How Iran is manipulating the online narrative to cover up its violent crackdown on protests

Amid violent protests in Iran that have led to more than 90 deaths, the Tehran regime is resorting to information warfare tactics honed over decades to slow and disrupt demonstrator activities. (AFP)
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Updated 06 October 2022
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How Iran is manipulating the online narrative to cover up its violent crackdown on protests

  • Images of police brutality meted out on young Iranian protesters have gone viral on social platforms
  • To counter the spread of information, the regime has cut internet access and clamped down on social media

DUBAI: As anti-government protests in Iran enter their third week, the death toll has continued to rise, with more than 90 people reportedly having lost their lives in the wave of unrest sparked by the death of Mahsa Amini.

The 22-year-old’s death at the hands of Iran’s morality police, the Gasht-e Ershad, unleashed an outpouring of anger in almost every province over the strict policing of personal freedoms and the deteriorating standard of living. 

Iran’s large diaspora, spread across Europe and North America, has joined the protests in solidarity, with large demonstrations taking place outside Iranian embassies in Western capitals.

Regime authorities have so far acknowledged the death of 41 people since the unrest began yet have refused to give in to demands to relax the strict dress code imposed on women, including the mandatory headscarf.

Ebrahim Raisi, Iran’s ultra-conservative president, has dismissed the anti-regime protests as a “conspiracy” orchestrated by outside enemies and has vowed to “deal decisively with those who oppose the country’s security and tranquility.”




Tehran has attempted to limit the spread of information about nationwide protests with blocks on mobile internet. (ZUMA Wire/Alamy Live News)

In a statement on Sunday, he said: “At a time when the Islamic Republic was overcoming economic problems to become more active in the region and in the world, the enemies came into play with the intention of isolating the country, but they failed in this conspiracy.”

Videos and photographs emerging from Iran on social media tell a different story. Shocking images of police brutality meted out on young protesters have gone viral on social platforms, eliciting international condemnation. 

To counter the spread of images and information, the regime has limited internet access and clamped down on applications like WhatsApp, Twitter and Instagram — claiming the move was necessary in the interests of “national security.”

Tehran is no stranger to this kind of information warfare. The regime has adopted this strategy multiple times since the proliferation of smartphones and social media in order to control the narrative. 

“Shutting down mobile internet services has become a go-to for the Iranian government when dealing with civil unrest,” Doug Madory, director of internet analysis at monitoring firm Kentik said.




Regime authorities have so far acknowledged the death of 41 people since the unrest began. (AFP)

Protesters have been getting around the regime’s internet controls using secure private connections. They have also been sharing footage and details about forthcoming protests with outlets like the London-based broadcaster Iran International.

Iran’s misinformation strategy is as old as the regime itself. In the 1970s, the revolutionaries fighting to topple the US-backed monarch, Shah Mohammad Reza Pahlavi, sought to portray their leader, Ruhollah Khomeini, as a freedom fighter.

Khomeini’s close entourage, which included Western-educated advisers, helped him weave a message that appealed to Iranians inside and outside the country, cleverly modifying his words to appeal to Western audiences. 

Their methods proved extremely effective. Western journalists, who at the time relied on the translations given to them by Khomeini’s advisers, willingly broadcast these messages to the world.

Today, the Islamic Revolutionary Guards Corps utilizes a stable of media outlets, including Fars News, Tasnim and others, to set the political agenda and undermine domestic dissent. 




Protests have spread across Iran over the death of Mahsa Amini after the young woman was arrested by morality police. (AFP)

The IRGC also uses these platforms to broadcast propaganda about operations in Iraq, Syria and elsewhere in the Middle East where the regime holds sway with local proxies. 

At the same time, the English-language state broadcaster Press TV is used to appeal to viewers in the West, often featuring American and European commentators who support Tehran’s policies and worldview. 

In March this year, Ruhollah Mo’men Nasab, former head of the Iranian Culture Ministry’s Digital Media Center, lifted the lid on how the regime disrupts the flow of information and discredits activists.

Describing his work as “psychological warfare,” Nasab boasted of developing software and “cyber battalions” to manipulate the narrative on Twitter through fake accounts. 

Arash Azizi, a history and Middle East specialist at New York University, says the regime has been developing its techniques for internet information manipulation for more than a decade. 




Shocking images of police brutality meted out on young protesters have gone viral on social platforms, eliciting international condemnation. (AFP)

“Perhaps the first Twitter revolution was in 2009 as events were unfolding in Iran,” Azizi told Arab News, referring to that year’s mass protests, known as the Green Movement, which exploded in response to the disputed reelection of then-President Mahmoud Ahmadinejad. 

