Take two: Eyes of the global film industry are on Jeddah for Red Sea festival

Short Url
Updated 01 December 2022
Follow

Take two: Eyes of the global film industry are on Jeddah for Red Sea festival

  • The second Red Sea International Film Festival promises to be bigger and better than the first, with international stars flocking to the Kingdom’s cinematic spectacular

JEDDAH: The second Red Sea International Film Festival begins on Thursday in Jeddah and the red carpet has been rolled out at the glitzy Ritz Carlton hotel to welcome international movie stars and filmmakers from East and West.

Under the slogan “Film is Everything,” the event, which continues until Dec. 10, will showcase 131 feature films and shorts from 61 countries, in 41 languages, made by established and emerging talents, including seven feature films and 24 shorts from Saudi Arabia.

In an exclusive interview with Arab News, RSIFF CEO Mohammed Al-Turki said: “This year, we have a very proud moment as we are closing the film festival with a Saudi film. This is a clear indicator of where Saudi cinema is at.

“Our programmers, especially Antoine Khalife, are very picky when it comes to films. So, for the Red Sea International Film Festival to accept a Saudi film means that it is of a quality to showcase at an international festival.

“So we are very proud and happy to show a home-bred film, “Valley Road” — with a Saudi cast, Saudi director and Saudi writer — as our closing film. It just tells you that Saudi cinema is booming at a fast pace.”

Al-Turki said that the popularity of film has soared in the Kingdom in the five years since a decades-long ban on cinemas was lifted.

“There is a hunger for film and you see that when you look at the numbers of the box office tickets — we have exceeded all neighboring countries,” he said. “We have a bigger box office revenue than the UAE, than Egypt, in just the short time since we lifted the cinema ban in 2017.”

Far from simply playing catch-up with the global cinema industry after the long ban, Saudi Arabia is already excelling in its own right, according to Al-Turki.

“I think we are on the right path … you see a lot of people trying to excel and we’re trying to catch up from the 35 years that cinema was not present,” he said.

“So everybody is trying their best and I’m sure in the next few years we will have Saudi films on a global scale and, hopefully, we can open our film festival in coming years with a Saudi film.”

This year’s opening film “What’s Love Got to Do With It?” is a cross-cultural British romantic comedy directed by Shekhar Kapur and starring Lily James, Emma Thompson, Shazad Latif, Rob Brydon, Shabana Azmi, Sajal Aly, and Asim Chaudhry. It won the Best Comedy award at the Rome Film Festival last month.

The festival schedule includes 34 international premieres, 17 Arab premieres, and 47 films from the Middle East and North Africa. It will also welcome many of the talents, on both sides of the camera, involved in the making of the films.

The festival also features an official competition, the Yusr Awards, in which 26 shorts and 16 features from Asia, Africa and the Arab world will compete in a number of categories, including Best Feature Film, Best Director, Best Screenplay, Best Actor and Best Actress. The winners will be announced on Dec. 8.

The Saudi Film Commission has chosen the film “Raven Song” as the Kingdom’s entry for the Oscars in the Best International Feature Film category. It will have its world premiere at RSIFF on Dec. 3 and is one of the seven films competing for the Golden Yusr for Best Feature Film.

Last year, the Golden Yusr went to the drama “Brighton 4th” by Georgian director Levan Koguashvili, while the top short film award went to “Tala’Vision,” directed by Murad Abu Eisheh from Jordan.

This year, acclaimed US filmmaker Oliver Stone, the recipient of three Academy Awards and director of films such as “JFK,” “Platoon,” “Snowden” and “Born on the Fourth of July,” will head the awards jury.

The festival aims to help open the doors to the film industry for a generation of young Saudis by enriching their knowledge of the industry and providing access to expertise from around the world through a number of initiatives, including competitions that offer funding awards, and filmmaking masterclasses and workshops.

To support and help the fledgling local film industry flourish, RSIFF has its own educational program, Red Sea Labs, and has formed partnerships with TorinoFilmLab in Italy and US film institutions to teach filmmakers from Saudi Arabia and the wider region.

