What We Are Reading Today: Three Roads Back

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Updated 28 January 2023
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What We Are Reading Today: Three Roads Back

Author: Robert D. Richardson

In “Three Roads Back,” Robert Richardson, the author of magisterial biographies of Ralph Waldo Emerson, Henry David Thoreau, and William James, tells the connected stories of how these foundational American writers and thinkers dealt with personal tragedies early in their careers. For Emerson, it was the death of his young wife and, 11 years later, his five-year-old son; for Thoreau, it was the death of his brother; and for James, it was the death of his beloved cousin Minnie Temple.

Filled with rich biographical detail and unforgettable passages from the journals and letters of Emerson, Thoreau, and James, these vivid and moving stories of loss and hard-fought resilience show how the writers’ responses to these deaths helped spur them on to their greatest work, influencing the birth and course of American literature and philosophy. In reaction to his traumatic loss, Emerson lost his Unitarian faith and found solace in nature.

Thoreau, too, leaned on nature and its regenerative power, discovering that “death is the law of new life,” an insight that would find expression in Walden. And James, following a period of panic and despair, experienced a redemptive conversion and new ideas that would drive his work as a psychologist and philosopher.

 


What We Are Reading Today: ‘All the Lovers in the Night’

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Updated 03 February 2026
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What We Are Reading Today: ‘All the Lovers in the Night’

  • Loneliness and the longing for connection sit at the heart of the novel, alongside clear-eyed examination of the ways people wound one another, sometimes unintentionally and sometimes through their own inaction

Author: Mieko Kawakami

One of my recent reads was “All the Lovers in the Night” by Mieko Kawakami, translated from Japanese by Sam Bett and David Boyd. With its contemplative, poetic yet restrained style, the 2022 novel feels best suited to late nights or unhurried stretches of reading. 

The story follows Fuyuko, a copyeditor in her thirties living a life marked by isolation. Her days pass in careful routine until she meets Mitsutsuka, an older man whose presence subtly begins to alter her perception of the world and of herself. 

Fuyuko’s interior life is shaped by fear, hesitation and a profound sense of disconnection, captured in one of the novel’s most arresting lines: “I was so scared of failing, of being hurt, that I chose nothing. I did nothing.”

Loneliness and the longing for connection sit at the heart of the novel, alongside clear-eyed examination of the ways people wound one another, sometimes unintentionally and sometimes through their own inaction. 

Kawakami is attentive to the small fractures of human relations, the choices that accumulate into regret, and the difficulty of naming desire after years of suppression. 

Her writing style is introspective and measured, with a delicate, almost meditative prose that mirrors Fuyuko’s inner world. Through her characters, she offers subtle insight into contemporary Japanese psyche, particularly the tension between individual longing and the unspoken expectations that shape adulthood.

This underlying social commentary, especially around womanhood and what it means to be a woman in Japan, echoes Kawakami’s wider body of work and feels unmistakably her own.

Fuyuko emerges as a study in the search for meaning in our modern world with its strict benchmarks for life, intimacy and personal progress. 

The novel’s deliberate pacing may test readers accustomed to momentum or plot-driven storytelling. Little happens in the conventional sense, and that sustained inward focus may not suit every reader.

Yet for those willing to linger, “All the Lovers in the Night” offers a space to sit with the beauty of precise, thoughtful writing.