Netflix renews US Palestinian comedian Mo Amer’s ‘Mo’ for second season  

The upcoming series will bring Mo Najjar’s journey for asylum to a conclusion. (AFP)
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Updated 19 January 2023
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Netflix renews US Palestinian comedian Mo Amer’s ‘Mo’ for second season  

DUBAI: Netflix announced on Wednesday that it will renew Palestinian American comedian Mohammed Amer’s hit show “Mo” for a second season.  

According to the streaming service, the upcoming series will bring Mo Najjar’s journey for asylum to a conclusion.  

The 41-year-old is the writer, producer and lead star of “Mo.” Teresa Ruiz will reprise the role of Maria, Farah Bseiso will play Yusra and Omar Elba will play Sameer. 

US Egyptian actor Ramy Youssef, who co-created the series with Amer, will also return as the executive producer.   

“I’m thankful to continue to tell a universal story of struggle that relates to so many refugees and millions of under-represented humans trying to be seen around the globe and to be able to bring the people who loved and rooted for Mo Najjar along for the ride as we close this chapter of his story,” Amer said in a released statement.  

The first critically acclaimed season, which was released in August 2022, tells the story of a Palestinian refugee who lives with his family in Houston, trying to figure out how to make a living while waiting on a pending asylum request for US citizenship which has already taken longer than 20 years. 

The show won a Gotham Award for Breakthrough Television Under 40 Minutes and is being honored at the 2023 AFI Awards.  

Amer has also been nominated for the 2023 Independent Spirit Awards in the Best Lead Performance in a New Scripted Series category.  


Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

Updated 31 January 2026
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Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

DUBAI: Afghan American film producer Zainab Azizi cannot wait for audiences to experience Sam Raimi’s new horror comedy “Send Help.”

In an interview with Arab News, the president at Raimi Productions kept returning throughout her interview to one central theme: the communal thrill of horror.

“I started watching horror from the age of six years old. So, it’s kind of ingrained in my brain to love it so much,” she said, before describing the formative ritual that still shapes her work: “What I loved about that was the experience of it, us cousins watching it with the lights off, holding hands, and just having a great time. And you know, as an adult, we experience that in the theater as well.”

Asked why she loves producing, Azizi was candid about the mix of creativity and competition that drives her. “I’m very competitive. So, my favorite part is getting the film sold,” she said. “I love developing stories and characters, and script, and my creative side gets really excited about that part, but what I get most excited about is when I bring it out to the marketplace, and then it becomes a bidding war, and that, to me, is when I know I’ve hit a home run.”

Azizi traced the origins of “Send Help” to a 2019 meeting with its writers. “In 2019 I met with the writers, Mark and Damien. I was a fan of their works. I’ve read many of their scripts and watched their films, and we hit it off, and we knew we wanted to make a movie together,” she said.

From their collaboration emerged a pitch built around “the story of Linda Little,” which they developed into “a full feature length pitch,” and then brought to Raimi. “We brought it to Sam Raimi to produce, and he loved it so much that he attached to direct it.”

On working with Raimi, Azizi praised his influence and the dynamic they share. “He is such a creative genius. So, it’s been an incredible mentorship. I learned so much from him,” she said, adding that their collaboration felt balanced: “We balance each other really well, because I have a lot of experience in packaging films and finding filmmakers, so I have a lot of freedom in the types of projects that I get to make.”

When asked what she hopes audiences will take from “Send Help,” Azizi returned to the communal aftermath that first drew her to horror: “I love the experience, the theatrical experience. I think when people watch the film, they take away so many different things. ... what I love from my experience on this film is, especially during test screenings, is after the film ... people are still thinking about it. Everybody has different opinions and outlooks on it. And I love that conversation piece of the film.”