The giga-projects that are redefining the image of Saudi Arabia

Investments for NEOM’s first phase could reach SR1.2 trillion by 2030. (Supplied)
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Updated 23 September 2022
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The giga-projects that are redefining the image of Saudi Arabia

  • Infrastructure investments aim to transform Kingdom into a tourism, entertainment and adventure destination
  • Driven by innovation and sustainability, the projects seek to to spur economic growth and develop digital infrastructure

JEDDAH: A little over six years ago, Crown Prince Mohammed bin Salman announced a social and economic blueprint that would transform the Kingdom. The plan, Vision 2030, set out to create a vibrant society, overhaul the nation’s economy, and reduce its dependence on oil.

In what was viewed as a turning point for the country, several “giga-projects” were launched to provide a focal point for whole new sectors, driven by technology, innovation and sustainability, to stimulate broader economic growth and develop the Kingdom’s digital infrastructure.




A rendering of the Grand Mosque at Diriyah. (Supplied)

Diriyah

Among these new giga-projects, underwritten by the nation’s PIF, or Public Investment Fund, is Diriyah — the Kingdom’s crown jewel — home to the first Saudi dynasty, and a UNESCO World Heritage site, which is undergoing a $50-billion revamp.

Five years ago, the Diriyah Gate Development Authority was tasked by the Saudi government with redeveloping the “birthplace of the Kingdom” into a world-class and sustainable tourism, entertainment and cultural destination.

Diriyah’s mud-brick walls once housed a thriving desert city that was a powerhouse of culture and commerce. The area’s Turaif district, with its famous citadel, was the original seat of power for the Kingdom’s Al-Saud family. In 1727, the city was named the country’s capital, laying the foundations for what would later become a unified Saudi Arabia.

In July 2017, the 11-square-kilometer site became the subject of a painstaking restoration plan aimed at bringing its historical legacy back to life. Situated just 15 minutes’ drive from Riyadh, it will feature some of the world’s most luxurious hotels and restaurants built in traditional Najdi architectural style, alongside conservation areas and cultural venues, with a view to attract some 30 million visitors annually by 2030.

Tourists are not the only target market, however. There will be more than 3,000 residential units in the traditional Najdi design and another 300-plus luxury branded residences.

The site will also host a brand new academic institution, King Salman University, which will focus on heritage, culture and the arts, alongside several new cultural institutes specializing in Najdi architecture and mud-brick building, poetry, falconry, Qur’an recitation, local theater, dance, music and the culinary arts.




Qiddiya is Riyadh’s forthcoming entertainment, sports and culture hub. (Saudi Royal Palace/AFP)

Qiddiya

Also under development in the Riyadh region is Qiddiya, the Saudi capital’s forthcoming entertainment, sports and culture hub, which will feature theme parks, arenas, outdoor activities and motorsports.

The project is built on five main pillars: Sports and wellness, nature and environment, parks and attractions, motion and mobility, and arts and culture. Owned wholly by the PIF, its objective is to boost the Kingdom’s status as a leading tourist destination.

Over a total area of 334 square kilometers and a budget of $8 billion, construction began in early 2018. The latest contract is a $750-million joint venture between ALEC Saudi Arabia Engineering & Contracting and El Seif Engineering Contracting to build the Kingdom’s first water park — which is also tipped to be the region’s largest.

The Qiddiya Investment Company has also awarded a $1-billion contract to build Six Flags Qiddiya, which will contain 28 rides and attractions in six themed parks. It is one of the Kingdom’s most highly anticipated attractions.

A speed park will include an FIA grade-one racetrack dedicated to motorsports fans as well as a golf course designed by Jack Nicklaus, one of the greatest golfers of all time, open to elite and amateur players.

Qiddiya will also feature luxury tented retreats, animal encounters and outdoor adventure and exploration, several arts and culture centers, festival grounds, and a multiplex cinema.




AMAALA project’s first phase is expected to be completed by the end of 2024. (Supplied)

The Red Sea Project and AMAALA

It is not just the Riyadh region that is enjoying a flurry of investment. On the Red Sea coast in the far west of the Kingdom, two luxurious tourist destinations are under development, both with a strong emphasis on sustainability, conservation, culture and heritage.

Aiming to be a world leader in regenerative tourism, the Red Sea Project is a luxury, sustainable project spanning an impressive 34,000 square kilometers.

