Gigi Hadid shut down the 2022 Met Gala red carpet in Versace

Gigi Hadid wore Versace to the 2022 Met Gala ceremony. Getty
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Updated 03 May 2022
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Gigi Hadid shut down the 2022 Met Gala red carpet in Versace

DUBAI: After being canceled in 2020 and held in September last year due to the pandemic, the Met Gala returned to its usual time slot this year, the first Monday in May. Held at New York’s Metropolitan Museum of Art, A-list celebrities descended upon the red carpet in celebration of the museum’s new exhibition, “In America: An Anthology of Fashion,” showing off their best take on the event’s “Gilded Glamour” dress code.

The last time we saw Gigi Hadid on the iconic Met Gala steps, she was channeling a real-life Jessica Rabbit with her white Prada gown, freshly-dyed red hair and long black latex gloves. This year, for her seventh Met Gala appearance, the part-Palestinian model turned up in a red skintight catsuit that consisted of a leather corset paired with pointed-toe knee-high boots and a voluminous, billowing red coat. The 27-year-old, who made her Met Gala debut in 2015, was dressed by Versace for the occasion.




Gigi Hadid wore Versace to the 2022 Met Gala ceremony. Getty 

“For this, we wanted to incorporate how in the 1800s those shapes for women’s wear became a lot more exaggerated and started to push boundaries,” Hadid explained to Vogue of her look. “Of course, Versace is always celebrating that, so that’s what we went for tonight and it’s very heavy,” she added.

As for her hair and makeup, the Dutch-Palestinian catwalk star opted for a raked-back, structural updo and bold red lipstick that matched her ensemble.

Her younger sister Bella Hadid, 25, opted for an edgy look — a black sculpted leather corset with articulated cups and metal accents from Burberry, a skirt with a high slit, patterned lace tights and a pearl-encrusted anklet.




Bella Hadid wearing Burberry at the 2022 Met Gala. Getty

Bella last attended the Met Gala in 2019. Then, she executed the “Camp: Notes on Fashion” theme in a stunning black jewel-encrusted gown from Italian fashion house Moschino by Jeremy Scott.

The Met Gala, also known as the “Oscars of Fashion,” is one of the most highly anticipated industry events. This year’s co-chairs for the event included Blake Lively, Ryan Reynolds, Regina King and Lin-Manuel Miranda who took over from last year’s co-chairs Timothée Chalamet, Billie Eilish, Naomi Osaka and Amanda Gorman.


Review: ‘Sorry, Baby’ by Eva Victor

Eva Victor appears in Sorry, Baby by Eva Victor, an official selection of the 2025 Sundance Film Festival. (Supplied)
Updated 27 December 2025
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Review: ‘Sorry, Baby’ by Eva Victor

  • Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character

There is a bravery in “Sorry, Baby” that comes not from what the film shows, but from what it withholds. 

Written, directed by, and starring Eva Victor, it is one of the most talked-about indie films of the year, winning the Waldo Salt Screenwriting Award at Sundance and gathering momentum with nominations, including nods at the Golden Globes and Gotham Awards. 

The film is both incisive and tender in its exploration of trauma, friendship, and the long, winding road toward healing. It follows Agnes, a young professor of literature trying to pick up the pieces after a disturbing incident in grad school. 

Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character. The story centers on Agnes’ perspective in her own words, even as she struggles to name it at various points in the film. 

There is a generosity to Victor’s storytelling and a refusal to reduce the narrative to trauma alone. Instead we witness the breadth of human experience, from heartbreak and loneliness to joy and the sustaining power of friendship. These themes are supported by dialogue and camerawork that incorporates silences and stillness as much as the power of words and movement. 

The film captures the messy, beautiful ways people care for one another. Supporting performances — particularly by “Mickey 17” actor Naomi Ackie who plays the best friend Lydia — and encounters with strangers and a kitten, reinforce the story’s celebration of solidarity and community. 

“Sorry, Baby” reminds us that human resilience is rarely entirely solitary; it is nurtured through acts of care, intimacy and tenderness.

A pivotal scene between Agnes and her friend’s newborn inspires the film’s title. A single, reassuring line gently speaks a pure and simple truth: “I know you’re scared … but you’re OK.” 

It is a reminder that in the end, no matter how dark life gets, it goes on, and so does the human capacity to love.