Saudi Arabia’s Reptile Land shows scary crawlers and creepers are no monsters

Reptile Land was part of the Jeddah Season and is located in the Jeddah Jungle zone. (Supplied)
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Updated 22 September 2022
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Saudi Arabia’s Reptile Land shows scary crawlers and creepers are no monsters

JEDDAH: Lizards, crocodiles and snakes may not be everyone’s idea of cuddly animals, but according to the two partners behind Reptile Land — Saudi Arabia’s first reptile zoo — the cold-blooded creatures get a bad rap.

“They are not the fearsome monsters that a lot of people seem to think they are,” Kane Tison told Arab News.

Tison, a British national, and Saudi national Faisal Malaikah channeled their love of animals, especially reptiles, into a business partnership behind Reptile Land. 

“I am just so proud of what we have done. It was a huge achievement for us to see people admiring and complimenting us because of the zoo we built,” Tison said.

Reptile Land was part of the Jeddah Season and is located in the Jeddah Jungle zone. The zoo is divided into two parts: One for animals that cannot survive the city’s brutal heat and need to be kept in controlled temperatures, and the other for those more suited to the desert climate. 

Tison said that the zoo was built to a tight deadline, and the team had to work day and night to make it come to life.  




Among the zoo’s inhabitants is a rare albino crocodile, one of a white-and-pink species that was hunted almost to the point of extinction before authorities intervened. (Supplied)

Now the Kingdom’s first reptile zoo is out to offer visitors “something new,” he said.

“Our goal is just to educate people and show them that reptiles are not the fearsome monsters that a lot of people think they are.”

All animals in the zoo are used to human interaction and pose no threat to visitors, Tison added. 

Visitors entering the site can see various species of lizards, snakes and crocodiles held in separate enclosures that offer the animals a miniature version of their natural habitat. 

Teams are present at each enclosure to answer visitors’ queries, with researchers also available to offer further information. 

Among the zoo’s inhabitants is a rare albino crocodile, one of a white-and-pink species that was hunted almost to the point of extinction before authorities intervened. There are now fewer than 200 albino crocodiles surviving around the world, conservation experts believe.

The zoo is also home to big lizards and tortoises, which are kept outdoors in natural surroundings, including ponds and edible plants. 

The size and specifications of each enclosure have been thoroughly researched and are based on European animal welfare standards.

“When we came up with the concept, we had to explain to people that it is something unique, and you can create beautiful enclosures and be creative. It isn’t just a snake in the box. It is a proper zoo, where animals are interacting and are present in their natural environment,” Tison said.

As Tison gave the Arab News team a tour of the zoo, he kept a close eye on the animals, at one point instructing staff carry two young tortoises to another enclosure because older animals were not allowing them to eat.

Staff were also told to reduce the amount of food offered to one lizard, which was showing early signs of obesity.

“For each species that we work with, there is a lot of reading and background information that takes forever, but is absolutely necessary,” Tison said. 

“Every single animal that we have here requires hours of research to learn about the temperature, humidity and environment that is required for each species.”

The zoo is also hoping to protect reptiles that are unique to Saudi Arabia, such as the Arabian Uromastyx, or spiny-tailed lizard, and desert monitor lizards.

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Reptile Land

Located in Jeddah, Reptile Land is a Saudi Arabia's first reptile zoo that Briton Kane Tison and Saudi national Faisal Malaikah created to show to the public that the cold-blooded creatures are "not the fearsome monsters that a lot of people think they are." The zoo is also home to big lizards and tortoises, which are kept outdoors in natural surroundings, including ponds and edible plants. All animals in the zoo are used to human interaction and pose no threat to visitors, according to Kane Tison.


US consulate supports Saudi musicians for Jazz in Jeddah Festival

Updated 15 January 2026
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US consulate supports Saudi musicians for Jazz in Jeddah Festival

  • Songs created from inspiring process, say local artists
  • David Malatesta, professional bassist, led the program

JEDDAH: The US Consulate in Jeddah marked a milestone in cultural exchange with the completion of its first English Language Specialist program, “Creative Writing for Musicians and Songwriters,” on Jan. 14.

The program, which combined advanced English-language instruction with professional music training, culminated in a showcase where participants presented versions of their original jazz compositions.

The initiative was funded by the US Department of State’s Bureau of Educational and Cultural Affairs, through its English-language programs, and administered by Georgetown University.