The Red Sea Development Company, established in 2018, is fully owned by the PIF. Directly employing 35,000 people, the project showcases the landscape and rich cultural heritage of the coast.

Occupying an archipelago of more than 90 islands — some of them untouched — featuring dormant volcanoes, deserts and a wide variety of wildlife and mountainous scenery, it will emphasize environmental preservation while relying exclusively on renewable energy sources, with a ban on single-use plastics and zero waste-to-landfill.

The region’s new dedicated Red Sea International Airport is already nearing completion and is set to open in 2023, while 50 resorts featuring 8,000 rooms and more than 1,000 residential properties are due for completion by 2030.

Last month, the Red Sea Development Company told Arab News that three of the 22 islands will be complete by 2024, hosting 16 hotels, three of which will be ready by next year, including the St. Regis Red Sea Resort at Ummahat Island.

It also announced the opening of its Turtle Bay Hotel and the completion of its 1.2-kilometer Shura Bridge connecting the mainland with its central island hub, and the first inland access roads over 16 kilometers connecting its Southern Dunes resort to the main highway. Around 200 villas and townhouses are now also complete at its Coastal Village.

Further to the north is Saudi Arabia’s ultra-luxury wellness retreat AMAALA, tailored for relaxation and meditation and sports enthusiasts. The initial development phase of the 3,300-square-kilometer site is set to conclude in late 2024 with the opening of nine hotels.




New attractions on Asir’s mountain peaks will turn the province into a year-round destination. (Shutterstock)

Asir

Down in the country’s southwest, the Kingdom’s highest mountain peaks are also getting a revamp. Last September, the crown prince announced a tourism strategy to develop Asir with an investment of $13 billion, to attract more than 10 million visitors by 2030.

The region’s picturesque green mountains, its fair weather, archeological sites, and dense forests that cannot be found anywhere else in the Kingdom, combined with its renowned hospitality, have attracted thousands of tourists in recent years.

New attractions on Asir’s mountain peaks will turn the province into a year-round destination, exploiting the tourism potential of its geographic and natural diversity, culture and heritage.

In addition, it will provide new jobs, boost quality of life, and upgrade essential services and infrastructure in the region. The PIF plans to set aside $3 billion to build 2,700 hotel rooms, 1,300 residential units, and 30 commercial and entertainment attractions in Asir by 2030.




The Line is the flagship development in Saudi Arabia’s NEOM megacity project. (Supplied)

NEOM

The Kingdom’s flagship and arguably its most ambitious giga-project is NEOM, first unveiled in 2017.

Located in the Kingdom’s northwest, the futuristic smart city will span 26,500 square kilometers and will be powered entirely by renewable clean energy, providing a model for sustainable living and development.

Three phases of the $500-billion project are currently underway, including Trojena, Oxagon and The Line.

Trojena, a high-altitude destination nestled between the northernmost ranges of the Sarawat mountains, will offer unique, all-year outdoor sports experiences, including the region’s first and only ski resort.

The project will also feature ultra-luxury family and wellness resorts, the region’s largest freshwater lake, an interactive nature reserve, and a range of dining and retail options. It is due for completion in 2026.

Oxagon, meanwhile, is a floating industrial and commercial hub, which will incorporate the most advanced technologies, from artificial intelligence to robotics, and will be powered entirely by clean energy.

Finally, The Line, a 200-meter-wide, 170-kilometer-long city that will accommodate 9 million residents, embodies how urban communities will live in the future in an environment free from roads, cars and emissions, offering a new approach to urban design that will run on 100 percent renewable energy and prioritize people’s health.

According to the design plan, The Line will have an outer mirror facade that will provide the structure its unique character and allow even its small footprint to blend with nature.

Different from tall buildings, the concept layers public parks and pedestrian areas, schools, homes and places for work. The narrow design is intended to reduce the human-made footprint on the landscape and promote greater efficiency. The city will feature a high-speed rail link with an end-to-end transit time of just 20 minutes.


US Embassy marks 248th Independence Day with shared US-Saudi vision for space exploration 

Updated 25 April 2024
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US Embassy marks 248th Independence Day with shared US-Saudi vision for space exploration 

  • Ambassador Michael Ratney welcomes hundreds of Saudi guests to space-themed Riyadh reception

RIYADH: The US Embassy in Riyadh celebrated the 248th anniversary of Independence Day on Thursday with a reception hosted by US Ambassador Michael Ratney. 