The RSIFF film fund also supports young Saudi and regional filmmakers during preproduction, production and postproduction, said Al-Turki, and “we have the platform, the film festival, to showcase their films. So it comes full circle.”

One of the most significant RSIFF initiatives is the Red Sea Souk, the festival’s industry market platform, which includes a wide-ranging program of curated events designed to foster agreements for coproductions and international distribution, and encourage new business opportunities.

Representatives from 46 countries will take part in the Souk, which runs from Dec. 3 to 6 and offers a chance to network and access key players in the emerging Saudi industry, along with some of the best from the wider Arab and African scenes.

This year, more than 350 distributors, producers, financiers, sales agents and festival representatives will take part in the Souk and participate in face-to-face meetings and sessions with project developers.

During last year’s festival, the Red Sea Souk hosted more than 560 meetings and welcomed more than 3,115 film and media professionals. It was credited with playing a significant role in connecting a new generation of emerging talent with established figures in the cinema industry.

Last year’s marketplace was managed by Saudi artist Zain Zedan, who told Arab News after the festival: “This year was a great first start and we are ready to work on the second edition. The energy is great and the possibilities are endless. We are creating history here.”

This year, cash awards will be provided by the Red Sea Fund and awarded by two juries. The Project Market jury will choose the recipients of Jury Special Mention awards for development ($35,000) and production ($100,000). All selected projects will be eligible for additional awards funded by Red Sea Souk sponsors and partners totaling $670,000.

Also as part of Red Sea Souk, the second Talent Days initiative will take place on Dec. 7 and 8. It will feature sessions designed to nurture the next generation of filmmakers and effectively offers an initiation into the cinema industry for aspiring filmmakers through inspirational talks and individual meetings. Acclaimed Tunisian director Kaouther Ben Hania will lead this year’s Talent Days.

The manager of the inaugural Talent Days last year was Rana Jarbou, a Saudi director who said that the aim was “to encourage up-and-coming young Saudi filmmakers and grow the local film industry.”

Alongside the Red Sea Souk, the competitions, the red-carpet galas, outdoor screenings, and other special presentations, the festival will also host a range of themed film programs such as Festival Favorites, New Saudi/New Cinema, Red Sea: Treasures, Red Sea: Arab and International Spectacular, Red Sea: Family and Children, Red Sea: Virtual Reality, and Red Sea: Series. In addition, Red Sea: New Vision is a new strand dedicated to filmmakers who push the boundaries of creativity with a style of genre-defining filmmaking that challenges audiences.

Kaleem Aftab, director of international programming for the festival, told Arab News about the vibrant scene within the Saudi film industry, especially after the success of the first RSIFF last year.

“The Saudi film industry is incredible, considering where it was just five years ago,” he said. “There's a lot of movement forward and a big shift in the right direction. We’re still at the beginning but it’s making a mark in the International Festival space.

“I think the success of the Red Sea Film Festival, the inaugural edition, really gave a positive feeling to Saudi people and I had the sense that cinema was being celebrated, cinema was a possibility as a career, cinema is something to be proud of rather than something to be scared of, to hide away. I think we’re seeing a change in the perception of the way people want to tell stories.”

Last week, RSIFF organizers announced that this year’s Yusr Honorary Awards would be presented to veteran Egyptian actor Yousra, acclaimed British director Guy Ritchie and Indian actor and producer Shah Rukh Khan, in recognition of their exceptional contributions to film.

Yousra was among the stars who attended the festival last year, during which she advised young Saudi filmmakers to “be patient. Do not rush to stardom, and love your career for what it is. Try and fail, and learn how to choose the right time and career circumstances. Remember, no one jumps to success.”

She added: “I want to see Saudi films that speak to the world, not to a certain region, so the world understands what and who you are.”


The Arab world at the Venice Biennale: Artists explore themes of identity, immigration, history

Updated 17 sec ago
Follow

The Arab world at the Venice Biennale: Artists explore themes of identity, immigration, history

VENICE: No event in the international art scene is more anticipated, or debated, than the Venice Biennale. This year’s edition, “Foreigners Everywhere,” curated by Adriano Pedroso from Brazil, features 331 artists and 86 nations, including four Gulf countries as well as Lebanon and Egypt.  