The US partnered with the Call of Culture organization, and the Jazz in Jeddah festival, to support emerging Saudi talent. The program aimed to merge American expertise in storytelling, songwriting, and jazz with the voices of Saudi musicians, and prepare them for international stages.

Stephen Ibelli, head of the Public Diplomacy Section at the consulate, said the initiative “demonstrates how American expertise in education, storytelling, and the creative industries can contribute to Saudi Arabia’s growing cultural sector.

“By partnering with leading Saudi cultural organizations, we are investing in people, creativity, and long-term cultural exchange that strengthen the US–Saudi relationship.”

David Malatesta, an English-language specialist and professional jazz musician who led the program, reflected on his experience with the students.

“I was a bassist and an educator, and what drew me to Saudi Arabia was the chance to make music with Saudi musicians, share ideas, improvise together, and explore jazz as a global language.

“I led the lyrics section of the program, and the students wrote original jazz songs in English. I helped them improvise lyrics and develop creative ideas, combining their creativity with mine.

“We went through the whole process together, using a variety of activities to spark inspiration. I also brought my experience as a linguist and my work with the State Department to the sessions, blending language and musical training.”

He added: “The students were fearless and inventive. They took risks, experimented, and blended Saudi traditions with modern beats. We also explored blues, which is indigenous to the US, and drew parallels with the students’ experiences here.

“The program opened my ears and made me rethink how jazz could integrate with local rhythms and storytelling. It was a two-way process, I learned how to incorporate Saudi scales, rhythms, and traditions into jazz, which is an improvisational language.”

Malatesta highlighted that what stood out most was the students’ sense of rhythm and melody, bringing a fresh, bold voice to jazz. They were open to learning about jazz history while creating their own musical vocabularies.

Non-Western scales, different rhythmic patterns, and storytelling approaches were woven into jazz grooves, creating a dialogue between Western jazz and Saudi tradition, producing music that could only exist in that moment with these artists.

“Looking ahead to the Jazz in Jeddah Festival in April, I hoped audiences would feel the musicians’ curiosity and playfulness, experience jazz as a conversation across cultures, and enjoy the improvisation and connection we created during the program, which will stay with me and the students long after it ended.”

The participants echoed Malatesta’s views on the transformative impact of the program.

Donia Ahed, a university student and singer-songwriter, said: “I joined because my professor recommended it, and I’ve always loved writing songs. The online sessions were really nice, and David was very passionate and patient.

“In the in-person sessions, we learned jazz, blues, and pop, and got guidance on how to structure songs. I created my own song, ‘My Way,’ and also performed a song by another participant. It was amazing working with my teammates, sharing ideas, and being creative together.

“This program helped me improve my writing and musical skills and even sparked a deeper interest in jazz. I can’t wait to perform at the festival in April. I’m excited but a bit nervous, of course.”

Abrar Niyazi, who wrote “Bend Not Break,” described her journey: “Singing has been my passion since I was a kid, but I never thought of writing lyrics. This program gave me the tools to express myself.

“It simplified the process and allowed me to turn my feelings, stories, or imagery into lyrics. It was challenging to put my emotions on paper and focus on them, but with David’s support, I was able to write a heartfelt song.

“It was empowering and taught me that I can improve my skills, write more, and eventually record my own songs. I’m really excited to perform for the first time at the Jazz in Jeddah Festival and to hear audience feedback.”

Loulwa Alshareef, an established singer and songwriter, said “magic” was a way to describe the program. “I’ve been performing since 2014, mostly covers, and writing my own songs was always a struggle.

“David made it easy by helping me connect with my feelings and write simply but meaningfully. I wrote a song about women, and it was an incredible process.

“I now feel inspired to create more original songs and share them at the Jazz in Jeddah festival with other Saudi artists. Opportunities like this, getting mentorship and guidance, help artists step out of their comfort zones and grow.

“I would advise young artists to be themselves, put their ideas out there, and embrace creativity without waiting for perfection.”

Eng. Mohammed Bakhrieba, the founder of Call of Culture, emphasized the program’s historical significance during his opening remarks at the closing ceremony.

“Jazz in Jeddah has roots going back to the late 1950s and 1960s with American artists. This initiative continues that legacy and allows local artists to build on it, creating a bridge between generations and cultures while fostering cross-cultural collaboration,” he said.

The program highlights the growing collaboration between Saudi Arabia and the US in the creative industries, providing young musicians with professional guidance, international exposure, and a platform to contribute to a global musical dialogue.