The ambassador welcomed guest of honor Prince Faisal bin Abdulaziz bin Ayyaf, Riyadh Region mayor, along with Saudi officials, and hundreds of Saudi guests, as well as visitors from Washington, including members of the US Congress.  

The space-themed Independence Day reception served as a symbolic celebration of the future of the US-Saudi cooperation in space, highlighting the profound benefits and possibilities of space exploration, research, and commercial development.

Ratney said the theme reflects the “shared ambition of the United States and Saudi Arabia to embrace opportunities in space, positioning both countries as pioneers in this frontier of innovation.” 

The event evoked nostalgia for past achievements, such as the 1969 moon landing, while emphasizing ongoing advancements in space sciences, particularly commercial space exploration. 

Ratney highlighted Saudi pioneers in space travel, such as Prince Sultan bin Salman, and astronauts Rayyanah Barnawi and Ali Al-Qarni. 

An art installation, “Museum of the Moon,” by artist Luke Jerram, featured NASA’s high-definition imagery of the lunar surface. 

According to the US Embassy’s statement, the collaboration between the US and Saudi Arabia continues to advance shared interests in diplomacy, commerce, culture, and more.

The US remains dedicated to enhancing shared US-Saudi shared interests in security and in fostering prosperity in the region, while also exploring new avenues for partnerships in areas such as the arts, education, entertainment, and tourism, it said.

Both countries are poised to explore further cooperation, including potential joint ventures in space, reflecting a vision for an even stronger US-Saudi relationship in the future, the statement added. 


Saudi, Cypriot foreign ministers discuss relations

Updated 25 April 2024
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Saudi, Cypriot foreign ministers discuss relations

Saudi Minister of Foreign Affairs, Prince Faisal bin Farhan received his Cypriot counterpart, Dr. Konstantinos Kompos, at the ministry’s headquarters in Riyadh on Thursday.

During the meeting, the ministers reviewed the advanced bilateral relations between the Kingdom and the Republic of Cyprus, and ways to promote them in a variety of fields. 

They also discussed ways to increase bilateral coordination on issues of common interest and reviewed international developments.


New initiative to train young innovators in nanotechnology

Updated 25 April 2024
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New initiative to train young innovators in nanotechnology

  • Program structured in 3 phases for Saudi graduates and entrepreneurs 

RIYADH: The Nanotechnology Association, supported by the Misk Foundation, is set to launch the Nanohub Program, aimed at inspiring and equipping the next generation for careers in the sector to help support a brighter future and a thriving economy.

Nanohub, a nonprofit initiative, is structured in three phases to train Saudi graduates and entrepreneurs aged between 20 and 26. It provides workshops and sessions to develop personal skills, gain hands-on experience with nanotechnology, and receive guidance from industry experts.

The program partners with leading local and international organizations to ensure participants are prepared for the workforce.

Nanotechnology is expected to transform business and innovation in various sectors. Understanding its economic impact and the potential benefits of partnerships are of crucial importance for young entrepreneurs.

The program aims to equip participants with the skills and knowledge needed to excel in nanotechnology and inspire them to drive innovation in their industries.

The first phase of the program will focus on soft skills and leadership development. It is scheduled for three days, starting on April 28.

The second phase, which starts on May 5, explores applications of nanotechnology. It runs for five days, covering topics like the fundamentals of nanotechnology, its use in medicine, energy, and renewable energy, as well as sustainability.

The third phase, beginning on May 12 and ending on May 16, provides hands-on laboratory experience through a series of sessions called “Shadowing and Lab Tours.” This phase has two key tracks: the Shadowing Track and the Lab Tours Track.

The Lab Tours Track will give participants an in-depth look at cutting-edge nanotechnology research. They will visit world-class laboratories where nanotechnology innovations are being developed.

Participants will observe advanced equipment and complex techniques central to nanotechnology research. They will see live experiments and dynamic processes that reveal the workings of nanotechnology. This track is more than just a tour as it enhances understanding by connecting academic concepts to real-world applications, giving participants a closer look at the research and development process.

The Nanohub Program is “a transformative initiative designed to elevate the skills and competencies of graduates and new hires with STEM (science, technology, engineering and mathematics) backgrounds,” said Dr. Turki Almugaiteeb, chairman of the board of the Nanotechnology Association.

“This unique initiative aims to enrich participants’ soft skills and technical expertise through curated activities.”