Saudi Arabia 

Women’s voices chanting in unison fill the air of the Saudi Pavilion at Venice this year. “Shifting Sands: A Battle Song” was created by Saudi artist Manal AlDowayan, and hundreds of women from across the Kingdom participated in its creation. The exhibition, which includes large-scale installations in the form of desert roses filled with writing and drawings by the Saudi female participants whom AlDowayan worked with, aims to showcase the evolving role of women in the Kingdom while also striving to dispel media narratives that have long defined them. The chanting is derived from traditional battle songs once performed by Saudi men before they went into battle. Here they are chanted by women in a powerful chorus of strength and resilience, backed by recordings of the wind passing through sand dunes. The work, AlDowayan tells Arab News, “is about change, subtle changes — like those of a sand dune — the surface changes, but the core stays the same.”   

“Shifting Sands: A Battle Song” was created by Saudi artist Manal AlDowayan. (Supplied)

UAE  

Emirati artist Abdullah Al-Saadi is presenting “Sites of Memory, Sites of Amnesia” at the National Pavilion of the United Arab Emirates. It’s an introspective show consisting of drawings, sculptures, paintings and installations charting Al-Saadi’s travels around his homeland. “Traveling and understanding the natural world around me has always been an important part of my work,” Al-Saadi, who has even used rocks from the Emirates as his ‘canvas’ for some of the works, told Arab News. “Through this presentation in Venice, I hope visitors will enjoy tracing the travels I have taken over the past few years and also think about the world around us, and our place within it.”  

Visitors will also be presented with gifts: maps and scrolls in colorful traditional chests from the region, which will be removed and presented to guests by actors from the UAE.  

Emirati artist Abdullah Al-Saadi is presenting “Sites of Memory, Sites of Amnesia.” (Supplied)

Qatar  

While Qatar doesn’t have a national pavilion at the biennale, it is presenting “Your Ghosts Are Mine: Expanded Cinemas, Amplified Voices” — a group show of films by artists from across the Arab world, Africa and South Asia, as well as video installations from the collections of Mathaf: Arab Museum of Modern Art and the Art Mill Museum (scheduled to open in 2030). All the films were backed by the Doha Film Institute. 

“For me, it was important to show movies reflective of the theme of the biennale — so, revolving around immigration, foreigners, personal diaries and self-portraits and stories from women — all coming from independent (artists) in the Global South, whose voices are not always shared,” the Paris-based curator Matthieu Orlean told Arab News. 

Installation view of 'Your Ghosts Are Mine.' (Supplied) 

 

Egypt  

Alexandrian-born artist Wael Shawky has created “Drama 1882,” a 45-minute film for which he also composed the music, for Egypt’s national pavilion, which — in the first week of the biennale at least — has proved to be one of the most popular pavilions at this year’s event.   

The film is based around Egypt’s nationalist Urabi revolution against imperial influence in the late 19th century and Shawky uses historical and literary references as starting points from which to weave together a story that fuses fact, fiction and fable, while also exploring national, religious and artistic identity.  

“I worked with performers who enacted a play in a theater for the film,” Shawky told Arab News. “The film strives in part to connect the idea of history to drama — drama regarding the connection to catastrophe and drama regarding cynicism. I like to analyze the authenticity of history, especially Egyptian history. When one makes films about history there is this gap between truth and myth.” 

Wael Shawky has created “Drama 1882,” a 45-minute film for which he also composed the music, for Egypt’s national pavilion. (Supplied)

Lebanon 

Lebanese artist Mounira Al-Solh’s multimedia installation “A Dance with Her Myth” combines drawing, painting, sculpture, embroidery, video, and audio, and guides viewers through ancient Phoenicia. The piece, Al-Solh explains to Arab News, is inspired by the tale of Europa, the daughter of a Phoenician king who was abducted from the city of Tyre in Lebanon by the Greek god Zeus, who had transformed himself into a white bull to trick her into riding him, then took her off into the sea.  

“The (work) pays tribute to the ancient multicultural heritage of Lebanon,” Al-Solh says.  

