Director of Pakistani documentary on forced conversions says such themes inspire ‘positive change’

In this photo, posted on April 21, 2022, Pakistan filmmaker Jawad Sharif gestures during an TedTalk event in Vancouver Convention Centre in Vancouver, Canada. (Photo courtesy: Instagram/jawadshariffilms)
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Updated 03 January 2023
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Director of Pakistani documentary on forced conversions says such themes inspire ‘positive change’

  • ‘The Losing Side’ by Jawad Sharif presents first-hand accounts of forced conversions in Pakistan
  • The documentary won ‘Best Human Rights Film’ award at Cannes World Film Festival in December

KARACHI: Jawad Sharif, the director of the Pakistani documentary ‘The Losing Side’ on forced religious conversions in Pakistan which won big at the prestigious Cannes World Film Festival in France last month, said on Monday that films based on such themes help inspire “positive change” in society.

’The Losing Side’, according to Sharif’s production house, narrates the “traumatic stories” of four survivors of forced conversions and marriages in Pakistan’s southern Sindh province. The documentary won the ‘Best Human Rights Film’ award in the November Online Edition of the Cannes World Film Festival 2022.

The 40-minute-long documentary film was shot in 2022 in different parts of Pakistan’s southern Sindh province, including Tharparkar, Mithi, and Badin. As per official data, at least four million Hindus reside in Sindh.

According to a report by the All-Party Parliamentary Group (APPG) for Pakistani Minorities — an informal group run by members of the UK’s House of Commons and Lords — each year, as many as 1,000 Pakistani Hindu and Christian girls aged 12 to 25 are forcibly converted to Islam to be married off to their abductors.

The report suggested that cases of forced conversions in the country have been increasing steadily in recent years, making it one of the most pressing human rights issues in the South Asian nation. In October 2021, Pakistan’s Parliamentary Committee to Protect Minorities from Forced Conversions rejected the anti-forced conversion bill after the Ministry of Religious Affairs opposed the proposed law.

“The reason behind highlighting such themes is to bring positive change in society by addressing the violations [of human rights] so they can be lessened or eradicated,” Sharif told Arab News on Monday.

“When it comes to themes such as forced conversion and forced marriages [in Pakistan], it becomes quite a conflict to release the film,” he added. “There is pressure from the government to not send out a negative message in media, given that the country’s economic situation is bad.”

But for Sharif, the reason behind highlighting such themes is to bring positive change in society by addressing human rights violations so they can be decreased or eradicated.

“We have filmed first-hand accounts of victims in ‘The Losing Side’. They are basically survivors from the Hindu community in Sindh,” he said.

“They were forcefully kidnapped, converted, and sold out to different parties who forced girls into multiple marriages, raped them, and used them,” Sharif added. “It is a very emotional and sensitive story featuring personal takes.”

Sharif said men in this part of the world take advantage of minority women knowing they are vulnerable. He added that most minority girls live below the poverty line which enables the men, who have some authority over them, to manipulate them into surrendering.

“It was a huge challenge to film the girls and women as they were scared that people would come after them again after watching the documentary,” he recalled. “My first target is local audiences to create awareness among the local community where the issue is prevalent,” Sharif shared.

Sharif said recognition at an international film festival helps raise the issue in mainstream media, which makes it more prominent. “If we speak of legislation and policy change for forced conversion in Pakistan, the pressure mostly comes from international media,” he added.

In addition to the victims, ‘The Losing Side’ features former senator Farhatullah Babar, chairman of the Islamic Ideological Council of Pakistan Dr. Qibla Ayaz, and Sindh chief minister’s aide Veerji Kolhi, among others.


Riyadh exhibition to trace the origins of Saudi modern art

Updated 07 January 2026
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Riyadh exhibition to trace the origins of Saudi modern art

  • Features painting, sculpture and archival documents
  • Open from Jan. 27-April 11 at Saudi national museum

DUBAI: A new exhibition in Riyadh is focusing on the origins of Saudi Arabia’s modern art scene, examining how a generation of artists helped shape the Kingdom’s visual culture during a period of rapid change.

The “Bedayat: Beginnings of Saudi Art Movement” show reportedly traces the emergence of creative practices in Saudi Arabia from the 1960s to the 1980s, an era that laid the groundwork for today’s art ecosystem.

On view from Jan. 27 until April 11 at the National Museum of Saudi Arabia, it includes works and archival material that document the early years of modern and abstract art in the Kingdom, according to the organizers.

It will examine how artists responded to shifting social, cultural and economic realities, often working with limited infrastructure but a strong sense of purpose and experimentation.

The exhibition is the result of extensive research led by the Visual Arts Commission, which included dozens of site visits and interviews with artists and figures active during the period.

These firsthand accounts have helped to reconstruct a time when formal exhibition spaces were scarce, art education was still developing, and artists relied heavily on personal initiative to build communities and platforms for their work.

Curated by Qaswra Hafez, “Bedayat” will feature painting, sculpture, works on paper and archival documents, many of which will be shown publicly for the first time.

The works will reveal how Saudi artists engaged with international modernist movements while grounding their practice in local heritage, developing visual languages that spoke to both global influences and lived experience.

The exhibition will have three sections, beginning with the foundations of the modern art movement, and followed by a broader look at the artistic concerns of the time.

It will conclude with a focus on four key figures: Mohammed Al-Saleem, Safeya Binzagr, Mounirah Mosly and Abdulhalim Radwi.

A publication, documentary film and public program of talks and workshops will accompany the exhibition, offering further insight into a pivotal chapter of Saudi art history and the artists who helped define it.