Atlantis The Royal: An architectural masterpiece and new icon for Dubai

Atlantis The Royal, 43 storeys high and spanning 406,000 square meters, opened with a star-studded private performance on Saturday night by Beyonce. (Supplied)
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Updated 24 January 2023
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Atlantis The Royal: An architectural masterpiece and new icon for Dubai

  • Beyonce was paid $24 million to perform at the mega structure's grand opening

DUBAI: Jetting up from the ground in what appear to be interlocking Lego blocks on Dubai’s renowned Palm Jumeirah Island is the city’s latest luxury endeavor and perhaps its grandest yet: the Atlantis The Royal. The hotel, 43 storeys high and spanning 406,000 square meters, opened with a star-studded private performance on Saturday night by Beyonce (Grammy’s most nominated artist, tied with her husband Jay-Z) who took to the stage for her first full-length concert since 2018.

Fourteen years in the making, the grand reveal of Atlantis The Royal reflects the mission of Dubai to once again challenge the boundaries of imagination and the definition of ultra-luxury travel. The mega structure that towers above its iconic sister property, Atlantis The Palm — which opened in November 2008 to similar fanfare, including a $5 million firework display and a performance by pop star Kylie Minogue — is 500-meters long and 178-meters tall. 

It was designed by Wimberly, Allison, Tong & Goo, also known as WATG, an international firm specializing in luxury hotel complexes. The design incorporates classical Arabian architecture and local Bedouin references through both the interiors and exteriors, laden with semi-precious stones, intricate fossilized shells, and 'fish' stones — a nod to historical Gulf building techniques.

Ahead of the resort’s grand weekend opening, Sheikh Mohammed bin Rashid, Vice President and Ruler of Dubai, toured the 795-room and 231-residence property and posted pictures of his tour on Twitter calling it an “architectural masterpiece that will boost the tourism sector.”

The hotel, which became an immediate icon for Dubai, supports the recently launched Dubai Economic Agenda D33’s goal to consolidate the city’s position as one of the world’s top three global cities for tourism and business. 

In a statement underlining the importance of the tourism sector to the UAE’s national economy, Sheikh Rashid said, “We have ambitious growth targets for the sector over the next ten years. The UAE and Dubai seek to build on their deep partnerships with the private sector to strengthen the country’s status as the world’s most popular destination for international tourists.”

“As part of our efforts to create a fertile ground for investors, we are keen to foster new growth opportunities in the tourism sector. Our steadfast commitment to building an exceptionally safe and stable environment and a world-class infrastructure over the last few decades has created the foundations for a remarkable future,” he added.




Atlantis The Royal features 795 rooms and 231 residences. (Supplied)

With its decadent design and long list of luxury and fashion brands, Atlantis The Royal, which is frequently being referred to simply now as “The Royal,” pushes the boundaries of modern luxury. The luxury amenities in their sheer quantity are nothing short of impressive: there are 92 pools, 17 top restaurants and bars from chefs such as Heston Blumenthal, José Andrés and Nobu Matsuhisa, brands such as Valentino and Louis Vuitton, and a host of other uber luxurious details and offerings.

Beyonce, the pinnacle of the resort’s grand reveal, was allegedly paid $24 million to play for one hour for 1,500 guests as part of the resort’s three-day opening celebration. She also performed “Brown Skin Girl” with her daughter, Blue Ivy, 11, which had won them both a Grammy Award in 2021. The evening featured several of Beyoncé’s classic hits, including “Crazy in Love”, “Flaws and All,” and “Be Alive” mixed with iconic songs by Lebanese icon Fayrouz and legendary Egyptian singer Oum Kalthoum.

The evening culminated with a spectacular fireworks display that illuminated the Palm Jumeirah skyline alongside performances by global and regional DJs, musicians, and dancers.