In the center of the pavilion is an unfinished boat, that Al-Solh says references “the tension that women still face today, despite their emancipation.”  

Lebanese artist Mounira Al-Solh’s multimedia installation “A Dance with Her Myth” combines drawing, painting, sculpture, embroidery, video, and audio. (Supplied)

Oman  

Oman’s second participation in the biennale, is an exhibition titled “Malath — Haven.” It includes work from five Omani contemporary artists: Ali Al-Jabri, Essa Al-Mufarji, Sarah Al-Aulaqi, Adham Al-Farsi and Alia Al-Farsi (who also curated the show). “We used the word ‘haven’ in the title because, since antiquity, foreigners — including the Romans, Portuguese and Indians — have visited Oman,” Alia Al-Farsi told Arab News. The works on display — from Al-Farsi’s own colorful and expressive mixed-media murals (such as “Alia’s Alleys,” pictured here) to Al-Aulaqi’s “Breaking Bread,” which includes a large sculpture of a niqab made from silver spoons — reflect both traditional and contemporary life in Oman.  

“As an Omani creative with an international background, my aim was for the exhibition to serve as a sanctuary for visitors and travelers, allowing stories to unfold and intertwine, mirroring how our country finds its richness in intercultural dialogue,” the curator said in a statement.

'Alia’s Alleys' is on show in Venice. (Supplied)

 


Behind the scenes at Mazen Laham’s Middle East media powerhouse 

Updated 19 min 59 sec ago
Follow

Behind the scenes at Mazen Laham’s Middle East media powerhouse 

  • Mazen Laham’s Different Productions, the company behind “Dubai Bling” and the regional version of “Shark Tank,” just celebrated its 10th anniversary 
  • Discussing Arabic-language adaptations of global shows, he said they preserve the original concept while respecting cultural sensitivities

DUBAI: Lebanese producer Mazen Laham’s Different Productions celebrated its 10th anniversary this month. The company is one of the driving forces of the television industry in the region, responsible for the creation of acclaimed shows including Netflix’s “Dubai Bling,” and “It’s OK” — a docuseries about the Lebanese pop superstar Elissa — as well as Arabic adaptations of popular franchises “Shark Tank,” “Say Yes to the Dress,” and “Chopped.”  

Laham told Arab News that shooting for the third season of “Dubai Bling” has already concluded, adding that it is “even bigger than the two previous seasons.” He confirmed that Emirati-Egyptian TV host Mahira Abdeaziz and Iraqi influencer Jwana Karim will be joining the cast, which already includes Zeina Khoury, Safa and Fahad Siddiqui, DJ Bliss, Danya Mohammed, Kris and Brianna Fade, Mona Kattan Al-Amin, Hassan Al-Amin, Loujain Adada, Ebraheem Al-Samadi, and Farhana Bodi.  

The previous two seasons both ranked in the global top 10 for non-English series on Netflix. “I believe in numbers,” Laham said. “It was (popular) globally. What I will say is that season three is a very big season.”  

While they suspected the show would be popular, Laham admitted that he and his team were not expecting it to get quite so big. “What we were aiming for is to have a good show but we never thought that it will be this successful,” he said.  

The show may be popular, but it has also attracted plenty of criticism online for its depiction of life in Dubai. Laham, though, seems unperturbed. 

“We never said that this is Dubai. From day one, we said it is about a group of friends living in Dubai,” he said. “It is not a documentary about the city. We are not saying ‘This is Dubai and this is life in Dubai,’ we only focused on a group of friends living in Dubai.” 

Discussing his company’s various Arabic-language adaptations of international shows, Laham said that they try to preserve the original concept of the show while ensuring they cater to the cultural sensitivities and preferences of the region. 

“Before getting the shows, we make sure that they fit our culture — anything that, culturally, does not pass, we do not even get it in the first place,” he said. “But, whenever we see something that could be adapted, yes, we (try to) get the rights for it. The most important thing is to keep the structure and the main spirit of the format the same.” 

Laham believes there are now two distinct audiences for shows: those for traditional television networks and those for streaming services such as Netflix, Shahid, Starzplay.  

