The biggest movies coming your way in 2023 

‘Guardians of the Galaxy Vol 3’ is directed by James Gunn. (Supplied)
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Updated 14 January 2023
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The biggest movies coming your way in 2023 

‘Guardians of the Galaxy Vol 3’ 

 

 

Director: James Gunn 

Starring: Chris Pratt, Zoe Saldana, Dave Bautista, Karen Gillan 

The pop-culture behemoth that is the Marvel Cinematic Universe shows no signs of slowing its momentum in 2023, with five releases planned throughout the year, including a new outing for Ant Man and the Wasp, as well as another ensemble effort with “Captain Marvel” sequel “The Marvels.” Top of our list, though, is the return of the lovable rogues known as the Guardians of the Galaxy, led by Star Lord/Peter Quill (Chris Pratt). Last time out, the Guardians managed to purchase Knowhere, with the intention of turning into their headquarters and a safe haven for alien refugees. Details are sketchy, but the plot will reportedly involved the team having to embark on a risky mission to save one of their members. And probably the universe too. James Gunn directs (as he has the two previous “Guardians” movies). There are rumors that Rocket — the racoon bounty hunter — will have a love interest introduced: Lylla the otter. 

‘The Flash’ 

Director: Andy Muschietti 

Starring: Ezra Miller, Ron Livingston, Michael Keaton, Kiersey Clemons 

Marvel’s superhero rivals DC, meanwhile, are pinning their hopes on a couple of major new releases including Jason Momoa reprising his titular role in “Aquaman and the Lost Kingdom,” and this movie about the swiftest superhero alive. Given the controversies currently swirling around lead actor Ezra Miller, DC will be hoping the old cliché about no publicity being bad publicity holds true and that the film isn’t DOA at the box office. Argentinian director Andy Muschietti, who helmed the “It” film series, has been tasked with running the show. Inspired by the comic book storyline “Flashpoint,” the movie sees Barry Allen/The Flash travel through time in an attempt to prevent his mother’s murder. Time travel, as you’d think the allegedly “highly intelligent” Allen would know, turns out to be a tricky affair, with a lot of unforeseen consequences. One of the good ones being that we get to see multiple versions of Batman, with both Ben Affleck and Michael Keaton reprising their versions of the Caped Crusader. 

‘Barbie’ 

 

 

Director: Greta Gerwig 

Starring: Margot Robbie, Ryan Gosling, Will Ferrell, Simu Liu 

Yes, a movie about the iconic Mattel doll — which has, over the years, become a symbol of society’s unrealistic ideals for women’s bodies — sounds like a terrible idea. But. This particular movie that sounds like a terrible idea is co-written by Noah Baumbach (“Marriage Story”) and Greta Gerwig (“Lady Bird”), who also directs. And it stars two of Hollywood’s brightest stars, Robbie and Gosling, as Barbie and Ken. Expect plenty of ironic humor, then. Suddenly, it starts to sound as though — despite the horribly cynical marketing scheme that undoubtedly got the film funded — this could be a lot of fun.  

‘The Super Mario Bros. Movie’ 

 

 

Directors: Aaron Horvath, Michael Jelenic 

Voice cast: Chris Pratt, Anya Taylor-Joy, Charlie Day, Jack Black 

It’s taken Nintendo a while to get over the disastrous 1993 film “Super Mario Bros.” Thirty years on, the Japanese video game giant has finally handed another license to Hollywood, this time for an animated adventure comedy with a stellar voice cast, based on its iconic games about two Italian brothers who are plumbers. Horvath and Jelenic’s pedigree as creators of the often-brilliant “Teen Titans Go!” bodes well for the movie. Apparently, not even the actors were privy to the full plot, so the story remains unknown, but it’s reasonable to expect it will involve Mario and Luigi having to rescue Princess Peach from some kind of labyrinth. May be worth seeing just to judge Chris Pratt’s accent for yourself. 

‘John Wick: Chapter 4’ 

 

 

Director: Chad Stahelski 

Starring: Keanu Reeves, Donnie Yen, Bill Skarsgard, Laurence Fishburne 

The first three instalments in the “John Wick” film series have all excelled at giving audiences adrenaline-rush fight scenes with minimal (by today’s standards) special effects, so we’re excited to see what new surprises Stahelski has in store in number four. Reeves returns as the less-than-talkative legendary assassin desperately trying to retire and be left in peace. But the shadowy organization that oversees the contract killers our anti-hero was once the best of won’t let him. Now, Wick believes he has found a way to defeat the High Table once and for all. But the path to his escape has many obstacles, including a well-connected new enemy, and old friends now turned foes. 

