Saudi filmmaker Ahd Kamel’s ‘Sanctity’ to be part of Netflix’s ‘Because She Created’ collection 

Ahd Kamel’s ‘Sanctity’ features in the collection. (Supplied)
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Updated 07 July 2022
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Saudi filmmaker Ahd Kamel’s ‘Sanctity’ to be part of Netflix’s ‘Because She Created’ collection 

DUBAI: Saudi filmmaker Ahd Kamel’s short movie “Sanctity” is joining Netflix’s curated collection “Because She Created,” which features 21 Arab films by female directors. 

The collection — which spans various genres, including documentaries, drama and romance — features films that are new to Netflix and will be released on July 7.

It includes the works of critically acclaimed Algerian, Egyptian, Jordanian, Kuwaiti, Lebanese, Moroccan, Palestinian, Saudi, Sudanese, Syrian and Tunisian filmmakers.

The new collection celebrates the creativity of the Arab world’s female storytellers and aims to give more people a chance to see their lives reflected on screen. 

Jeddah-born Kamel’s short film “Sanctity,” which was released in 2013, focuses on social traditions that make friendships between men and women seem abnormal. She explores the concept through a story about a young Saudi widow who tries to protect her unborn child. 

“Sanctity” was nominated for a Golden Bear at the Berlin International Film Festival in 2013. 

Another film to be featured in the “Because She Created” category includes “Stateless” by Moroccan filmmaker Nariss Nejjar, which tells the story of a 35-year-old woman who is haunted by the memory of her childhood being ripped away from her when she was estranged from her family and forced into exile in Morocco. 

Algerian filmmaker Latifa Said’s 2019 movie “The Room” tells the story of an Algerian expatriate who discovers who her father really is after he passes away, through his objects and the things he owns. 

Meanwhile, Fatma Zamoun’s multi-character drama “Parkour,” which is set in Algeria, essays a couple preparing for their wedding before things take an unexpected turn.

These films are joined by “Bint Werdan,” an office comedy by Kuwaiti filmmaker Maysaa Almunin, and “Selma’s Home,” a family drama by Jordanian filmmaker Hanadi Elyan, among others. 

“We’re proud to be telling more stories by Arab filmmakers that can resonate with women from all walks of life and from around the world. Together, their voices provide inspiration for the wider creative community, while highlighting the importance of equitable representation in storytelling, and why it matters,” Nuha El-Tayeb, director of content acquisitions for Netflix MENA and Turkey, said in a released statement.


Book Review: ‘Padma’s All American’ Cookbook

Updated 19 December 2025
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Book Review: ‘Padma’s All American’ Cookbook

  • For her, the true story of American food proves that immigration is not an outside influence but the foundation of the country’s culinary identity

Closing out 2025 is “Padma’s All American: Tales, Travels, and Recipes from Taste the Nation and Beyond: A Cookbook,” a reminder that in these polarizing times within a seemingly un-united US, breaking bread really might be our only human connection left. Each page serves as a heaping — and healing — helping of hope.

“The book you have before you is a personal one, a record of my last seven years of eating, traveling and exploring. Much of this time was spent in cities and towns all over America, eating my way through our country as I filmed the shows ‘Top Chef’ and ‘Taste the Nation’,” the introduction states.

“Top Chef,” the Emmy, James Beard and Critics Choice Award-winning series, which began in 2006, is what really got Padma Lakshmi on the food map.

“Taste the Nation,” of course, is “a show for immigrants to tell their own stories, as they saw fit, and its success owes everything to the people who invited us into their communities, their homes, and their lives,” she writes.

Working with producer David Shadrack Smith, she began developing a television series that explored American immigration through cuisine, revealing how deeply immigrant food traditions shaped what people considered American today.

She was the consistent face and voice of reason — curious and encouraging to those she encountered.

Lakshmi notes that Americans now buy more salsa and sriracha than ketchup, and dishes like pad Thai, sushi, bubble tea, burritos and bagels are as American as apple pie — which, ironically, contains no ingredients indigenous to North America. Even the apples in the apple pie came from immigrants.

For her, the true story of American food proves that immigration is not an outside influence but the foundation of the country’s culinary identity.

“If I think about what’s really American … it’s the Appalachian ramp salt that I now sprinkle on top of my Indian plum chaat,” she writes.

In this book Lakshmi tells the tale of how her mother arrived in the US as an immigrant from India in 1972 to seek “a better life.”

Her mother, a nurse in New York, worked for two years before Lakshmi was brought to the US from India. At 4 years old, Lakshmi journeyed alone on the 19-hour flight.

America became home.

Now, with visibility as a model and with a noticeable scar on her arm (following a horrific car accident), she is using her platform for good once again.

Lakshmi is merging her immigrant advocacy with her long career in food media.

The photo of her on the cover, joined by a large American flag, is loud, proud and intentional.

The book contains pages dedicated to ingredients and their uses, actual recipes and, most deliciously, the stories of how those cooks came to be.