“What is on TV does not work on a platform and vice versa, because the new generation want something fast — they want something will keep them hooked. So, it’s very challenging to make content for them,” he said.  

What Laham believes works best are docuseries such as “Dubai Bling” and “It’s OK.” 

“These are non-scripted, but they are serialized; they’re sticky,” he explained. “You want to keep on watching to follow the stories and this is when you binge watch. On TV channels, you still get to see classical standalone episodes.” 

Laham said Different Productions is currently working on an original docuseries for Starzplay called “Unstoppable.”  

“It’s a football-based reality show where children between the ages of 13 and 15 compete. There will be one winner, and the winner will hopefully play for one of the big Italian teams,” he said.  

Laham described the Saudi Arabia market as “promising,” not only due to the growing number of original productions but also because “the infrastructure, whether it’s Neom or AlUla,” is drawing in creatives from around the world. “I think it’s going to the biggest media hub out there very soon,” he added.  

“We care a lot about the viewership in Saudi Arabia because it’s the biggest market,” Laham said. “So we always look into the ratings — even if it’s not a pure Saudi show, we want our shows to be watched in Saudi Arabia.”  


Arab-American Heritage Month: Sama Alshaibi — ‘I’m trying to change this idea of what an Arab woman is’ 

Updated 25 April 2024
Follow

Arab-American Heritage Month: Sama Alshaibi — ‘I’m trying to change this idea of what an Arab woman is’ 

DUBAI: The fourth in this year’s series focusing on contemporary Arab-American artists in honor of Arab-American Heritage Month. 

Born in Basrah to an Iraqi father and a Palestinian mother, Sama Alshaibi is an Arizona-based professor and artist who has mostly devoted her 20-year career to video, photography and performance art.  

During the Iran-Iraq war of the Eighties, Alshaibi and her family moved around the region, living in Saudi Arabia, the UAE, and Jordan, before eventually settling in the American Midwest when she was 13 years old.  

Sama Alshaibi_Water Bearer II. (Supplied)

“Growing up in the United States was strange. We were a ‘different’ family in Iowa and there wasn’t a lot of diversity. But I grew up in a place with nice people,” Alshaibi tells Arab News from Bellagio, Italy, where she is doing a residency at the Rockefeller Foundation.  

But she also says there were obstacles, mainly formed by major political events that impacted her. “It was challenging, because of where I’m from,” she says. 

Alshaibi’s work is largely inspired by her Arab roots. “Arts were so revered in my family,” she says. “I don’t even know if I would be making art if it wasn’t for my heritage.” It was her father, an avid photographer, who taught her to use a manual camera. She aspired to become a photojournalist herself — inspired by 20th-century African-American photographers, notably Carrie Mae Weems and Lorna Simpson, who documented Black culture in their imagery.  

Sama Alshaibi's 'Gamer Albumen' print. (Supplied)

Many of her images are portraits of herself wearing, for example, traditional Middle Eastern garments, referencing romanticized Orientalist portrayals of women, and in the end, challenging them.  

“I’m trying to change this idea of what you think an Arab woman is,” she explains. “I started seeing the power of communication, of taking political or social issues and using your body, your performance, your environment, to address them.”  

One of Alshaibi’s best-known series is called “Carry Over,” in which she photographed herself carrying large objects (or Orientalist props), such as a tower of container tins or a water vessel, above her head. The images poetically show a woman’s endurance and comment on a collective history, affected by colonialism and cultural loss.  

“I’ve always been interested in the notion of ‘aftermath’ — what happens after the destruction of your environment,” explains Alshaibi. “It gets you to the question of what we can’t hold onto anymore.”   


Birthday wishes pour in for Gigi Hadid

Updated 24 April 2024
Follow

Birthday wishes pour in for Gigi Hadid

DUBAI: US Dutch Palestinian model Gigi Hadid turned 29 this week and the fashion and beauty crowd took to Instagram in droves to wish her a happy birthday.

Hadid’s younger sister, Bella Hadid, kickstarted the well wishes with a heartwarming message alongside a carousel of photos of the sisters, including several childhood snaps.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Bella (@bellahadid)

“Happy birthday princess of Genovia, I love you so much,” Bella captioned her Instagram post. “Life without you would be nothing, I would be nothing! You inspire me and make me feel strong.