Almugaiteeb added that participants would “have the opportunity to delve into the intriguing realms of medicine and energy, witnessing firsthand how nanotechnology is revolutionizing these industries.”

He added: “By immersing themselves in this dynamic program, individuals will not only broaden their knowledge but also cultivate the multidisciplinary skills needed to thrive in today’s competitive and rapidly evolving STEM landscape.”


An enduring bond: A Jordanian photographer has turned his focus on two of the Arab world’s most beloved creatures

Updated 25 April 2024
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An enduring bond: A Jordanian photographer has turned his focus on two of the Arab world’s most beloved creatures

  • Tariq Dajani’s first photographic exhibition of the horse and falcon series is on display at Ahlam Gallery in Al-Olaya, Riyadh
  • Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages

RIYADH: The Arabian horse and hunting falcon are important historical and cultural symbols for the Arab world, both ancient and modern.

Now a Riyadh gallery is highlighting this enduring bond with a series of portrait studies of both creatures by Tariq Dajani, a Jordanian photographer and printmaker.

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages.

However, Dajani, an owner of Arabians, chose to reflect his love of these creatures through photography and artworks.

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages. (Supplied)

Over the years he spent many sessions photographing horses in his native Jordan, as well as the UAE and Saudi Arabia. Later, toward the end of the project, he added the hunting falcon, another symbol of cultural heritage and pride among Arabs.

Dajani’s first photographic exhibition of the horse and falcon series is on display at Ahlam Gallery in Al-Olaya, Riyadh. 

Entitled “Drinkers of the Wind,” the exhibition is the result of 16 years’ work creating portraits of these magnificent creatures.

Tariq Dajani's exhibition at Ahlam Gallery, entitled “Drinkers of the Wind,” is the result of 16 years’ work. (Supplied)

Dajani told Arab News that he is delighted to be able to display his work in Saudi Arabia, “a country that is deeply connected to the horse and the falcon.”

Ahlam Gallery is the perfect place to showcase these artworks, he added.

Dajani’s treatment of his subjects is not in the usual natural or romantic manner. Instead, and this is partly what sets his art apart, he uses a studio portrait approach, where he takes his studio to the stables or falcon sheds, and spends time carefully working on portrait studies of the creatures.

“My aim is to find a connection of sorts with the horse or the birds,” he said. “I am not interested in documenting the creature; I try to go deeper, to express something emotionally if I can.

“I was living in Sweden when I decided to photograph the Arabian horse. So I had to return to the Middle East, and I started with Jordan, my home country.

“The way I approach the work is to present the horse on a backdrop where all my focus — and thus the viewers of the final picture — will be on the animal itself and not on the environment that it is in.”

Tariq Dajani's exhibition at Ahlam Gallery, entitled “Drinkers of the Wind,” is the result of 16 years’ work. (Supplied)

While photographing in Jordan, Dajani met Princess Alia Al-Hussein, eldest daughter of the late King Hussein of Jordan. He presented some of his work to her, and received her enthusiastic approval. 

Princess Alia gave him permission to photograph the horses of the Royal Jordanian Stud, and has continued to support his work over the years, opening his first two exhibitions in Jordan.

“I had access to some of the most beautiful horses in Jordan when I first started my project. My first exhibition solely of Jordanian Arabians was a great success,” Dajani said.

“Encouraged by the reception, and by now totally absorbed in this project, I went to Dubai, then Abu Dhabi, then Saudi Arabia, where I was presented with some of the most magnificent Arabian horses to photograph. Along the way, I introduced portrait studies of the hunting falcon. They, too, are strikingly beautiful and have a special place in Arab culture and heritage.

“I will always remain very grateful to Princess Alia for her initial support, and to many others for encouraging the work and opening doors for me along the way.”

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages. (Supplied)

One of his most striking photographs shows two mares bringing their heads together in a gentle greeting.

“This incredible and totally unanticipated greeting happened while I was photographing at the King Abdulaziz Arabian Horse Center in Dirab, south of Riyadh. The two mares were led out onto my backdrop studio space from opposite sides, and when they approached each other, they gently and courteously touched their heads as if to say hello,” he said.

“It was so special. No one had ever witnessed this before. We all held our breath as we watched in amazement. I frequently think that it would be nice if these sensitive, clever creatures could teach us humans a little bit of gentleness and respect.”

