Golden Globe-winning actor Brian Cox talks witty memoir, role in HBO’s ‘Succession’ at Emirates Lit Fest

Brian Cox is known for his portrayal as the angry Logan Roy in HBO’s “Succession.” (HBO/Macall B. Polay)
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Updated 03 February 2023
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Golden Globe-winning actor Brian Cox talks witty memoir, role in HBO’s ‘Succession’ at Emirates Lit Fest

  • 60-year veteran honors parents’ struggle with autobiography
  • Considers himself ‘overrated’ like ‘overblown’ Johnny Depp

DUBAI: Golden Globe-winning actor Brian Cox certainly knows how to make some noise. The award-winning veteran, known for his portrayal as the angry Logan Roy in HBO’s “Succession,” has an extensive resume spanning six decades across theater, television and films.

Arab News met Cox at the Emirates Literature Festival to discuss his recently released autobiography. The memoir, “Putting the Rabbit in the Hat,” a candid yet highly emotional and hilarious book, journeys through his poverty-stricken childhood to his theater days and a formidable career in Hollywood where he acted in blockbusters including “Troy,” “The Bourne Identity” and “Braveheart.”

Born in 1946 in Dundee, Scotland, Cox lost his father to pancreatic cancer when he was only 8 and dealt with his mother’s struggles with mental health for years, ultimately being raised by his elder sisters. “Writing the memoir was a cathartic experience — I wanted to honor my parents. It was really about my mum and dad and what they went through during a particularly difficult time in the country,” Cox tells Arab News.




Cox was born in 1946 in Dundee, Scotland. (HBO/David Russell)

As a child, he found solace in film and television — often escaping to the cinema. “There were 21 cinemas in Dundee, and I was a regular at every single one,” he writes. Then, one afternoon, while watching Albert Finney in “Saturday Night and Sunday Morning,” he experienced a life-altering moment — if a working-class Englishman can make it in movies, so could he. “I just thought that was very liberating — I felt that Albert was a good muse for me,” says Cox.

As the book tells the tale of his rise to stardom, his shortcomings — professionally and personally — not to be missed are the witty jabs at industry A-listers, including Edward Norton, Steven Seagal and Johnny Depp. Although he turned down a role in “Pirates of the Caribbean” (with no regrets), he does comment on Depp’s acting.

“Personable though I’m sure he is, he is so overblown, so overrated. I mean, ‘Edward Scissorhands.’ Let’s face it, if you come on with hands like that and pale, scarred-face makeup, you don’t have to do anything. And he didn’t. And subsequently, he’s done even less.”




His book tells the tale of his rise to stardom. (HBO/Graeme Hunter)

Was he not worried that his no-holds-barred comments may burn bridges? He clears the air. “I happened to say that Johnny Depp was overrated, but I don't think that — I think we’re all overrated. With Johnny Depp, I think he’s a creature rather than an actor. Edward Scissorhands is an extraordinary creation, and there’s a place for it, but at the same time, I think he’s clearly talented and successful in his time. So I wasn’t dismissing him. I just felt that, like us all, he’s overrated. I’m part of that overrated,” explains Cox. His thoughts on Steven Seagal: ‘He’s as ludicrous in real life as he is on screen,” he writes.

His Logan Roy character sees him as the patriarch of the Roy family and a mean media magnate. Critics have often compared Roy’s character to Rupert Murdoch’s, but Cox believes that isn’t the case. “One of the things that I keep emphasizing about Logan is that he’s not like any of the people he’s compared to — he’s self-made and didn’t inherit anything.

“So his stakes are that much higher because he created it — he wants to know how his creation will be carried on. And he’s a misanthrope,” he says. Another complex part of his character includes his love/hate relationship with his children. “His Achilles heel — the thing that causes the most grief — is that he loves his children. If he didn’t love them, he’d be far better off — but he does,” elaborates Cox.