‘Spider-Man: Across the Spider-Verse’ 

 

 

Directors: Joaquim Dos Santos, Kemp Powers, Justin K. Thompson 

Voice cast: Shameik Moore, Hailee Steinfeld, Jake Johnson, Issa Rae 

Anticipation is sky-high for this sequel to 2018’s animated hit “Spider-Man: Into the Spider-Verse.” Its predecessor was a superb, thrilling, funny journey into alternate universes that introduced us to a host of different incarnations of Spider-Man, including, of course, Brooklyn teen Miles Morales. In this follow-up, Morales and his love interest Gwen Stacy (the Spider-Woman of her universe) team up to take on a new foe who threatens the lives of all Spider-People. They are helped by the Spider-Force team, who include a British punk version of Spider-Man, and a pregnant version of Spider-Woman. 

‘Indiana Jones and the Dial of Destiny’ 

 

 

Director: James Mangold 

Starring: Harrison Ford, Phoebe Waller Bridge, Mads Mikkelsen, Antonio Banderas 

Okay, so Steven Spielberg isn’t directing it, and George Lucas didn’t write it, but it’s still Indiana Jones (and the pair are both executive producers). The film is set in 1969 and finds an ageing Dr. Jones searching for the titular object alongside his goddaughter Helena (Waller-Bridge). Jones is also wary of the former Nazis working with the US government to take on the Soviet Union in the space race, particularly the sinister Jurgen Voller (Mikkelsen). 

‘Mission: Impossible — Dead Reckoning Part One’ 

Director: Christopher McQuarrie 

Starring: Tom Cruise, Ving Rhames, Simon Pegg, Rebecca Ferguson 

The COVID-19 pandemic played havoc with its schedule, but the seventh instalment of the “Mission: Impossible” franchise is finally with us. Cruise is now 60, but continues to pull off many of his own stunts including the spectacular motorcycle-dismount-into-parachute-jump seen in the trailer. Esai Morales is the as-yet-unnamed main villain of the piece. Details have been kept under wraps, but it’s a fair bet Cruise’s special agent Ethan Hunt and his IMF team will still have members of The Syndicate/The Apostles to deal with, despite defeating their leader, and we know that Vanessa Kirby is returning as arms dealer Alanna Mitsopolis.  

‘Dune: Part Two’ 

 

 

Director: Denis Villeneuve 

Starring: Timothee Chalamet, Rebecca Ferguson, Josh Brolin, Zendaya 

Frank Herbert’s “Dune” novels were long considered ‘un-filmable,’ but Villeneuve disproved that theory with 2021’s “Part One,” marrying Herbert’s vision with his own to create a superb sci-fi epic. Part two will see Chalamet’s Paul Atreides seek revenge against those who wiped out his family, with some help from the Chani and his new allies, the Fremen. Along the way, he must somehow prevent the nightmarish future that he has foreseen. 

‘The Hunger Games: The Ballad of Songbirds and Snakes’ 

 

 

Director: Francis Lawrence 

Starring: Tom Blyth, Rachel Zegler, Hunter Schafer, Jason Schwartzman 

Just over a decade ago, the first “Hunger Games” film propelled Jennifer Lawrence into mainstream stardom and cemented Suzanne Collins’ novels as bona-fide cultural phenomena. “The Ballad of Songbirds and Snakes” takes us back into that dystopian universe, but serves as a prequel to the four films released so far. Blyth stars as a young Coriolanus Snow (the future president of Panem and villain of the previous movies), who is serving as a mentor for the upcoming Hunger Games and forms a bond with the tribute from District 12: Lucy Gray Baird. Expect revelations about what happened to turn Snow into the monster he would become. 


Haifaa Al-Mansour discusses her latest film, ‘Unidentified’ 

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Haifaa Al-Mansour discusses her latest film, ‘Unidentified’ 

  • The Saudi filmmaker looks to ‘challenge the audience’ with new crime thriller  

DUBAI: “I was drawn to making a crime thriller because it’s a genre that allows you to ask uncomfortable questions in a very accessible way,” Haifaa Al-Mansour says. 

The acclaimed Saudi filmmaker is talking about her latest feature, “Unidentified,” in which a young Saudi police officer, Nawal (Mila Al-Zahrani), investigates the death of a young woman whose body is found in the desert. Initially, the identity of the dead girl is a mystery, and the tight-knit community in which she lived — including her own family — are unwilling to identify her and acknowledge her death.  

