Pakistani actor Imran Abbas hopes to heal some wounds with cross-border Punjabi ‘love story’

This file photo, posted on March 21, 2022, shows Pakistani actor Imran Abbas in London. (Photo courtesy: Instagram/ImranAbbas)
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Updated 17 February 2023
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Pakistani actor Imran Abbas hopes to heal some wounds with cross-border Punjabi ‘love story’

KARACHI: Pakistani actor Imran Abbas, who announced his first cross-border Indo-Punjabi film this week, has said that it’s an intense “love story” that is likely to strengthen the bond between the Pakistani and the Indian Punjab.

Abbas, who is primarily recognized for his contributions to the Pakistani drama industry, made headlines after announcing the Punjabi film earlier this week.

He will play the lead role opposite Indian actor Simi Chahal in ‘Jee Ve Sohneya Jee,’ which will be directed by Kumar Arora and produced by US-based VH Entertainment and U & I Films.

The actor shared the poster of the upcoming film earlier this week on social media and announced this would be his debut in the Punjabi cinema.

“We have had a bonding with [Indian] Punjab. Our borders were also open for them. They have a soft corner for us. This film will definitely add more to it,” Abbas told Arab News this week.

“This is a completely new canvas [for me]. Punjabi cinema is taking off really well and making quality films.”

In addition to numerous Pakistani dramas, Abbas has previously worked in Bollywood films ‘Creature 3D,’ ‘Jaanisaar’ and ‘Ae Dil Hai Mushkil,’ alongside Ranbir Kapoor and Aishwarya Rai Bachchan.

He informed that Jee Ve Sohneya Jee is a beautiful musical “love story.” It’s contemporary and incorporates traveling, and the viewers will get to see beautiful landscapes in the flick, he added.

The film will be shot in India, Europe and the UK, but Abbas does not have any shooting spell in India, according to the Pakistani actor. The female lead will be shooting in India.

“The story is not based in Pakistan. It’s based in Europe and UK. The rest of the cast is from India, none of them is from Pakistan,” he said.

“The project was in process since long. My producer and director were quite adamant on having me on board for the role. They thought I fit well to the character.”

Abbas is of the view that artists have always played a significant role in bringing people together despite tough times. He said there are people on both sides of the border who are “negative” about it, but artists should not encourage them and that art should be kept separate from it.

“For how long we will keep the hate alive? We have been listening to Lata Mangeshkar’s songs, while they [Indians] have been listening to Nusrat Fateh Ali Khan sahib. Atif Aslam is an established name there [in India],” he said.

“I don’t want to do any film that is anti-India. I will never speak against any country or religion. Similarly, I don’t support Indian films that portray Pakistan in a bad light. We should be very careful about our role in this.”

Jee Ve Sohneya Jee is expected to release in India on October 6 this year.


Review: ‘Sorry, Baby’ by Eva Victor

Eva Victor appears in Sorry, Baby by Eva Victor, an official selection of the 2025 Sundance Film Festival. (Supplied)
Updated 27 December 2025
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Review: ‘Sorry, Baby’ by Eva Victor

  • Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character

There is a bravery in “Sorry, Baby” that comes not from what the film shows, but from what it withholds. 

Written, directed by, and starring Eva Victor, it is one of the most talked-about indie films of the year, winning the Waldo Salt Screenwriting Award at Sundance and gathering momentum with nominations, including nods at the Golden Globes and Gotham Awards. 

The film is both incisive and tender in its exploration of trauma, friendship, and the long, winding road toward healing. It follows Agnes, a young professor of literature trying to pick up the pieces after a disturbing incident in grad school. 

Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character. The story centers on Agnes’ perspective in her own words, even as she struggles to name it at various points in the film. 

There is a generosity to Victor’s storytelling and a refusal to reduce the narrative to trauma alone. Instead we witness the breadth of human experience, from heartbreak and loneliness to joy and the sustaining power of friendship. These themes are supported by dialogue and camerawork that incorporates silences and stillness as much as the power of words and movement. 

The film captures the messy, beautiful ways people care for one another. Supporting performances — particularly by “Mickey 17” actor Naomi Ackie who plays the best friend Lydia — and encounters with strangers and a kitten, reinforce the story’s celebration of solidarity and community. 

“Sorry, Baby” reminds us that human resilience is rarely entirely solitary; it is nurtured through acts of care, intimacy and tenderness.

A pivotal scene between Agnes and her friend’s newborn inspires the film’s title. A single, reassuring line gently speaks a pure and simple truth: “I know you’re scared … but you’re OK.” 

It is a reminder that in the end, no matter how dark life gets, it goes on, and so does the human capacity to love.