“Watching you give birth and then raise the most perfect angel is the most magical gift a sister could ask for,” Bella wrote to the mother-of-one. “I feel so lucky. You are the best and coolest mama, best sister, best daughter, and best friend. Anyone who has the privilege to be in your orbit is lucky. I love you sissy, you make me feel proud to be your sister.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Bella (@bellahadid)

Leading designers also took to the photo-sharing social media platform to celebrate the birthday girl, including Donatella Versace who wrote: “Happy Birthday to you, my girl @gigihadid. You are beautiful inside and out, Gigi. I hope you have the best day celebrating with Khai and all your loved ones. You deserve the best, always.”

Khai is Hadid’s three-year-old daughter with British singer Zayn Malik.

Fellow model Lily Aldridge, British designer and TV personality Tan France, stylists Elizabeth Sulcer and Gabriella Karefa-Johnson, celebrity makeup artist Partick Ta and many more all took to Instagram Stories to share touching messages.

Also paying tribute to the catwalk star on her special day was her father, Palestinian real estate mogul Mohamed Hadid, who shared a thoughtful birthday message on his feed.

“Happiest birthday to my beautiful smart elegant loving caring talented mother sister daughter one can ever be. Happy birthday my love,” he wrote. 

Hadid has been occupied with her fashion label, Guest In Residence. Just last week, she unveiled the Spring/Summer collection both online and in stores. The collection introduces the brand’s inaugural cotton and silk blends, along with lightweight cashmere options.


Milan’s Istituto Marangoni to open campus in Riyadh

Updated 24 April 2024
Follow

Milan’s Istituto Marangoni to open campus in Riyadh

RIYADH: Milan-based Istituto Marangoni, in collaboration with the Saudi Fashion Commission, will open a Higher Training Institute in Riyadh offering courses specialized in fashion and luxury, with plans to inaugurate the institute in 2025. 

According to a released statement, the institute’s mission in Saudi Arabia is to explore new avenues for local talent development and generate employment opportunities in the relevant industries.

The new institute in Riyadh will offer three-year advanced diplomas available in specific areas such as Fashion Design, Fashion Management, Fashion Product, Fashion Styling & Creative Direction, and also in the management of Fragrances & Cosmetics and Interior Design. (Supplied)

 “We are very excited to do a partnership with Istituto Marangoni. It's one of the leading global educational institutions focused on fashion and design. They have many campuses around the world, but for Saudi Arabia, it's the first time they are opening their campus. And they are also the first educational institution to come into Saudi Arabia as a foreign direct investment, which shows their commitment to the potential in the Saudi market, especially for creatives and businesses, and through this partnership, we'll be able to educate and provide employment to all the local creatives in the industry in Saudi Arabia,” Burak Çakmak, chief executive officer of the Fashion Commission under Saudi Arabia’s Ministry of Culture, told Arab News.

The new institute in Riyadh, to be accredited by the Technical and Vocational Training Corporation, will offer three-year advanced diplomas available in specific areas such as Fashion Design, Fashion Management, Fashion Product, Fashion Styling & Creative Direction, and also in the management of Fragrances & Cosmetics and Interior Design. Students will be able to choose whether to complete the advanced diploma in Riyadh, with the option of stepping into the fashion industry through a six-month internship during the last year of study, or complete studies for a bachelor’s degree at any international Istituto Marangoni campus.

The institute’s mission in Saudi Arabia is to explore new avenues for local talent development and generate employment opportunities in the relevant industries. (SupplieD)

The institute has campuses in Milan, Florence, Dubai, Paris, London and Miami.

In a released statement, Stefania Valenti, Global Managing Director of Istituto Marangoni, said: “We created this important partnership with the Saudi Fashion Commission because we believed that they are going to have a very strong agenda that is going to create a fashion (and) luxury system in Saudi (Arabia).

“We want to provide our knowledge and skills to the new generation, because there is a strong appetite here for the young generation, for the women, that they want to start to study in Saudi, they don't want to study abroad,” she added.