Russian influencers accuse Chanel of ‘Russophobia’ over sales ban

While wealthy influencers thought nothing of chopping up a $7,000 (minimum) luxury bag, much of the world was confused and angered by the misdirected outrage toward the fashion brand. (Twitter)
Short Url
Updated 20 April 2022
Follow

Russian influencers accuse Chanel of ‘Russophobia’ over sales ban

  • Celebrities complain of ‘humiliation’ after brand refuses to sell them luxury products under global sanctions regime
  • Blogger Anna Kalashnikova claims she was denied service by a Dubai outlet, while others cut up bags in protest 

CASABLANCA: Several high-profile Russian influencers have accused Chanel of discriminating against them based on their nationality by refusing to sell them products, with some cutting up the company’s merchandise in protest. 

However, while wealthy influencers thought nothing of chopping up a $7,000 (minimum) luxury bag, much of the world was confused and angered by the misdirected outrage toward the fashion brand.  

“Meet @VictoriaBonya, a Russian influencer living in Monaco. Victoria is irate. Not because of rape, torture & killings inflicted on Ukrainians by Russian soldiers, but because Chanel is closing shop in Russia. She’s cutting up her Chanel bag in protest!” tweeted one social media user.  

 

 

Anna Kalashnikova, a Russian influencer with 2.4 million followers, reportedly claimed that a Chanel store in Dubai had refused to serve her.

“Since I often travel to Dubai as a host for Fashion Week, Chanel managers recognized and approached me saying, we know you are a celebrity in Russia. We know you’ll be going there, so we can’t sell you our branded items,” she said.

“Western shops ask for identification data, and when you (give them) a Russian number, sellers tell you: Now, we can only sell items to Russians if they promise that they won’t take them to Russia and that they won’t wear them there,” said Kalashnikova.

“Russophobia in action. I experienced it myself,” she added. 

Russian DJ Katya Guseva said that she now realizes she can live without owning a luxury handbag. “Without Chanel we will continue to live perfectly,” she said in a WhatsApp message.

It appears that Russian influencers finally understand how the rest of the world survives without owning a Chanel product. Nevertheless their approach to protest remains far removed from ordinary people’s reality. 

 

 

Meanwhile, Chanel stores in Russia were vandalized, with many covered in Hitler stickers. 

 

 

Russian influencer Liza Litvin claimed in an online story that the Chanel store in Dubai had asked her to sign a document stating that she did not live in Russia and would not wear her bag on Russian soil.

“I went to a Chanel store in the Mall of the Emirates. They did not sell me their bag because I come from Russia,” she wrote.

Earlier this week, Russian Foreign Ministry spokeswoman Maria Zakharova said: “Many bloggers reported that official Chanel stores abroad refused to sell their products to Russian citizens.”

To protest at what they consider to be discrimination, Russian models, including Victoria Bonya, have filmed themselves cutting their Chanel bags with scissors. Her actions were quickly followed by other Russian women.

 

 

Russian TV presenter Marina Ermoshkina also posted an online video of herself cutting her Chanel bag in half with a pair of garden scissors.

She said that while withdrawing from Russia was the company’s choice, its policy against customers bringing products into the country is discriminatory and humiliating. 

Ermoshkina said that nothing is worth her love for her “motherland,” not even a bag that she has always dreamed of owning. 

 

 

Chanel did not respond to requests for comments from Arab News. However, the luxury brand said in a public statement: “Chanel is an international company. For that, it complies with all laws applicable to its operations and employees worldwide, including trade sanction laws.

“With regard to the various sanctions issued by the EU, the UK, the US and Switzerland regarding Russia and Belarus, Chanel is therefore prohibited from trading with certain designated natural and legal people. 

“Chanel is not authorized to carry out transactions with certain natural and legal people designated/listed by these sanctions regimes.

“Furthermore, the most recent EU and Swiss sanctions laws include a ban on the sale, supply, transfer or export, of luxury goods directly or indirectly, to any natural or legal person, entity or body in Russia, or for their use in Russia.”

Chanel said that it has been forced to implement EU sanctions which prohibit the export of luxury goods worth more than €300 ($326.15) to Russia. 

“We are aware that this process of interpreting the law has disappointed some of our clients. We are currently working on improving this approach and we apologize for any misunderstanding this may have caused. Welcoming all our clients, wherever they come from, is a priority for Chanel.” 

Several other Western brands have terminated their activities in Russia. In early March, luxury retailers LVMH, Hermes and Kering announced they were temporarily shutting down their stores in the country.


To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

Updated 27 December 2025
Follow

To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

  • ⁠ ⁠50 years after its creation, the Grendizer anime series continues to capture Arab imagination
  • ⁠ ⁠⁠Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet

LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.

Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.

But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.

Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.

Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.

While the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East. (Supplied)

The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.

Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.

Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.

 

Grendizer at 50
The anime that conquered Arab hearts and minds
Enter
keywords