“Nowadays, Iranians use a variety of online tools to get their voice out, which is why the government has tried to shut down the internet entirely,” said Azizi. 

“Iranians abroad and many tech experts, however, are playing an active role in dominating social media with messages about what’s taking place.”

A Twitter account called @1500tasvir, which is run by a group of 10 Iranian activists based inside and outside the country, was first set up in 2019 during the wave of protests sweeping Iran at that time. 

Since the latest outbreak of unrest, the account has posted thousands of videos captured by protesters. One of @1500tasvir’s contributors warned that the regime’s limiting of mobile internet services could undermine the protests.




Thousands took to the streets in violent protests in the city of Tehran. (AFP)

“When you see other people feel the same way, you get braver. You are more enthusiastic to do something about it. When the internet is cut off, you feel alone,” the contributor said.

In response to the regime’s internet shutdowns, Antony Blinken, the US secretary of state, pledged Washington would “make sure the Iranian people are not kept isolated and in the dark.” 

On Sept. 23, the US Treasury issued Iran General License D-2, adjusting sanctions rules to allow technology companies to offer the Iranian people more options for secure, outside platforms and services to help counter the regime’s narrative.

Unable to completely snuff out the spread of information online, the regime has instead resorted to its time-tested strategy of detaining social media users whose material gains widespread traction. 

According to state news agency IRNA, Hossein Mahini, a well-known football player, has been arrested “by the order of the judicial authorities for supporting and encouraging riots on his social media page.” 




Nasibe Samsaei, an Iranian woman living in Turkey, cutting off her ponytail during a protest outside the Iranian consulate in Istanbul on September 21, 2022. (AFP)

Another high-profile detainee is Shervin Hajipour, a popular singer who composed a piece using people’s tweets on Amini’s death and the protests. He was reportedly taken into custody last week after his song reached 40 million views on Instagram. 

Although authorities did not immediately confirm Hajipour’s arrest, Mohsen Mansouri, Tehran’s provincial governor, vowed to “take measures against celebrities who contributed to fueling the protests.”

To get around the internet shutdown, some activists have now resorted to distributing flyers to advertise the time and place of planned protests, indicating the regime has failed to quell the unrest.

“They’re yet to have a way of controlling the narrative,” Azizi told Arab News. “The vast majority of Iranians can now see the brutality of this corrupt regime clearly. There have even been letters of solidarity with the protesters from Shiite seminary students in Qom and Mashhad.

“Internationally, thousands have come out in support of the protesters. Even those who usually defend this regime in the Western media are now silent.”

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A look back at how Arab News marked its 50th anniversary

Updated 31 December 2025
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A look back at how Arab News marked its 50th anniversary

  • In a year crowded with news, the paper still managed to innovate and leverage AI to become available in 50 languages
  • Golden Jubilee Gala, held at the Diplomatic Quarter in Riyadh, now available to watch on YouTube

RIYADH: In 2025, the global news agenda was crowded with headlines concerning wars, elections and rapid technological change.

Inside the newsroom of Arab News, the year carried additional weight: Saudi Arabia’s first English-language daily marked its 50th anniversary.

And with an industry going through turmoil worldwide, the challenge inside the newsroom was how to turn a midlife crisis into a midlife opportunity. 

For the newspaper’s team members, the milestone was less about nostalgia than about ensuring the publication could thrive in a rapidly changing and evolving media landscape.

“We did not want just to celebrate our past,” said Faisal J. Abbas, editor-in-chief of Arab News. “But more importantly, we were constantly thinking of how we can keep Arab News relevant for the next five decades.”

Faisal J. Abbas, editor-in-chief of Arab News. (Supplied)

The solution, he added, came down to two words: “Artificial intelligence.”

For the Arab News newsroom, AI was not a replacement for journalism but as a tool to extend it.

“It was like having three eyes at once: one on the past, one on the present, and one on the future,” said Noor Nugali, the newspaper’s deputy editor-in-chief.

Noor Nugali, deputy editor-in-chief of Arab News. (Supplied)

One of the first initiatives was the 50th anniversary commemorative edition, designed as a compact historical record of the region told through Arab News’ own reporting.

“It was meant to be like a mini history book, telling the history of the region using Arab News’ archive with a story from each year,” said Siraj Wahab, acting executive editor of the newspaper.

The issue, he added, traced events ranging from the outbreak of the Lebanese civil war in 1975 to the swearing-in of Donald Trump, while also paying homage to former editors-in-chief who shaped the newspaper’s direction over five decades.

The anniversary edition, however, was only one part of a broader strategy to signal Arab News’ focus on the future.