Dajani’s exhibition features high-quality photographic color prints, and a smaller collection of photogravure prints, produced by manually pulling an inked metal plate, engraved with the photographic image, through a traditional printing press — a slow and difficult process that produces prints with a special feel and texture.
 


Focus on emerging filmmakers at 11th Showreel Effat International Student Film Festival

Updated 25 April 2024
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Focus on emerging filmmakers at 11th Showreel Effat International Student Film Festival

  • The event included films by young Saudis and their peers from around the world, plus seminars and workshops presented by industry insiders

JEDDAH: Effat University’s School of Cinematic Arts in Jeddah welcomed aspiring filmmakers and cinephiles to the 11th Showreel Effat International Student Film Festival this week.

The theme for the three-day event, which concluded on Thursday, was “Behind the Seen,” reflecting the aim of organizers to shed light on the creative process and less-visible aspects of filmmaking. The program included a diverse range of cinematic offerings celebrating the work and talent of student filmmakers, not only those studying at the school but also their peers around the globe.

Mohammed Ghazala, head of the School of Cinema Arts, set the scene with an overview of the works featured during the festival, at the heart of which were films created by students and graduates of the school, which has been a pioneer in film and animation education in the Kingdom.

Alongside the home-grown talent, the festival provided a showcase for an impressive selection of international student films. These were carefully curated from a pool of 2,150 submissions from more than 115 countries, which were whittled down to a final selection of 57 exceptional works from 27 nations: Saudi Arabia, Egypt, Lebanon, Tunisia, Yemen, Morocco, Turkey, France, Belgium, Japan, Italy, Estonia, the Czech Republic, the US, China, New Zealand, Singapore, Canada, Taiwan, Russia, Greece, Spain, Poland, India, Indonesia, Mexico and Pakistan.

The chosen films competed for awards in seven categories, including Best Saudi Feature Film, Best International Animated Film, and the prestigious Audience Award.

In addition to providing a platform for emerging filmmakers to showcase their talent and creativity, organizers said the festival also aims to foster cultural exchanges and celebrate the art of cinema on a global scale.

Integral to this is a commitment to nurturing talent and encouraging dialogue within the industry, which was reflected in a series of seminars and workshops led by industry professionals. Effat University lecturer and festival coordinator Marina Ivanseva gave an overview of the sessions, which offered insights into a wide spectrum of topics key to the craft.

They included sessions on a creative cinematic post-production workshop supported by video-streaming service Netflix, cinematography workshops conducted by film camera manufacturer ARRI, and a visual effects workshop backed by specialist studio VFX Mojo.

They were presented by renowned figures and industry insiders such as Saudi artist Sarah Taibah, Oscar-winning German director Thomas Stelmach, British professor Rut Luxemburg, American visual effects artist Matt Beck, and cinematographer James Niehaus.

There were also lectures on animation and experimental film presented by the Royal College of Arts in London, while Stellmach offered insights into his professional journey that led to the Oscars. Saudi producer Nadia Malaika shared valuable career insights, Egyptian lawyer Khaled Al-Arabi discussed legal rights in filmmaking, and Mohammed Sobeih looked at the creation of animated films using Toon Boom software. The festival concluded with a session focusing on animated cinema presented by Synergy University.

“We were thrilled to welcome numerous local and international guests who shared their cinematic experiences with us … during the 11th Showreel Effat International Student Film Festival,” said Asmaa Ibrahim, the dean of Effat College of Architecture and Design.

“Students from Dar Alhekma, King Abdulaziz, and Princess Noura (universities) in Riyadh joined us in celebration. It was a delight to host guests from prestigious institutions such as the Royal College of Art, Netflix, Maflam, Film Association and VFX Mojo, who conducted exceptional workshops. The interactive discussions were engaging and we appreciate the participation of everyone.”

Karim Sahai, a visual effects professional from France, said: “I’m proud to have been a part of this incredible festival, with such a fantastic audience and remarkable guests from all over.

“The quality of their engagement and the depth of their questions during my workshop surpassed my expectations. I truly believe I’ll return to bask in this energy once more; it’s truly inspiring.”

Beyond artistic appreciation, organizers said another aim of the festival is to help forge academic and strategic partnerships, and Effat University has built alliances with institutions such as the University of Southern California and the Red Sea Film Festival Foundation with the goal of fostering collaboration and exchange of knowledge on a global scale.