedom movement
  • Iran, rocked by months of protests, has released several dozen well-known detainees to appease critics

BERLIN: The Berlin film festival, long a champion of Iran’s embattled independent directors, is spotlighting its citizens’ fight for basic rights with a series of screenings, events and a red-carpet protest.
French-Iranian actor Golshifteh Farahani, who is serving on the jury for the top prizes with president Kristen Stewart, said as the festival kicked off Thursday that cinema was a crucial fuel for the freedom movement.
“In a country like Iran that is a dictatorship, art is not only an intellectual or philosophical thing, it’s essential, it’s like oxygen,” she said.
Farahani made her name in Iranian movies and became an international star in productions such as Jim Jarmusch’s “Paterson” opposite Adam Driver.
She and Stewart joined the red-carpet demonstration for women’s rights in Iran on Saturday with festival chief Mariette Rissenbeek, who told AFP the Berlinale stood with Iranian directors who “weren’t allowed to travel to the festival.”

The Berlinale, Europe’s first major cinema showcase of the year, has awarded its Golden Bear top prize to many of the leading lights of Iranian cinema including Asghar Farhadi (“A Separation“), Jafar Panahi (“Taxi“) and Mohammad Rasoulof (“There Is No Evil“).
Iran, rocked by months of anti-government rallies, this month released Panahi and Rasoulof from prison along with several dozen other well-known detainees in an apparent attempt to appease critics.
This year, the festival is showing several documentaries, including Steffi Niederzoll’s “Seven Winters in Tehran” and “My Worst Enemy” by Mehran Tamadon, which expose the brutal conditions in Iran’s jails as well as rampant executions.
Niederzoll’s harrowing film, which includes material smuggled out of Iran, tells the story of Reyhaneh Jabbari, who was hanged in 2014 at the age of 26 for killing a former intelligence officer she maintained had tried to rape her.
Featuring wrenching interviews with her family, who agitated for her freedom and appealed for mercy to the murdered man’s son, the film recounts how an international campaign for Jabbari’s life arose.
Zar Amir Ebrahimi, who won the best actress award at Cannes last year, narrates the film with letters, journals and text messages Jabbari wrote from jail, where she became a role model for many fellow prisoners.
“We hope that, hand in hand, we can change something with cinema,” Amir Ebrahimi told AFP.
“My Worst Enemy” also examines state interrogations, as director Tamadon invites members of Paris’s large Iranian exile community to question him using pressure techniques they themselves experienced in custody.
Half expose, half group therapy session, the film asks whether anyone can become an instrument of state oppression, given the chance.
Amir Ebrahimi appears as one of the interrogators and reveals that she was sexually assaulted while in custody by a female doctor during a purported medical exam.
“I couldn’t walk for three days,” she says.

Tamadon told AFP it was “time to forget that the Islamic republic will reform itself.”
He hailed the role of Western platforms such as the Berlinale to “shine a light on the violence perpetrated against the Iranian people.”
“Iranians in Iran are exhausted — this gives the energy and motivation to continue to hit the streets.”
Milad Alami’s drama “Opponent” stars Payman Maadi from “A Separation,” as a closeted gay man seeking asylum with his wife and two daughters in northern Sweden.
Alami, who himself moved from Iran to Sweden as a child, said he aimed with his second feature to explore how official repression penetrates even the most intimate relationships, including a marriage.
“There are walls between them (the couple) that created this feeling of not being able to talk to each other,” he said in notes for the film.
The wife Maryam senses her husband’s inner conflict even as he keeps it under wraps for fear of reprisal. “That’s a big thing in Iran,” Alami said.
For those who have left Iran, the struggle to find out who they really are begins anew, he said.
“When you come to another country, when freedom is there, how difficult is it to take it?”


Iran war chokes aid corridors, obstructing global relief efforts

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Iran war chokes aid corridors, obstructing global relief efforts

  • “People in dire need of assistance ⁠will have to ⁠wait longer for food,” said Bauer
  • Tents, tarpaulins and lamps destined for Gaza and the West Bank have become stuck in the supply chain, the IOM said

GENEVA: Key humanitarian air, sea and land routes are being constricted by disruption from the war in the Middle East, delaying life-saving shipments to some of the world’s worst crises, 10 aid officials have told Reuters.
The US–Israeli war on Iran entered its seventh day on Friday, convulsing global markets and disrupting supply chains with airspace closures and the halt of shipping through the critical Strait of Hormuz.
Aid to Gaza and Sudan is grinding to a halt and costs are soaring for help to the hundreds of millions suffering hunger crises around the world.
“People in dire need of assistance ⁠will have to ⁠wait longer for food,” said Jean-Martin Bauer, Director of Food Security at the World Food Programme.
Already, tents, tarpaulins and lamps destined for the Israeli-occupied Palestinian territories of Gaza and the West Bank have become stuck in the supply chain, the International Organization for Migration said.

DUBAI AID HUB HOBBLED BY AIR AND SEA RESTRICTIONS
Aid groups say higher operational costs are straining budgets already facing massive donor cuts. The IOM said shipping firms were demanding emergency surcharges of approximately $3,000 per ⁠container.
Humanitarian groups stocking goods for rapid regional deployment at warehouses in Dubai’s Humanitarian Hub face challenges moving supplies onto transit routes.
The International Federation of Red Cross and Red Crescent Societies cannot move trauma kits to help the Iranian Red Crescent with search and rescue from its Dubai hub, where they sit in a estimated 1 million Swiss franc ($1.28 million) pre-positioned emergency stockpile, said Cecile Terraz, a director at the IFRC.
The group cannot move stock through Jebel Ali port — the region’s largest container terminal, which was set on fire by the debris of an intercepted missile — from where cargo normally moves onto planes or into the Strait of Hormuz.
The World Health Organization’s Dubai hub operations are also frozen, regional director Hanan Balkhy said, obstructing ⁠50 emergency requests from 25 ⁠countries and hampering operations such as polio vaccination.
Ripple effects farther afield are also likely.
Famine-struck Sudan is particularly exposed due to additional restrictions since February 28 on the Suez Canal and the Bab el-Mandeb Strait at the southern entrance to the Red Sea, the UNHCR said.
“We are particularly concerned about Africa,” said a spokeswoman, adding that some cargoes were being sent around the Cape of Good Hope. The route takes up to three weeks longer.
Costs for fuel, transportation and insurance are also rising, and Terraz said the IFRC may have to cut deliveries to the Iranian Red Crescent.
Emma Maspero, senior manager in Copenhagen of the supply division of the UN children’s body UNICEF, said she hoped flights carrying perishable humanitarian goods such as vaccines could be prioritized amid the airspace restrictions.