Amanpour says Iran president interview scrapped over headscarf demand

This combination of pictures created on Thursday shows Iranian President Ebrahim Raisi and Christiane Amanpour. Veteran journalist Christiane Amanpour said an interview with Raisi was scrapped after he insisted she wear a headscarf. (AFP)
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Updated 22 September 2022
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Amanpour says Iran president interview scrapped over headscarf demand

  • The chief international anchor of CNN was ready for the interview Wednesday on the sidelines of the UNGA when an aide insisted she cover her hair
  • "I politely declined," Amanpour wrote on Twitter

UNITED NATIONS, United States: Veteran journalist Christiane Amanpour said Thursday that an interview with Iranian President Ebrahim Raisi was scrapped after he insisted she wear a headscarf, the focus of major protests in the cleric-run state.
Amanpour, the chief international anchor of CNN who also has a show on US public broadcaster PBS, said she was ready for the interview Wednesday on the sidelines of the UN General Assembly when an aide insisted she cover her hair.
“I politely declined. We are in New York, where there is no law or tradition regarding headscarves,” Amanpour, who was born in Britain to an Iranian father, wrote on Twitter.
“I pointed out that no previous Iranian president has required this when I have interviewed them outside Iran,” she said.
“I said that I couldn’t agree to this unprecedented and unexpected condition.”

She posted a picture of herself — without a headscarf — sitting in front of an empty chair where Raisi would have been explaining that "the interview didn’t happen. As protests continue in Iran and people are being killed, it would have been an important moment to speak with President Raisi."

An aide to Raisi, a hard-line cleric, told Amanpour that he was insisting on a headscarf because of “the situation in Iran,” she said.
Iran has been swept by nearly a week of protests since the death of 22-year-old Mahsa Amini, who died after being arrested by morality police that enforce the clerics’ rules on how women dress.
A non-governmental group said that at least 31 Iranian civilians have been killed in the crackdown on the protests, in which women have been seen burning headscarves.

With agencies.

 


Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

Updated 17 January 2026
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Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

  • The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive

PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.