Palestinian American comedian Mo Amer’s talk thrills audience at Red Sea International Film Festival

Palestinian American comedian Mo Amer at the Red Sea International Film Festival in Jeddah. (AFP)
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Updated 08 December 2022
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Palestinian American comedian Mo Amer’s talk thrills audience at Red Sea International Film Festival

JEDDAH: Palestinian American comedian and actor Mo Amer, who has had an impressive year following the success of his semi-autobiographical Netflix comedy-drama “Mo” and a role in “Black Adam,” was at the Red Sea International Film Festival in Jeddah on Wednesday to speak as part of the “In Conversation” panel.

The 41-year-old is the writer, producer and lead star of “Mo,” in which he tells the story of a Palestinian refugee who lives with his family in Houston, trying to figure out how to make a living while waiting on a pending asylum request for US citizenship which has already taken longer than 20 years.

 

 

Amer said: “What really gets me going in the mornings is like, creating something that’s never been done before, putting a story out there, and what it does to this landscape.

“A Palestinian experience in America, or anywhere really, that is put out on the biggest global platform on planet Earth is so spectacular.




Mo Amer at the In Conversation panel at the Red Sea Mall in Jeddah. (AFP)

“To tell a Palestinian story that’s real, that’s grounded, that’s from Houston and shows the city as a character, is so special.

“I’ve never seen anything like that so that’s what keeps me going, telling stories that are so unique, but yet very global. That’s not just for us, but for everybody.”

Speaking on why he made the show, Amer added: “It is important to lead with something that I know super well.

“We have never seen what a refugee is like. We always see them on boats, you know; they are just struggling to get to a place.

“It’s super-dramatic and dramatizes to another level. There’s not really a face to it.

“I always call myself a privileged refugee, and I am, and I definitely state there’s no story of the asylum process, what it’s like, day to day, for the family to go through all the different emotions.”

Amer straddles the line between two different cultures, two religions, and three languages, including Arabic, English and Mexican, in the show.

What makes the series so heartwarming to its audiences is the real, silly, and funny tone that Amer uses to mix old and new school, which helped make the series one of the most significant TV shows of 2022.

He added: “It’s really been incredible. The response has been through the roof, and I think that having 20 years of thinking about what I wanted to say and how I wanted to say it is what made it so timely.

“We were as honest as we could be. In episode three, when we see my grandparents’ house, that is actually my grandparents’ house.

“The house address in episode seven in the flashback, which I wrote over nine years ago, is the address that we fled from in Kuwait.”

Amer also shared what it’s like to be a stand-up comedian, and how he goes by the reaction of his audience while onstage.

He said: “The audience is my barometer; that’s the most beautiful thing. And that relationship is really special to me.

“It’s just such a thrilling thing to build an audience and to go around the world, and for them to come to see you tell specific stories and share them and get that immediate response.

“There is nothing like it and, to be honest, stand-up comedy saved my life.”

And Amer’s special advice for any budding writers?

He said: “Write for yourself, do not wait. Everything that you write, put it in your savings account. That is what I call it because actually, you can put it in your savings, and you do not know when you’re going to use it.

“Later on, somebody is going to ask you if you have anything and you can show them all the projects that you have. That is very, very important.”


Review: ‘Roofman’ Movie

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Updated 23 December 2025
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Review: ‘Roofman’ Movie

  • The film follows Jeff, a man on the run, living out of sight inside a Toys “R” Us store, and constantly improvising his survival

I went into “Roofman” with no expectations, and that turned out to be the best possible way to experience the 2025 comedy-drama based on a true story.

Gripping and unexpectedly moving, it is one of those rare character-driven stories that stays with you long after the credits roll.

Channing Tatum delivers what may well be the strongest performance of his career. Stripped of the bravado he is often known for, Tatum plays Jeffrey Manchester — a former US army veteran and struggling dad who turns to a life of crime — with a raw vulnerability that feels lived-in rather than performed.

His portrayal balances charm, desperation and weariness in a way that makes the character both flawed and sympathetic. It is the kind of performance that reminds you how effective he can be when handed a script that trusts stillness as much as spectacle.

The film follows Jeff, a man on the run, living out of sight inside a Toys “R” Us store, and constantly improvising his survival. Without giving anything away, “Roofman” unfolds as a tense cat-and-mouse story, but one that resists becoming purely a thriller.

The pacing is deliberate and assured, allowing moments of humor, warmth and connection to surface naturally amid the suspense.

What “Roofman” does exceptionally well is maintain an undercurrent of unease. Even in its lighter, more playful moments, there is a persistent sense of claustrophobia and impending doom.

The script understands that tension does not always rise from action; sometimes it is born simply from the fear of being seen. “Game of Thrones” actor Peter Dinklage’s flawless portrayal of the store’s stern and authoritarian manager sharpens that anxiety.

Kirsten Dunst brings a grounded, affecting presence to the story, offering moments of tenderness and emotional clarity that deepen its human core. Her character anchors Jeff’s world with something real to reach for.

Despite its thrills, “Roofman” is ultimately a reflective film that asks, without judgment, how people arrive at the decisions that shape their lives, and why some feel trapped into making the wrong ones.

Underrated and surprisingly heartfelt, “Roofman” is a reminder that some of the most compelling stories are about the resilience of hope even when the odds are stacked against you.