Our view of the universe just expanded: The first image from NASA’s new space telescope unveiled Monday is brimming with galaxies and offers the deepest look of the cosmos ever captured.
The first image from the $10 billion James Webb Space Telescope is the farthest humanity has ever seen in both time and distance, closer to the dawn of time and the edge of the universe. That image will be followed Tuesday by the release of four more galactic beauty shots from the telescope’s initial outward gazes.
The “deep field” image released at a White House event is filled with lots of stars, with massive galaxies in the foreground and faint and extremely distant galaxies peeking through here and there. Part of the image is light from not too long after the Big Bang, which was 13.8 billion years ago.
“We’re going to give humanity a new view of the cosmos,” NASA Administrator Bill Nelson told reporters last month in a briefing. “And it’s a view that we’ve never seen before.”
The images on tap for Tuesday include a view of a giant gaseous planet outside our solar system, two images of a nebula where stars are born and die in spectacular beauty and an update of a classic image of five tightly clustered galaxies that dance around each other.
The world’s biggest and most powerful space telescope rocketed away last December from French Guiana in South America. It reached its lookout point 1 million miles (1.6 million kilometers) from Earth in January. Then the lengthy process began to align the mirrors, get the infrared detectors cold enough to operate and calibrate the science instruments, all protected by a sunshade the size of a tennis court that keeps the telescope cool.
The plan is to use the telescope to peer back so far that scientists will get a glimpse of the early days of the universe about 13.7 billion years ago and zoom in on closer cosmic objects, even our own solar system, with sharper focus.
Webb is considered the successor to the highly successful, but aging Hubble Space Telescope. Hubble has stared as far back as 13.4 billion years. It found the light wave signature of an extremely bright galaxy in 2016. Astronomers measure how far back they look in light-years with one light-year being 5.8 trillion miles (9.3 trillion kilometers).
“Webb can see backwards in time to just after the Big Bang by looking for galaxies that are so far away that the light has taken many billions of years to get from those galaxies to our telescopes,” said Jonathan Gardner, Webb’s deputy project scientist said during the media briefing.
How far back did that first image look? Over the next few days, astronomers will do intricate calculations to figure out just how old those galaxies are, project scientist Klaus Pontoppidan said last month.
The deepest view of the cosmos “is not a record that will stand for very long,” Pontoppidan said, since scientists are expected to use the telescope to go even deeper.
Thomas Zurbuchen, NASA’s science mission chief said when he saw the images he got emotional and so did his colleagues: “It’s really hard to not look at the universe in new light and not just have a moment that is deeply personal.”
At 21 feet (6.4 meters), Webb’s gold-plated, flower-shaped mirror is the biggest and most sensitive ever sent into space. It’s comprised of 18 segments, one of which was smacked by a bigger than anticipated micrometeoroid in May. Four previous micrometeoroid strikes to the mirror were smaller. Despite the impacts, the telescope has continued to exceed mission requirements, with barely any data loss, according to NASA.
NASA is collaborating on Webb with the European and Canadian space agencies.
“I’m now really excited as this dramatic progress augurs well for reaching the ultimate prize for many astronomers like myself: pinpointing “Cosmic Dawn” — the moment when the universe was first bathed in starlight,” Richard Ellis, professor of astrophysics at University College London, said via email.
Far out: NASA space telescope’s 1st cosmic view goes deep
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Far out: NASA space telescope’s 1st cosmic view goes deep
Filmmakers defend Berlin festival chief in Gaza row
- Actors and filmmakers rushed to defend the head of the Berlin film festival Thursday following a media report that her job was on the line over a director’s anti-Israel speech at the event
BERLIN: Actors and filmmakers rushed to defend the head of the Berlin film festival Thursday following a media report that her job was on the line over a director’s anti-Israel speech at the event.
Syrian-Palestinian filmmaker Abdallah Al-Khatib kicked off a controversy during Saturday’s closing ceremony by accusing Germany of being complicit in genocide in Gaza through its support for Israel.
German tabloid Bild had reported that Tricia Tuttle was due to be dismissed at an emergency meeting on Thursday, citing sources close to state-owned KBB, the company that runs the festival.
Culture minister Wolfram Weimer’s office confirmed the meeting had taken place but made no mention of Tuttle being sacked, stating that discussions had been “constructive and open” and would “continue in the coming days.”
