Year in review: The best games of 2022 

Much of “Elden Ring” will still qualify as a new game deep into 2023. (Supplied)
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Updated 04 January 2023
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Year in review: The best games of 2022 

  • From a simple, viral guess-the-word challenge to a confounding otherworldly mystery, here are the most absorbing games of the past 12 months 

‘Elden Ring’ 

Given the sheer scale of this open-world role-playing game, it’s quite possible it will feature in similar lists next year. Even after playing for dozens of hours, there are still so many discoveries to be made that for all but the most dedicated of gamers, much of “Elden Ring” will still qualify as a new game deep into 2023. The game looks beautiful, and technically it was both familiar and challenging — meaning that while the combat system was fairly easy to get to grips with, the wide range of skilled enemies and powerful bosses meant you could never relax your guard. This hugely ambitious game is now the benchmark for all future RPGs. 

‘Wordle’ 

At the other end of the development spectrum was 2022’s most written-about game, “Wordle.” (Yes, it launched on the web in 2021, but its popularity really bloomed in December last year when developer Josh Wardle added the emoji-style display of guesses that has become ubiquitous on social networks.) Its beauty lies in its simplicity. Every day there’s a single new five-letter word that players must guess/work out within six attempts. The greatest satisfaction generally comes from getting it right second time, since the first time is pure guesswork. The mechanics of the game are so straightforward that pretty much any English-speaking person, from kids to pensioners, can pick up and play immediately. And it became a daily ritual for millions, sparking a real feeling of community around it. Wardle famously sold the game to the New York Times Company for a reported seven-figure sum.  

‘Stray’ 

One of the many COVID-19-delayed releases of 2022, “Stray” was worth the wait. You play as a lost cat wandering through a run-down cybercity populated by droids. The main tactics, as you might expect from a cat, are stealth and mischief. While the droids aren’t too much trouble, the city is also home to more-dangerous creatures from which you must escape if you’re ever to find your kin. The way the developers managed to capture the lovable but weird feline character of the eponymous lead meant this dystopian sci-fi game was easy to get emotionally involved in.  

‘God of War Ragnarok’ 

The Spartan god-killer Kratos and his troublesome son Atreus continued to explore the world of Norse mythology in this action-adventure, the follow up to 2018’s “God of War.” Set three years after that game, “Ragnarok” covers the titular world-ending event predicted at the end of the previous game. Fans would be familiar with the combat system, but there were some nice upgrades, including far more versatility for Kratos’ shield, and Atreus’ vastly improved magical abilities. With nine realms to discover and explore, “Ragnarok” offered great value for money, while the generally excellent voice acting and characterization made for an immersive experience. 

‘Neon White’ 

Has there ever been a more chaotic (in a good way) game than “Neon White”? A hectic, no-time-to-think single-person shooter/platformer/puzzler/parkour speedrunner that demands 100 percent concentration but does its best to distract you with a cast of incredibly (though amusingly) annoying enemies. Demons are wreaking havoc in hell. You — an assassin named White — must wipe out as many as you can for the chance to live permanently in Heaven. But you’re also playing against other demon slayers (also annoying) chasing the same prize. Along the way you’ll pick up various cards that will grant you improved weaponry, but that you can choose to discard to gain special movement abilities that make traversing the divine environment much easier. “Neon White” will leave you breathless.  

‘Norco’ 

Developers Geography of Robots used the skeleton of a classic point-and-click adventure game to create this beautiful and genuinely moving exploration of rural decay and of someone searching for purpose. It’s set in an ‘alternate version’ of the titular small town in Louisiana, which — in both real life and the game — is home to a huge petroleum refinery. Kay has returned to the town following the death of her mother. “Norco” has some of the best writing of any video game (of this year or any other). The elements of magical realism that drift into the downbeat narrative somehow serve to make the story even more grounded and affecting. It’s easy to get lost in its haunting atmosphere. 

‘Immortality’ 

2022’s most original game was this full-motion video effort from director Sam Barlow. Ostensibly, players are attempting to discover what has happened to the fictional model-turned-actress Marissa Marcel. She was the star of three unreleased movies shot three decades apart, and the player must run through clips from those three films (as well as interviews, TV appearances and behind-the-scenes footage), pausing and clicking on items or people to gain further information. Piecing together the non-chronological plot is tricky enough, but it’s when you get to the story behind the story that “Immortality” becomes a game that will occupy your brain for hours, even when you’re not actually playing it. 


‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

Updated 06 February 2026
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‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

RIYADH: Angel Manuel Soto directs this odd-couple action-comedy with a confidence and flair that — along with the chemistry between its central performers and its better-than-you’d-ever-expect script — just about raises it above the slop swarming the streamers.

Jason Momoa and Dave Bautista play estranged half-brothers Jonny and James Halle. Both have the same father — a not-much-liked private detective called Walter who’s just been killed in a hit-and-run in Hawaii (where they were raised and where James, a Navy SEAL, still lives). Neither brother is particularly upset to hear the news of Walter’s death, but when Yakuza henchmen attack Jonny in his Oklahoma home (where he’s a maverick, heavy-drinking cop) demanding a package sent by Walter (a package he hasn’t yet received), he decides to return to Hawaii for the first time in years to attend the funeral and investigate further.

Jonny’s reunion with James is less than cordial, but he does meet James’ wife Leila and their kids for the first time. Leila is a child-psychologist — not afraid to call the brothers out on their emotional shortcomings, nor to try and help them fix their fractured fraternity.

The brothers’ investigation uncovers a plan to build a casino on Hawaiian home lands (an area held in trust for Native Hawaiians). The developer is the extremely wealthy Marcus Robichaux (played with gleeful pantomime-villain campness by Claes Bang), who — it turns out — had hired Walter to investigate his wife, who had hired Walter to investigate her husband.

Now our heroes know who they have to bring down, they’re into far more comfortable territory (both for the characters and, you suspect, the actors). Yep. Forget the dialogue, it’s action time.

Cue multiple scenes of high-octane mayhem expertly helmed by Soto in what’s essentially a slightly updated (emotional healing!) throwback to the dumb-but-fun action blockbusters of the Eighties and Nineties. The nostalgia isn’t hidden, either. The soundtrack starts with Guns N’ Roses and ends with Phil Collins. And there’s a shoutout to Jean-Claude Van Damme in between.

There’s a plot here too, but, honestly, who cares? Momoa and Bautista get to flex their considerable muscles, show off their ink, and make a few wisecracks. No one’s watching this for a clever twist, right? Watch it hoping for a couple hours of entertaining excitement and you’ll be well satisfied.