Director of Pakistani documentary on forced conversions says such themes inspire ‘positive change’

In this photo, posted on April 21, 2022, Pakistan filmmaker Jawad Sharif gestures during an TedTalk event in Vancouver Convention Centre in Vancouver, Canada. (Photo courtesy: Instagram/jawadshariffilms)
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Updated 03 January 2023
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Director of Pakistani documentary on forced conversions says such themes inspire ‘positive change’

  • ‘The Losing Side’ by Jawad Sharif presents first-hand accounts of forced conversions in Pakistan
  • The documentary won ‘Best Human Rights Film’ award at Cannes World Film Festival in December

KARACHI: Jawad Sharif, the director of the Pakistani documentary ‘The Losing Side’ on forced religious conversions in Pakistan which won big at the prestigious Cannes World Film Festival in France last month, said on Monday that films based on such themes help inspire “positive change” in society.

’The Losing Side’, according to Sharif’s production house, narrates the “traumatic stories” of four survivors of forced conversions and marriages in Pakistan’s southern Sindh province. The documentary won the ‘Best Human Rights Film’ award in the November Online Edition of the Cannes World Film Festival 2022.

The 40-minute-long documentary film was shot in 2022 in different parts of Pakistan’s southern Sindh province, including Tharparkar, Mithi, and Badin. As per official data, at least four million Hindus reside in Sindh.

According to a report by the All-Party Parliamentary Group (APPG) for Pakistani Minorities — an informal group run by members of the UK’s House of Commons and Lords — each year, as many as 1,000 Pakistani Hindu and Christian girls aged 12 to 25 are forcibly converted to Islam to be married off to their abductors.

The report suggested that cases of forced conversions in the country have been increasing steadily in recent years, making it one of the most pressing human rights issues in the South Asian nation. In October 2021, Pakistan’s Parliamentary Committee to Protect Minorities from Forced Conversions rejected the anti-forced conversion bill after the Ministry of Religious Affairs opposed the proposed law.

“The reason behind highlighting such themes is to bring positive change in society by addressing the violations [of human rights] so they can be lessened or eradicated,” Sharif told Arab News on Monday.

“When it comes to themes such as forced conversion and forced marriages [in Pakistan], it becomes quite a conflict to release the film,” he added. “There is pressure from the government to not send out a negative message in media, given that the country’s economic situation is bad.”

But for Sharif, the reason behind highlighting such themes is to bring positive change in society by addressing human rights violations so they can be decreased or eradicated.

“We have filmed first-hand accounts of victims in ‘The Losing Side’. They are basically survivors from the Hindu community in Sindh,” he said.

“They were forcefully kidnapped, converted, and sold out to different parties who forced girls into multiple marriages, raped them, and used them,” Sharif added. “It is a very emotional and sensitive story featuring personal takes.”

Sharif said men in this part of the world take advantage of minority women knowing they are vulnerable. He added that most minority girls live below the poverty line which enables the men, who have some authority over them, to manipulate them into surrendering.

“It was a huge challenge to film the girls and women as they were scared that people would come after them again after watching the documentary,” he recalled. “My first target is local audiences to create awareness among the local community where the issue is prevalent,” Sharif shared.

Sharif said recognition at an international film festival helps raise the issue in mainstream media, which makes it more prominent. “If we speak of legislation and policy change for forced conversion in Pakistan, the pressure mostly comes from international media,” he added.

In addition to the victims, ‘The Losing Side’ features former senator Farhatullah Babar, chairman of the Islamic Ideological Council of Pakistan Dr. Qibla Ayaz, and Sindh chief minister’s aide Veerji Kolhi, among others.


Stars of Haifaa Al-Mansour’s ‘Unidentified’ hit the red carpet in Saudi Arabia

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Stars of Haifaa Al-Mansour’s ‘Unidentified’ hit the red carpet in Saudi Arabia

JEDDAH: Cast members from Saudi Arabia director Haifaa Al-Mansour’s latest film, “Unidentified,” took to the red carpet at the Red Sea International Film Festival in Jeddah on Sunday.

Aziz Gharbawi, Intisar Somaya, Othoub Sharar, and Abduallah Al-Qahtani attended the premiere alongside co-producer and co-scriptwriter Brad Niemann.

Lead star Mila Al-Zahrani and director Al-Mansour did not attend the event.

The screening in Saudi Arabia comes after the crime thriller premiered at the Toronto International Film Festival in September.

“Nawal Al-Saffan, a 29-year-old divorcee, returns to her small hometown for a fresh start. A fan of true crime podcasts, she gets a mundane clerical job at the local police station, digitizing old files,” the film’s official logline states.

“Her life changes when a teenage girl’s body is found in her school uniform, with no ID. Haunted by the girl’s senseless death, Nawal decides to investigate.

“She uses her insight into the hidden world of women to identify the victim, befriending a group of women and other characters that all seem connected to the crime.

“To solve the mystery, she must challenge her preconceived notions about women and their threats.”

The film was co-written by Al-Mansour, who also directed “The Perfect Candidate.” It premiered at the ongoing Toronto festival with Shafi Al-Harthi, Al-Mansour, Al-Zahrani and Adwa Al-Asiri attending the screening.

This summer, the pioneering Saudi Arabia filmmaker was appointed to the Academy of Motion Picture Arts and Sciences’ board of governors.

In 2012, Al-Mansour made history with the release of her first feature film, “Wadjda.” It was the first feature film shot entirely in the Kingdom, and made by a female Saudi Arabia director.

Al-Mansour has become one of the most in-demand television directors in Hollywood, helming episodes of hit series including “Archive 81,” “City of Fire,” “Tales of the Walking Dead,” and “Bosch: Legacy.”

In 2019, Al-Mansour’s feature film “The Perfect Candidate” was submitted as Saudi Arabia’s entry for the International Feature Film Award at the 92nd Academy Awards, but was not nominated.