Showman Zia Mohyeddin, icon of Pakistan’s art and culture landscape, dies at 91

In this file photo taken on March 14, 2015, Pakistani writer and director Zia Mohyeddin speaks during a recitation session at the Jashn-e-Rekhta literature festival at India International Center, New Delhi. (Photo courtesy: Facebook/Jashn-e-Rekhta)
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Updated 13 February 2023
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Showman Zia Mohyeddin, icon of Pakistan’s art and culture landscape, dies at 91

  • Mohyeddin played the ill-fated Arab guide Tafas in 1962 blockbuster “Lawrence of Arabia”
  • In Pakistan, Mohyeddin gained nationwide popularity through The Zia Mohyeddin Show in 1960s

KARACHI: Zia Mohyeddin, a veteran British-Pakistani actor who made his Hollywood debut in the 1962 epic, “Lawrence of Arabia,” died on Monday at a hospital in Karachi.

Mohyeddin, 91, had been ill and was admitted to the intensive care unit of a private hospital in Pakistan’s commercial capital before he passed away on Monday morning.

Pakistanis across the country mourned his passing, with Prime Minister Shehbaz Sharif describing his art as “one of a kind.”

“Zia Sahib’s personality was full of wonderful qualities. He mesmerized people for more than half a century with his unparalleled skills in theatre, broadcasting and oratory and the magic of his voice. Hundreds of students under his tutelage will keep his legacy alive,” Sharif said on Twitter.

The Ministry of Information and Broadcasting said he was “a true icon of Pakistan’s art and culture,” adding that his contributions to the country and the arts would never be forgotten.

Born in the eastern Pakistani city of Faisalabad, Mohyeddin spent his early years in Lahore and was trained at London’s Royal Academy of Dramatic Art from 1953 to 1956. He began his career in theater, making his debut at London’s West End in 1960 through the role of Dr. Aziz in “A Passage to India.”

In the 1962 blockbuster “Lawrence of Arabia,” he played the ill-fated Arab guide named Tafas. Directed by David Lean, the British epic historical drama is widely regarded as one of the greatest films ever made and won seven Oscars at the 1963 Academy Awards.

He was also seen in Behold the Pale Horse in 1964 by director Fred Zinnemann, and in Immaculate Conception in 1992, directed by amil Dehlavi. He also authored three books, A Carrot is a Carrot, Theatrics and The God of My Idolatry Memories, and Reflections.

Mohyeddin returned to Pakistan in the late 1960s and gained national popularity through a television talk show, “The Zia Mohyeddin Show,” which ran from 1969 until 1973.

“Mr. Zia’s life will be celebrated by many. He lived a long, happy, and healthy life. He kept working ‘till his last days and has left so much meaning behind to be cherished and take inspiration from. Mr. Zia will keep living as an immortal voice,” Pakistani screenwriter Bee Gul told Arab News.

Mohyeddin was also widely known for his poetry and prose recitations as well as acting and theatre direction, and one of his last works was directing the first Urdu adaptation of Shakespeare’s “Romeo and Juliet,” which was performed last year at the National Academy of Performing Arts, an organization Mohyeddin helped set up in 2005.

Uzma Sabeen, who assisted Mohyeddin during the recent production and knew him for over 15 years, said she was proud to have worked with him.

“I was fortunate to have worked with him. We learnt a new thing from him every day,” she told Arab News. “He was a gentleman who respected everyone, particularly women. He was a very genuine artist and a genuine human being. We never saw him speaking ill. He was a very honest person.”

Mohyeddin was awarded the Hilal-e-Imtiaz, the second-highest civilian honor in Pakistan, for his contributions to the arts, in 2012.

“The world of arts bids farewell to a maestro - Zia Mohyeddin - broadcasting legend, poetic virtuoso, actor, and theatre director,” Pakistani actor Adnan Siddiqui said on Twitter. 

“As we celebrate his life and legacy, and mourn his loss, we are reminded of the immense impact he has had on our cultural landscape.”

The Rekhta Foundation, an archive of Urdu poetry and literature, said the news of Mohyeddin’s death came as a “huge shock leaving a void that cannot be filled.”

 


Saudi label KML unveils new collection in Paris

Updated 21 January 2026
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Saudi label KML unveils new collection in Paris

DUBAI: Siblings Razan and Ahmed Hassan presented their Fall/Winter 2026–2027 collection at Paris Fashion Week on Tuesday, continuing the rapid rise of their KML label.

The duo has gained international recognition since launching the brand in 2022, most recently being named semifinalists for the LVMH Prize — a prestigious annual award for emerging designers.

Creative director Ahmed’s minimalist designs and sharp tailoring mean KML — owned by his sister, Razan — has built its identity around reimagining traditional Saudi garments through a contemporary lens. Jackets are paired with shawl-like elements, large leather belts recall those historically worn by Bedouin men, and skirts nod to silhouettes once worn by men in the Eastern Province, Jazan and the Hijaz.

The collection leans on wrap constructions, asymmetry and elongated proportions. (Getty Images)

The approach is reflected in the new collection, which features a restrained palette of black, white and muted earth tones, leaning on wrap constructions, asymmetry and elongated proportions.

Flowing skirts, structured wrap tops and robe-like coats dominate the lineup, with some looks referencing classical draping while others lean toward utilitarian dressing, defined by sharp shoulders, cinched waists and clean, architectural lines.

In a previous interview with Arab News, Ahmed said their grandmother was a huge influence on their lives as he and his sister grew up in Riyadh. He fondly recalled both her progressive nature and inimitable style. As a young boy, Ahmed would often accompany her to fabric shops so she could get her designs stitched by a local tailor. The experience left an impression, though fashion was not an obvious initial career path.

Ahmed studied architecture and became an intern at Zaha Hadid Architects, where he developed an appreciation for structure and form. Razan, meanwhile, pursued law at Prince Sultan University and she went on to practice full-time.

“One summer, we both realized we weren’t doing what we truly wanted to do, so I decided to go to the UK to study creative writing, and Ahmed went to Central Saint Martins (in London) for a few courses,” Razan explained.

That was the catalyst for KML. In August 2023, they launched their debut capsule collection and towards the end of that year they applied to the Saudi 100 Brands program. The Fashion Commission recognized their potential, helping KML launch collections at fashion weeks in Paris, Riyadh and Milan.