To that end, the paper partnered with Google to launch the region’s first AI-produced podcast using NotebookLM, an experimental tool that synthesizes reporting and archival material into audio storytelling.

The project marked a regional first in newsroom-led AI audio production.

The podcast was unveiled during a special 50th anniversary ceremony in mid-November, held on the sidelines of the Arab Media Forum, hosted by the Dubai Future Foundation. The event in the UAE’s commercial hub drew regional media leaders and officials.

Remarks at the event highlighted the project as an example of innovation in legacy media, positioning Arab News as a case study in digital reinvention rather than preservation alone.

“This is a great initiative, and I’m happy that it came from Arab News as a leading media platform, and I hope to see more such initiatives in the Arab world especially,” said Mona Al-Marri, director-general of the Government of Dubai Media Office, on the sidelines of the event.

“AI is the future, and no one should deny this. It will take over so many sectors. We have to be ready for it and be part of it and be ahead of anyone else in this interesting field.”

Behind the scenes, another long-form project was taking shape: a documentary chronicling Arab News’ origins and its transformation into a global, digital-first newsroom.

“While all this was happening, we were also working in-house on a documentary telling the origin story of Arab News and how it transformed under the current editor into a more global, more digital operation,” said Nugali.

The result was “Rewriting Arab News,” a documentary examining the paper’s digital transformation and its navigation of Saudi Arabia’s reforms between 2016 and 2018. The film charted editorial shifts, newsroom restructuring and the challenges of reporting during a period of rapid national change.

The documentary was screened at the Frontline Club in London, the European Union Embassy, Westminster University, and the World Media Congress in Bahrain. It later became available on the streaming platform Shahid and onboard Saudi Arabian Airlines.

The grand slam of the anniversary year was the Golden Jubilee of Arab News gala, held in late September in Riyadh’s Diplomatic Quarter. (AN photo)

It was also nominated for an Association for International Broadcasting award.

In early July, a special screening of the documentary took place at the EU Embassy in Riyadh. During the event, EU Ambassador to Saudi Arabia Christophe Farnaud described the film as an “embodiment” of the “incredible changes” that the Kingdom is undergoing.

“I particularly appreciate … the historical dimension, when (Arab News) was created in 1975 — that was also a project corresponding to the new role of the Kingdom,” Farnaud said. “Now the Kingdom has entered a new phase, a spectacular phase of transformation.”

Part of the documentary is narrated by Prince Turki Al-Faisal, the former Saudi ambassador to the US, who in the film delves into the paper’s origins.

Prince Turki Al-Faisal, the former Saudi ambassador to the US. (AN photo)

The grand slam of the anniversary year was the Golden Jubilee of Arab News gala, held in late September in Riyadh’s Diplomatic Quarter.

Hosted by the Dean of Diplomatic Corps in Saudi Arabia and Ambassador of Djibouti to Riyadh Dya-Eddine Said Bamakhrama, the evening featured a keynote address by Prince Turki, who spoke about Arab News’ founding under his father, the late King Faisal, and its original mission to present the Kingdom to the English-speaking world.

The Dean of Diplomatic Corps in Saudi Arabia and Ambassador of Djibouti to Riyadh Dya-Eddine Said Bamakhrama (far left). (AN photo)

Arab News was established in Jeddah in 1975 by brothers Hisham and Mohammed Ali Hafiz under the slogan to give Arabs a voice in English while documenting the major transformations taking place across the Middle East.

The two founders were honored with a special trophy presented by Prince Turki, Assistant Media Minister Abdullah Maghlouth, Editor-in-Chief Abbas, and family member and renowned columnist Talat Hafiz on behalf of the founders. 

During the gala, Abbas announced Arab News’ most ambitious expansion yet: the launch of the publication in 50 languages, unveiled later at the World Media Congress in Madrid in cooperation with Camb.AI.

The grand slam of the anniversary year was the Golden Jubilee of Arab News gala, held in late September in Riyadh’s Diplomatic Quarter. (AN photo)

The Madrid launch in October underscored Arab News’ aim to reposition itself not simply as a regional paper, but as a global platform for Saudi and Middle Eastern perspectives.

The event was attended by Princess Haifa bint Abdulaziz Al-Mogrin, the Saudi ambassador to Spain; Arab and Spanish diplomats; and senior editors and executives.

As the anniversary year concluded, Arab News released the full video of the Golden Jubilee Gala to the public for the first time, making the event accessible beyond the room in which it was held.

For a newspaper founded in an era of typewriters and wire copy, the message of its 50th year was clear: longevity alone is not enough. Relevance, the newsroom concluded, now depends on how well journalism adapts without losing sight of its past.