Mayyas choreographer Nadim Cherfan addresses historic ‘America’s Got Talent’ win at Lebanon event

Choreographer and founder Nadim Cherfan with the Mayyas dance group. (Instagram)
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Updated 02 October 2022
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Mayyas choreographer Nadim Cherfan addresses historic ‘America’s Got Talent’ win at Lebanon event

DUBAI: Celebrating the historic win of Lebanese dance troupe Mayyas on the “America’s Got Talent” stage, founder and choreographer Nadim Cherfan appeared at a special question-and-answer session at the US embassy in Beirut.

“I never thought. I never planned. I never dreamed. I just went for it,” said Cherfan about the group’s meteoric rise over the past year.

The 45-minute Q&A session was broadcast on YouTube as part of the US Embassy’s Meet the Artist series. The broadcast also featured a special performance by the Mayyas — their first since winning the US talent show.

“I promise the girls I will be with them forever, that’s how I say it,” Cherfan said. “The girls will be changing over the years, some of them will be following their own dreams, but the Mayyas should live on, it’s not anymore about any of us — it’s a national pride. So we have to keep on sending this message.”

About being a group from Lebanon and his early inspiration to become a dancer, Cherfan said: “When you live in a country that has some struggles, you have to go deep to the heart to escape reality. I used to travel all around the world and experience a beautiful sensation that I can speak an international language and I can express myself whether I am angry or sad in this way, so I think dancing saved my life in a way.”

“As soon as I opened my eyes to this world and I started realizing that there’s something called theater and dance and music, I was completely taken away from the first second,” he said.

The Lebanese dance company Mayyas won “America’s Got Talent” season 17, taking home the $1 million prize and the chance to headline a Las Vegas show.

In June, the group made their “America’s Got Talent” debut and impressed judges Simon Cowell, Heidi Klum, Howie Mandel and Sofia Vergara so much that they received a golden buzzer and fast track to the live shows.
 


Sotheby’s to hold second Saudi Arabia auction titled ‘Origins’

Updated 23 December 2025
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Sotheby’s to hold second Saudi Arabia auction titled ‘Origins’

  • 70 works by local, Mideast, international artists on Jan. 31
  • Work of late Saudi artist Safeya Binzagr will also be on sale

DUBAI: Sotheby’s will have its second auction in Saudi Arabia on Jan. 31 featuring more than 70 works by leading local, Middle East and international artists.

Titled “Origins,” the sale will be staged again in Diriyah, the birthplace of the Kingdom and a UNESCO World Heritage Site. The full selection will be available for free public viewing at Bujairi Terrace from Jan. 24.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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The event coincides with the opening of the Diriyah Contemporary Art Biennale and comes just ahead of the debut of Art Basel Doha in February, marking Art Basel’s first fair in the Middle East.

The sale spans a wide range of collecting categories, including Ancient Sculpture, 20th-Century Design and Prints, Middle Eastern, Modern and Contemporary, Latin American, and Modern and Contemporary South Asian.

Ashkan Baghestani, Sotheby’s head of sale and contemporary art specialist, said in a recent press release that the second auction reflects the company’s continued commitment to Saudi Arabia’s growing ecosystem.

Among the headline lots is “Coffee Shop in Madina Road” (1968) by Safeya Binzagr (1940–2024), estimated at $150,000 to $200,000. She is considered one of Saudi Arabia’s pioneering artists and the “spiritual mother” of contemporary local art.

The piece comes from the collection of Alberto Mestas Garcia, Spain’s ambassador to Saudi Arabia from 1966 to 1976, and his wife, Mercedes Suarez de Tangil Guzman.

A 1989 untitled painting by Mohammed Al-Saleem (1939–1997), estimated at $150,000 to $200,000, is from a private collection in Bahrain. The work exemplifies his Horizonism style, inspired by desert landscapes, and follows his record $1.1 million sale at Sotheby’s London in 2023.

Also included is “Demonstration” (1968) by Iraqi modernist Mahmoud Sabri (1927–2012), estimated at $400,000 to $500,000. The work reflects Sabri’s socially engaged practice and combines social realism with Christian imagery in a charged depiction of mourning and protest.

Samia Halaby’s “Copper” (1976), estimated at $120,000 to $180,000, highlights the artist’s move toward abstraction in the 1970s. Halaby, born in Jerusalem and now based in the US, has works in major international collections and participated in the 60th Venice Biennale in 2024.

A rare early work by Egyptian artist Ahmed Morsi, “Deux Pecheurs” (“Two Fishermen”) (1954), is estimated at $120,000 to $180,000. Morsi’s works have appeared only five times at auction previously and are held in major museum collections worldwide.

International highlights include Pablo Picasso’s “Paysage” (1965), estimated at $2 million to $3 million. Painted in Mougins during the final decade of his life, the work reflects Picasso’s late engagement with landscape and his dialogue with art history.

Anish Kapoor’s large-scale concave mirror sculpture “Untitled” (2005), estimated at $600,000 to $800,000, is also offered. Executed during a period of major institutional recognition for the artist, the work comes from Kapoor’s iconic mirror series.

Andy Warhol’s “Disquieting Muses (After de Chirico) (1982), estimated at $800,000 to $1.2 million, reinterprets Giorgio de Chirico’s 1917 painting through Pop Art repetition. The sale includes Warhol’s set of four Muhammad Ali screenprints from 1978, estimated at $300,000 to $500,000.

Jean Dubuffet’s “Le soleil les decolore” (1947), estimated at $800,000 to $1.2 million, appears at auction for the first time. Painted after the artist’s travels in the Sahara, the work reflects his response to desert landscapes and nomadic life.

The auction will also feature seven works by Roy Lichtenstein from the personal collection of Dorothy and Roy Lichtenstein.

Leading the group are “Interior with Ajax (Study)” (1997), estimated at $600,000 to $800,000, and “The Great Pyramid Banner (Study)” (1980), estimated at $150,000 to $200,000.