SRMG concludes Cannes Lions outing with talks on digital well-being, art, NFTs and music

Al-Rashid outlined SRMG’s digital transformation strategy and its vision to upgrade from one of the largest and most influential media groups in the MENA region. (Supplied)
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Updated 25 June 2022
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SRMG concludes Cannes Lions outing with talks on digital well-being, art, NFTs and music

  • Importance of digital wellness was a hot topic of discussion at SRMG Experience at Cannes Lions Festival
  • The festival concluded with leading global media players reflecting on innovations in the media industry

CANNES: The Saudi Research and Media Group (SRMG) concluded its participation in the Cannes Lions Festival for International Creativity on Thursday with an impressive night of art and music and panels on digital well-being and connectivity. 

SRMG partnered with the region’s leading music platform, Anghami, to organize a special night called ‘MENA Night’ which was attended by many talents, creators, media experts and award winners of the Festival.

“Celebrating the creative talents who represented the MENA region at the Cannes Lions Festival is a unique opportunity to showcase their incredible talent and innovation to the world,” said Jomana Al-Rashid, CEO of SRMG. 

“At SRMG, we are delighted to host the talents that represented the MENA region at the Cannes Lions Festival, and as one of the most respected and largest media groups in the Middle East, we always, and will continue to, embrace the best and brightest talent from the region and the world.”

Various rising stars from the Middle East attended the event, including Bird Pearson, Lush and Samee’ Lamee’ from Saudi music entertainment company ‘Middle Beast.’

Guests also had an exclusive look at NFT artworks from regional artists and creators including Faisal Al-Khuraiji, Alaa Balkhi, Amr Boughari and Rex Chouk. 

The show was organized by Nuqta, the first collaborative, mobile and web app, which invites the public to post images of Arabic calligraphy and typography as they experience it anywhere.

The media powerhouse hosted a series of interactive panel discussions and a virtual experience in a dedicated pavilion at the festival throughout the week.

Al-Rashid outlined SRMG’s digital transformation strategy and its vision to upgrade from one of the largest and most influential media groups in the MENA region into an integrated global media giant.

In one panel moderated by Haifa Al-Jedea, managing director of SRMG Think, the media group hosted Larissa May, founder and executive director of #HalfTheStory, in conversation with Abdullah Al-Rashid, founder of Sync Summit and director at Ithra.

The panel discussed the importance of raising awareness of the negative impacts of 24/7 connectivity on our health and well-being.

The panelists called on digital platforms to prioritize the digital well-being of young people by incorporating ethical design principles.

May said that the role of #HalfTheStory is to empower the next generation of consumers to “thrive online and in life,” and to set boundaries for their digital use.

“We often don’t step back and notice how our devices have infiltrated our lives — especially those of us who work in the media industry,” she added.

Meanwhile, Abdullah Al-Rashid said that Saudis are among the world’s top users of YouTube, Snapchat and Twitter in some metrics. He asked guests: “The majority of our population are connected all the time and have only ever experienced that way of life. What does that mean for them?”

In another panel, Riad Hamade, director of business news at Asharq Business with Bloomberg, a subsidiary of SRMG, was joined by Rebecca Bezzina, SVP and managing director at R/GA London; Per Pedersen, founder and global creative chairman of by The Network; and Laurent Thevenet, head of creative technology at Publicis Groupe APAC and MEA.

The panel explored how technology is creating new ways to tell stories and disrupt the communications industry.

SRMG, one of the largest media and publishing groups in the Middle East, owns more than 30 major media outlets in the region, including Arab News, Asharq Al-Awsat, Asharq News and Sayidaty.


Winter at Tantora Festival returns to AlUla, showcasing rich cultural heritage

The festival derives its name from the Tantora, an ancient sundial situated in the Old Town’s center. (SPA)
Updated 19 December 2025
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Winter at Tantora Festival returns to AlUla, showcasing rich cultural heritage

  • Festival now established as a premier annual event

AlUla: The Winter at Tantora Festival launched on Thursday in AlUla. It runs until Jan. 10 and presents a cultural season which celebrates the region’s rich civilizational, cultural, and historic legacy.

The festival’s program includes a wide array of cultural, artistic, and traditional activities, reported the Saudi Press Agency. 

Attractions include Old Town Nights, Shorfat Tantora, When Shadow Tracks Us, and the Al-Manshiyah Carnival.

FASTFACT

In the past, AlUla’s inhabitants used this clock to measure time and coordinate their agricultural activities.

In addition, there are guided tours of street art through the Old Town, special events commemorating the Year of Handicrafts, culinary experiences, and artistic and musical performances.

The festival derives its name from the Tantora, an ancient sundial situated in the Old Town’s center. In the past, AlUla’s inhabitants used this clock to measure time and coordinate their agricultural activities. The modern festival honors this tradition by marking the onset of winter and the start of the planting season.

This year’s edition offers a range of experiences to celebrate heritage, genuine local culture, and traditional craftsmanship. 

As part of AlUla Moments, the Winter at Tantora Festival supports efforts to boost cultural and tourist engagement while enhancing the visitor experience.

The initiative reflects Saudi Vision 2030’s commitment to advancing cultural tourism and promoting the Kingdom’s historic landmarks.

The festival has established itself as one of AlUla’s premier annual events, consistently attracting both domestic and international audiences.