TikTok’s ‘What’s Next’ report highlights three key trends to watch in 2023

The report is a deep dive into the ways in which it expects consumers’ wants and needs to change and how brands can tap into the shifting trends to help them succeed on the platform. (Supplied)
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Updated 13 January 2023
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TikTok’s ‘What’s Next’ report highlights three key trends to watch in 2023

  • Actionable entertainment, making space for joy, and community-built ideals are expected to shape the platform this year

DUBAI: TikTok has published its annual “What’s Next” report, highlighting the key trends it expects in the year ahead, based on data from Saudi Arabia and the UAE, among other countries.

The report is a deep dive into the ways in which it expects consumers’ wants and needs to change and how brands can tap into the shifting trends to help them succeed on the platform.

According to the report, 67 percent of users engage with TikTok during platform-focused sessions, such as when they take a break or are winding down at the end of the day. Based on this, and other global data, TikTok predicts three key trends will shape the platform in 2023: actionable entertainment, making space for joy, and community-built ideals.

“TikTok-first entertainment will inspire people to test out new products and ways of thinking and behaving,” according to the report.

Audiences are weary of misleading thumbnails, and videos that start with the instruction “wait till the end,” it continues, which means that marketers will need to produce videos that immediately grab attention while also earning trust. Attention depends on entertainment value, while trust boils down to who is telling the brand’s story.

Among users who who said they had taken action off-platform as a result of a TikTok video they watched, 72 percent said they had sought reviews from creators they trust on TikTok, more than on any other platform.

The second trend TikTok predicts focuses on prioritization of happiness among users. The pandemic forced people to reevaluate their priorities regarding work, hobbies and relationships, and many realized they were burned out.

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Among users who took an off-platform action as a result of a TikTok video, 72 percent said they obtained reviews from creators they trust on TikTok, more than on any other platform.

Half of TikTok users said the platform boosts their mood and makes them feel happy and/or positive.

41 percent said that “lifting their spirits” is key to motivating them to make a purchase.

TikTok is 1.8 times more likely than any other platform to introduce people to new topics they did not even know they would like.

What this means for marketers is that they should include humor in their stories, the report advises. Audio trends in particular can help tap into what users find funny and provide a little levity in their lives.

Globally, joy is a growing factor in purchase decisions, according to the report; 50 percent of TikTok users said the platform boosts their mood and makes them feel happy and/or positive, and 41 percent said that “lifting their spirits” plays a key role in motivating them to make a purchase.

The third trend, community-built ideals, is not only about users’ aspirations but also about connecting with people who understand them and inspire them to change things for themselves, according to the report. TikTok communities, which are both specific and relatable, help users bond with each other over their interests and priorities, it said.

The platform, which describes itself as a “collection of hyper-personal spaces” rather than a “town hall meeting,” said it is 1.8 times more likely than any other platform to introduce users to new topics and ideas they were not even aware they might like. As people discover these things that are new to them, they look to their peers and role models on TikTok who are already living them for information and advice, it added.

TikTok trends can help facilitate this kind of connection and exploration, as users often turn to the platform when they have specific questions about subjects such as cooking or parenting, for example.

The platform advises marketers to “lean into the specificity that makes TikTok communities special” and thereby help audiences feel “more understood and validated.” Once marketers understand the various groups, they can work with creators within each group to amplify their message.

Shadi Kandil, TikTok’s general manager of global business solutions, Middle East, Africa, Turkey and Pakistan, said: “Now in its third year, TikTok’s What’s Next Report has provided actionable insights for marketers both globally and here in the region, to amplify their voices and create impactful content leading to real-world business results.

“From making the time for joy and tapping into niche communities, to actionable entertainment that captures attention, 2023 looks to be an exciting year for brands on TikTok.”


To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

Updated 27 December 2025
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To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

  • ⁠ ⁠50 years after its creation, the Grendizer anime series continues to capture Arab imagination
  • ⁠ ⁠⁠Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet

LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.

Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.

But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.

Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.

Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.

While the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East. (Supplied)

The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.

Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.

Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.

 

Grendizer at 50
The anime that conquered Arab hearts and minds
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