In 2020, Cox won a Golden Globe for Best Actor in a Television Series Drama for “Succession” — an award he respects but doesn’t necessarily take too seriously. “It’s the work — that’s the main thing. I’m not interested in awards — I’d rather have a job than an award.”


Sheikha Al-Mayassa talks cultural patronage at Art Basel Qatar Conversations panel

Updated 04 February 2026
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Sheikha Al-Mayassa talks cultural patronage at Art Basel Qatar Conversations panel

DOHA: Cultural leaders at the inaugural edition of Art Basel Qatar in Doha have discussed how patronage is reshaping art ecosystems, with Qatar’s own long-term cultural vision at the center.

The opening panel, “Leaders of Change: How is patronage shaping new art ecosystems?” brought together Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani, chair of Qatar Museums, and Maja Hoffmann, founder and president of the Luma Foundation, in a discussion moderated by Hans Ulrich Obrist, artistic director of the Serpentine Galleries in London. The talk formed part of the Art Basel Conversations x Qatar Creates Talks program, coinciding with the debut of Art Basel Qatar which runs in Doha until Feb. 8.

Sheikha Al-Thani framed Qatar’s cultural project as a strategic, long-term endeavor anchored in national development. “Qatar has a national vision called 2030 where culture was one of the main pillars for socioeconomic development and human development,” she said. “We have always invested in culture as a means of human development.”

That vision, she explained, underpins the decision to welcome a major international fair like Art Basel to Doha after turning away many previous proposals.

“For the longest time, I can’t tell you how many art fairs came to us wanting to be here, and we never felt it was the right time,” she said. “However, this is an important year for us and we felt, with the surplus of talent and the growing gallery scene we had here, that it was time to bring industry to talent, because that’s how we will spur the economic diversification from hydrocarbon to a knowledge-based society.”

She was also keen to stress that Art Basel Qatar was not conceived as a conventional marketplace.

 “This is not your typical art fair … It’s a humane art fair where engagement is more important than transaction, discourse more important than division, and curiosity more important than conviction,” she added.

That ethos extends to the fair’s artistic leadership. Al-Thani described how the decision to have an artist — Wael Shawky — serve as artistic director emerged collaboratively with Art Basel’s team.

“He’s a global artist who’s now become a very local artist, very invested in our local art scene. And really, I think that’s the beauty of partnerships … There is a safe space for us to critique each other, support each other, and really brainstorm all the possibilities … and then come to a consensus of what would make sense for us,” she said.

Collecting art, she added, has long been embedded in Qatari society: “My grandmother is almost 100 years old. She was collecting in the 60s when Qatar was a very poor country. It’s in our DNA … always with this notion of investing in knowledge and human development.”

Today, that impulse translates into comprehensive, multi-disciplinary collections: “We are both collecting historical objects, contemporary objects, modern objects, architecture, archival material, anything that we feel is relevant to us and the evolution of this nation towards a knowledge-based economy.”

Looking ahead, Al-Thani outlined a new cultural triangle in Doha — the National Museum of Qatar, the Museum of Islamic Art and the forthcoming Art Mill Museum — as engines for both economic diversification and intellectual life.

 “That ecosystem will enhance the economic growth and diversification, but also the knowledge that’s available, because the diversity in the collections between these three institutions will no doubt inspire young people, amateurs, entrepreneurs to think outside the box and inform their next business,” she said.

The panel closed with a focus on the future of large-scale exhibitions with Rubaiya, Qatar’s new quadrennial, timed to coincide with the anniversary of the 2022 World Cup.

“Every four years in memory of the opening of the World Cup, we will open the quadrennial. This year, the theme is ‘Unruly Waters.’ At the center of the theme is Qatar’s trading route to the Silk Road,” explained Al-Thani.

“It’s important for us to trace our past and claim it and share it to the rest of the world, but also show the connectivity that Qatar had historically and the important role it has been playing in diplomacy.”