Atlantis The Royal features 92 pools, 17 top restaurants and bars from chefs such as Heston Blumenthal, José Andrés and Nobu Matsuhisa. (Supplied)

The grand opening weekend also featured the star-studded grand opening events of Nobu and Ling Ling and the launch of Kendall Jenner’s 818 Tequila on the resort’s sky pool, Cloud 22. On Sunday, the resort hosted a fashion event to debut Beyoncé’s latest Ivy Park Collection.


‘The Wild Within’ sees artists breathe new life into Mideast buildings

Updated 16 December 2025
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‘The Wild Within’ sees artists breathe new life into Mideast buildings

DUBAI: Lens-based artist Ryan Koopmans and digital artist Alice Wexell are staging a showcase at Dubai’s Leila Heller Gallery that breathes new life into regional buildings.

The series of digital artworks is part of the exhibition “The Wild Within,” featuring images of old structures in Beirut, Istanbul, and Abu Dhabi filled with wild flowers.

Two of the largest works, “Heartbeats” and “The Wish,” are displayed using Ventana, a microLED architectural display surface created by visual technology company Megapixel.

'Around Us' by Ryan Koopmans and Alice Wexell. (Supplied) 

The former artwork depicts the entrance hall of Qasr Al-Watan, the UAE’s presidential palace in Abu Dhabi, while the latter reimagines the upper floors of the Emirates Palace Mandarin Oriental in Abu Dhabi.

“Each building we work with comes to us through a combination of research, travel, and intuition,” the artists told Arab News in a joint statement.

'Constellations' by Ryan Koopmans and Alice Wexell. (Supplied) 

“We are drawn to structures that carry both emotional and historical resonance, often buildings that once embodied human ambition and now exist in a state of quiet transformation.”

Koopans and Wexell made sure to research the context of each building they choose to recreate, saying “an old villa in Jeddah or a former school in Sharjah each hold their own cultural memory, influencing everything from the lighting and atmosphere to the plants and flowers that we digitally sculpt and implement into the photographs.”

'Heart of Sharjah' by Ryan Koopmans and Alice Wexell. (Supplied) 

The hypnotic works depict the interior of buildings in the region, with digitally rendered flowers carpeting the floor in a bid to “(reimage) these spaces (and) explore the relationship between nature, place, and time, while celebrating each site as a unique work of architecture with its own spirit and story,” the artists said.

Koopmans is of dual Canadian and Dutch heritage, while Wexell is Swedish and based in Stockholm, so it is noteworthy that both artists chose to explore the Middle East for their latest project.

'Blossom of the Ancestors' by Ryan Koopmans and Alice Wexell. (Supplied) 

“In the Middle East especially, the architecture reflects a layered past that merges different styles and eras, while also expressing a sense of renewal and forward-looking energy, particularly in the region’s fantastic contemporary buildings. We are drawn to the symmetry, geometry and patterns that are found not only in nature itself, but in the architectural language of the region both past and present,” they said.

The series — featuring works such as “Adore You,” “Between Worlds,” and “Blossom of the Ancestors” — explores contrasts between the natural world and human-made forms, as well as the traditional and contemporary worlds.

“We are interested in how these elements coexist and merge into one another, creating a sense of hyperrealism that feels both familiar and imaginary. By merging photography with digital sculpture, the artworks question where the boundary lies between documentation and invention, and how technology can extend rather than replace our sense of the natural world.”

'Under the Rain of Light' by Ryan Koopmans and Alice Wexell. (Supplied) 

Although the scale of the artworks ensures they leave the viewer entranced, it did pose challenges, according to the artists.

“Presented at a large scale, every texture in these artworks becomes visible, which can be demanding but is also incredibly rewarding. The magnified detail allows the visceral and atmospheric layers of the pieces to come through with greater impact,” they said, adding that each piece took “many months” to create.

“Ultimately, we want our collectors to experience a sense of wonder and contemplation, as if they are standing inside a dream that feels both entirely real yet unreal.”

The exhibition runs until Jan. 15, 2026.