A group of cinema luminaries including Tilda Swinton, Todd Haynes, Sean Baker and Tom Tykwer signed an open letter defending the Berlinale as a forum for free expression.
“As filmmakers in Germany and beyond, we are following the debates surrounding the Berlinale and the discussion about the dismissal of Tricia Tuttle with great concern,” they wrote. “We defend the Berlinale for what it is: a place of exchange.”
Angry rows over the Israel-Palestinian conflict have repeatedly rocked the Berlinale, held every February as Europe’s first major film festival of the year.
Environment Minister Carsten Schneider walked out of Saturday’s closing ceremony, labelling Khatib’s remarks “unacceptable.”
Germany, as it has sought to atone for the horrors of the Holocaust, has been a steadfast supporter of Israel, and criticism of Israel’s conduct in Gaza has been more muted than in many other countries.
Conservative lawmaker Ellen Demuth was among those who condemned the “antisemitic incident” at the awards ceremony and urged “a fresh start at the top of the film festival.”
The Berlinale Team in an Instagram post meanwhile defended Tuttle, praising her “clarity, integrity and artistic vision.”
The writers’ association PEN Berlin said Khatib’s comments were protected by freedom of expression and that if Tuttle were to be sacked over them, it would cause “immense damage” to the festival.
“Such wanton destruction of the German cultural scene, such self-inflicted insularity, must not be allowed to happen,” it said.
The backdrop of the Middle East conflict led to a tense 76th edition of the festival from the start.
More than 80 film professionals criticized the Berlinale’s “silence” on the Gaza war in an open letter, accusing the festival of censoring artists “who reject the genocide” they believe Israel has committed in Gaza.
Award-winning Indian writer Arundhati Roy withdrew from the festival after the jury president, German director Wim Wenders, said cinema should “stay out of politics” when asked about Gaza.
Syrian-Palestinian filmmaker Abdallah Al-Khatib kicked off a controversy during Saturday’s closing ceremony by accusing Germany of being complicit in genocide in Gaza through its support for Israel.
German tabloid Bild had reported that Tricia Tuttle was due to be dismissed at an emergency meeting on Thursday, citing sources close to state-owned KBB, the company that runs the festival.
Culture minister Wolfram Weimer’s office confirmed the meeting had taken place but made no mention of Tuttle being sacked, stating that discussions had been “constructive and open” and would “continue in the coming days.”
A group of cinema luminaries including Tilda Swinton, Todd Haynes, Sean Baker and Tom Tykwer signed an open letter defending the Berlinale as a forum for free expression.
“As filmmakers in Germany and beyond, we are following the debates surrounding the Berlinale and the discussion about the dismissal of Tricia Tuttle with great concern,” they wrote. “We defend the Berlinale for what it is: a place of exchange.”
Angry rows over the Israel-Palestinian conflict have repeatedly rocked the Berlinale, held every February as Europe’s first major film festival of the year.
Environment Minister Carsten Schneider walked out of Saturday’s closing ceremony, labelling Khatib’s remarks “unacceptable.”
Germany, as it has sought to atone for the horrors of the Holocaust, has been a steadfast supporter of Israel, and criticism of Israel’s conduct in Gaza has been more muted than in many other countries.
Conservative lawmaker Ellen Demuth was among those who condemned the “antisemitic incident” at the awards ceremony and urged “a fresh start at the top of the film festival.”
The Berlinale Team in an Instagram post meanwhile defended Tuttle, praising her “clarity, integrity and artistic vision.”
The writers’ association PEN Berlin said Khatib’s comments were protected by freedom of expression and that if Tuttle were to be sacked over them, it would cause “immense damage” to the festival.
“Such wanton destruction of the German cultural scene, such self-inflicted insularity, must not be allowed to happen,” it said.
The backdrop of the Middle East conflict led to a tense 76th edition of the festival from the start.
More than 80 film professionals criticized the Berlinale’s “silence” on the Gaza war in an open letter, accusing the festival of censoring artists “who reject the genocide” they believe Israel has committed in Gaza.
Award-winning Indian writer Arundhati Roy withdrew from the festival after the jury president, German director Wim Wenders, said cinema should “stay out of politics” when asked about Gaza.
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