“The case becomes a confrontation with fear, silence, and the cost of truth, both for the community and for herself,” says Al-Mansour. “I enjoy thrillers because they create momentum, and draw you in, but beneath that surface you can explore social tensions, power structures, and moral ambiguity. For me, the genre was a way to talk about silence, complicity, and courage without making the film feel like a lecture.” 

Shafi Alharthi and Mila Al-Zahrani on the set of ‘Unidentified.’ (Supplied)

It later transpires that the dead girl is called Amal, and that she had headed out into the desert for a secret romantic rendezvous. That partly explains her family’s reluctance to admit that the body is hers, but, Al-Mansour explains, “more broadly it is about how a woman’s private choices can be treated as a family’s public burden. I wanted to highlight how silence can feel safer than truth, especially in close-knit communities. No one believes they are doing something cruel.  They believe they are protecting themselves. That moral gray area interested me as a filmmaker. The tragedy is not only Amal’s death, but how quickly she is erased.” 

The only person who seems determined to uncover the truth about Amal is Nawal. But as a very junior member of staff at the police station, her ideas about the case, despite often being correct, are generally ignored by her seniors (who are almost all men). There are clear — and deliberate — parallels between Nawal’s career and the early stages of Al-Mansour’s.  

“Nawal’s experience — being questioned, underestimated, told to be patient or quiet — is something I know very well,” the filmmaker says. “I wanted her struggle to feel authentic: not heroic in a loud way, but persistent. Her strength is not that she never doubts herself, it’s that she continues anyway. That felt honest to my own journey and to the journeys of many women I know.” 

Haifaa Al-Mansour (R) on set during the filming of ‘Unidentified.’ (Supplied)

Nawal does have at least one supporter: her boss and mentor Majid, played by Shafi Alharthi. Again, Al-Mansour’s experience was similar. “I was fortunate to have people who may not have fully understood my perspective at first, but who chose to listen and stand beside me. Those allies matter enormously,” she says. “Majid is not perfect; he hesitates, he is shaped by the same system as everyone else. But his willingness to support Nawal, even quietly, reflects the kind of allyship that can make real change possible.” 

The chemistry between the two actors is a crucial part of the movie. Both appeared in Al-Mansour’s previous feature, 2019’s “The Perfect Candidate,” and the director says that she wrote “Unidentified” with the two of them in mind and “designed the characters around them.”  

She explains: “I didn’t want Nawal to feel like a symbol; she needed to feel human. Mila has an incredible ability to communicate inner conflict with restraint. She doesn’t overplay emotion — you see it in her eyes, in her stillness. She brought vulnerability and strength in equal measure. And Shafi is such a big teddy bear, I knew that he would be sympathetic as a mentor figure, and not too intimidating or rough. Their connection is subtle, based on respect rather than romance, and that was important. Shafi brings warmth and intelligence to Majid. He makes the character believable as someone who is evolving, not suddenly enlightened. That dynamic supports the emotional core of the film.” 

Mila Al-Zahrani as Nawal in ‘Unidentified.’ (Supplied)

As she suggested earlier, Al-Mansour was not looking just to create a “whodunnit,” but to use the crime as a way of exploring social and cultural issues. Throughout the film, several of the young female characters express dissatisfaction with gender roles and societal expectations.  

“These conversations are happening more openly now (in the Kingdom), especially among younger women,” says Al-Mansour. “There is ambition, impatience, hope, and frustration all existing at the same time. That is what happens during periods of rapid change like the kind we are seeing now. And that is very healthy!  

“As a Saudi filmmaker, I’m really excited to add to the discussion on these subjects, and I believe it is important to reflect lived-reality honestly. Cinema has a responsibility not just to celebrate progress, but also to ask what still hurts, what still needs work. For me, storytelling is a way to participate in that conversation, not to give answers but to create space for dialogue,” she continues. “My main goal with this film was to challenge the audience, to present problems that seem to have ‘tidy’ solutions, and then present additional information that throws everything into question.” 

What she hopes “Unconditional” will achieve, she says, is to make audiences think about “the cost of silence — and the courage it takes to name what others would rather ignore” and to “question the root causes of these issues, and look beyond the expected conclusion to the difficult questions beyond.” 

She concludes: “If the film encourages empathy, conversation, and a willingness to look closer at what we choose not to see, then it has done its job.”