French Tunisian model Kenza Fourati shares snapshots from her Arab holiday

Kenza Fourati opened her own sustainable fashion label Osay in 2018. (Getty Images)
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Updated 23 August 2022
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French Tunisian model Kenza Fourati shares snapshots from her Arab holiday

DUBAI: French Tunisian model Kenza Fourati, who has walked the runways for the likes of Valentino, Armani and Balenciaga, took to social media this week to share snapshots from her intimate Egyptian holiday. Traveling with her husband and two children, the 35-year-old shared pictures of her family vacation, featuring the Pyramids of Giza, boat rides on the Nile and beachside fun at Almaza Bay.

“Experiencing Cairo this summer through my part Egyptian children and seeing them connecting with their family, culture and history was special,” Fourati captioned one of the posts.

Fourati was first discovered at the age of 16 after being scouted at an Elite Model Look competition in Tunisia. She moved to Paris soon after, where she also earned a degree in French literature and arts at Sorbonne University.

One of the first Arab Muslim women to feature on the cover of Sports Illustrated, Fourati has also starred alongside Charlize Theron in a Dior fragrance campaign. She has modeled for Chanel, H&M and Stella McCartney, and as a member of the Model Alliance and Model Mafia, she has used her voice and influence to fight for the equitable treatment of models in the fashion industry.

In August 2018, she launched the sustainably focused e-commerce platform Osay the Label: Our Stories Are Yours, along with her business partner Simone Carrica, an Argentinian American entrepreneur who also grew up in Tunisia.

“Osay is an ethical, artisan-based company cultivating luxury goods that are both sustainable and attainable by preserving the craftsmanship of master artisans, while celebrating the art of Mediterranean living,” reads the bio on the label’s website.

“I love things that have a story. I’m attracted to vintage pieces and unique pieces — like a beautiful leather jacket that was here way before me and will be way after — which is probably why Osay came about,” Fourati told Harper’s Bazaar Arabia. “More than ever, we know we have to consume and live fashion differently, essentially with more integrity, purpose, conscience, and soul.”

Fourati’s own style is relaxed but polished — a nod to years spent working in the industry.
 


American-French filmmaker Roman Hill discusses his installation ‘Inflow:Outflow’ 

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American-French filmmaker Roman Hill discusses his installation ‘Inflow:Outflow’ 

RIYADH: For filmmaker and artist Roman Hill, Noor Riyadh — the festival of light art which took place this year from Nov. 20 to Dec. 6 under the theme “In the Blink of an Eye” — is “a rare opportunity to create truly monumental, immersive work.”  

Hill’s “Inflow:Outflow” consisted of two 15x7-meter projections in Riyadh’s STC metro station. He described it in a statement to Arab News as “a visual poem” that “celebrates universal movement.” 

“At every moment, everything — from the cells in our bodies to the microorganisms around us, and all the way up to the stars and galaxies — is engaged in a continuous dance of creation and destruction,” Hill elaborated. 

His installation, according to the Noor Riyadh website, “translates microscopic realities into monumental projections. Illumination magnifies chemical reactions filmed through polarized light, expanding them to an architectural scale. Color and textures cascade like slow galaxies, enveloping surfaces in living pigment. 

“By revealing the sublime within the small, the work bridges science and mysticism,” it continues. “Hill’s imagery, neither abstract nor representational, invites contemplation of unseen beauty.” 

The theme of this year’s festival “resonates” with his work, Hill said, “because it reminds us that, in a single instant, we are both observing and participating in this vast cosmic choreography.  

“The installation invites viewers to feel themselves at the center of this dance, even if only for a moment of heightened attention,” he continued. “For me, that moment of contemplation — like suddenly noticing a sunrise or a sky full of stars — is where an artwork truly stays with somebody. 

“This fascination with light and the universe is at the core of my practice, and runs through many of my projects,” he added. 

Indeed, he has just finished directing a new French series for European TV channel ARTE telling “the entire history of the universe — from the Big Bang to the very end of time — through the voice of light itself,” which he hopes to have dubbed into Arabic. All the imagery was created in Hall’s studio “using only physical and chemical phenomena, without CGI or AI.” 

Light art, Hall said, is “universal, immediate, and speaks to people beyond language or cultural background.” He believes Noor Riyadh is playing an important cultural role. 

“It brings together artists from many continents and very different cultures and places them in dialogue with Saudi artists … This mix, and the scale of the festival, make it one of the most exciting platforms for light-based work today.”