Egyptian Welsh director Sally El-Hosaini to receive Toronto International Film Festival award 

Sally El-Hosaini’s latest production, ‘The Swimmers,’ will also be the opening film at this year’s festival. (AFP)
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Updated 31 August 2022
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Egyptian Welsh director Sally El-Hosaini to receive Toronto International Film Festival award 

DUBAI: The annual Toronto International Film Festival (TIFF) Tribute Awards, set to take place on Sept. 11, will honor Egyptian Welsh filmmaker and screenwriter Sally El-Hosaini. The “My Brother the Devil” director will be honored with the TIFF Emerging Talent Award.

El-Hosaini’s latest production, “The Swimmers,” will also be the opening film at this year’s festival. The film is based on the true story of Syrian refugees Sarah and Yusra Mardini who fled their war-torn country by boat and had to swim part of the way to keep the vessel moving. Yusra competed as a member of the Refugee Olympic Athletes’ contingent at the 2016 and 2020 Olympics.

Lebanese actresses, and real-life sisters, Manal and Nathalie Issa portray Yusra and Sarah in the movie. They will be joined by Arab Israeli actor Ali Suliman, Egyptian actor Ahmed Malek, Syrian actress Kinda Alloush and “The Good Karma Hospital” star James Krishna Floyd.

The Toronto International Film Festival, set to run from Sept. 8-18, will feature a slate of Arab films, including these thought-provoking movies.

‘A Gaza Weekend’

A bumbling Englishman and an uptight Israeli are desperate to get into the Gaza strip when a virus breaks out in this irreverent satire from British Palestinian director Basil Khalil.

‘Ashkal’

In this second feature from Tunisian writer-director Youssef Chebbi, a series of mysterious deaths in an abandoned development north of Tunis sends two detectives down an all-consuming rabbit hole.

‘The Swimmers’

This soaring epic dramatizes the true story of two sisters who left their home in war-torn Syria for a new life in Europe — and the chance to compete in the 2016 Summer Olympics.

‘Concrete Valley’

This sensitive sophomore feature from Antoine Bourges is a complex portrait set in an Arab immigrant community in Toronto.

‘The Taste of Apples is Red’

In this gripping debut from Syrian filmmaker Ehab Tarabieh, a respected sheik must make an impossible decision between family and duty when his estranged brother returns to the Golan Heights after living 47 years in exile.

‘Alam’

Five high school classmates face the daily struggles of being Palestinian in Israel that is only heightened in the lead-up to Nakba Day.


Sale of Saudi artist Safeya Binzagr’s work sets record at Sotheby’s auction in Riyadh

Updated 01 February 2026
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Sale of Saudi artist Safeya Binzagr’s work sets record at Sotheby’s auction in Riyadh

RIYADH: A painting by Saudi artist Safeya Binzagr sold for $2.1 million at Sotheby’s “Origins II” auction in Riyadh on Saturday, emerging as the top lot of the evening and setting a new auction record for a Saudi artist.

The work, “Coffee Shop in Madina Road” (1968), sold for $1.65 million before the buyer’s premium, the additional fee paid by the purchaser to the auction house on top of the hammer price.

The result nearly doubled the previous auction record for a Saudi artist and became the most valuable artwork ever sold at auction in the Kingdom. It also ranks as the third-highest price achieved for an Arab artist at auction.

It was presented as part of “Origins II,” Sotheby’s second auction staged in Saudi Arabia, comprising 62 modern and contemporary lots and bringing together Saudi artists alongside regional and international names.

Collectors from more than 40 countries participated in the auction, with around one-third of the lots sold to buyers within Saudi Arabia.

The sale totaled $19.6 million, exceeding its pre-sale estimate and bringing the combined value of works offered across “Origins” and “Origins II” to over $32 million.

Saudi artists were central to the evening’s results. All nine Saudi works offered found buyers, achieving a combined total of $4.3 million, well above pre‑sale expectations.

Ashkan Baghestani, Sotheby’s head of contemporary art for the Middle East, told Arab News at the auction that “Safeya made more than any other artist tonight, which is incredible.”

He said the results demonstrated Sotheby’s broader objective in the Kingdom.

“The results tonight show exactly what we’re trying to do here. Bring international collectors to Saudi Arabia and give them exposure to Saudi artists, especially the pioneers.”

All nine works by Saudi artists offered in the sale found buyers, generating a combined $4.3 million. Additional auction records were set for Egyptian artist Ahmed Morsi and Sudanese artist Abdel Badie Abdel Hay.

An untitled work from 1989 by Mohammed Al-Saleem sold for a triple estimate of $756,000, while a second work by the artist, “Flow” from 1987, achieved $630,000.

The sale opened with the auction debut of Mohamed Siam, whose “Untitled (Camel Race)” sold for $94,500. Also making his first auction appearance, Dia Aziz Dia’s prize-winning “La Palma (The Palma)” achieved $226,800.

The sale coincided with the opening week of the Contemporary Art Biennale in Riyadh, reinforcing the city’s growing role as a focal point for both cultural institutions and the art market.

Baghestani added that Saudi modern artists are now receiving long‑overdue recognition in the market.

“There’s so much interest and so much demand, and the price is where it should be,” he said.

International highlights included works by Pablo Picasso, Roy Lichtenstein, Andy Warhol and Anish Kapoor, underscoring Saudi Arabia’s growing role as a destination for major global art events and collectors.

Picasso’s “Paysage,” painted during the final decade of the artist’s life, sold for $1,600,000, becoming the second most valuable artwork sold at auction in Saudi Arabia.

Seven works by Lichtenstein from the personal collection of the artist and his wife, including collages, prints, works on paper and sculptures, all found buyers. Warhol was represented in the sale with two works: “Disquieting Muses (After de Chirico),” which sold for $1,033,200, and a complete set of four screenprints of “Muhammad Ali,” which achieved $352,000.

Baghestani said the strength of the results was closely tied to the material’s freshness. “These were not works from the trade. Some of them had not been seen since the 1970s,” he said.