Saudi Arabia hosts region’s first Digital Art Forum

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The forum held panel events and workshops with leaders in the NFT sphere. (SPA)
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The forum held panel events and workshops with leaders in the NFT sphere. (SPA)
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Updated 28 February 2022
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Saudi Arabia hosts region’s first Digital Art Forum

  • NFTs have had ‘meteoric rise’ over past 18 months, says Sotheby’s

RIYADH: Saudi Arabia hosted the Middle East’s first digital art forum and made its debut showcase of non-fungible tokens in the region.

Auction house Sotheby’s, in partnership with the Ministry of Culture’s Visual Arts Commission, hosted the event alongside the Diriyah Contemporary Art Biennale in Riyadh between Feb. 25-27.
While the biennale brings together Saudi and international artists in a celebration of contemporary culture, the digital art forum brought together a slightly different audience.
Through a series of panel events and workshops with leaders in the NFT sphere, amateur and digital-native visitors were able to access real-time updates on what was happening in the world of NFTs, understand digital wallet security, and fully participate in the Metaverse.

HIGHQLIGHT

A NFT is a digital asset that represents real-world objects like art. It cannot be replicated and there is proof on the blockchain that it is one-of-a-kind. Anyone in the world can look at it for reference and it protects artists and their work that is minted as a NFT.

A NFT is a digital asset that represents real-world objects like art. It cannot be replicated and there is proof on the blockchain that it is one-of-a-kind. Anyone in the world can look at it for reference and it protects artists and their work that is minted as a NFT.




A visitor looks at Yuga Labs, ‘Bored Ape Yacht Club 8817’ (2021), one of the artworks on display at Riyadh’s first Digital Art Forum. (Twitter)

The offline space at the forum hosted 10 prominent NFTs. Charting the history of NFTs, from their inception seven years ago until now, the dedicated program was aimed at bringing together artists, collectors, and curators.
“Digital art provides emerging and established art practitioners and collectors with new ways to experience, collect and create with art peers around the world,” said commission CEO Dina Amin.“As the Kingdom’s visual arts sector continues to rapidly flourish, we’re excited to partner with leading global experts such as Sotheby’s to bring this unique opportunity to engage with NFTs and digital art in Riyadh.”
Saudi artist Ahaad Al-Amoudi, whose 10-second video NFT “The Mirage,” features a split-screen of a dog running and a man riding a horse with audio of an Arab man speaking in English, on a loop.
He said: “The dogs, the more they love you, the harder they will run for you on the day of the race. It’s about relationships—it’s not all about training.”
Visitors were encouraged to scan the QR code accompanying each piece and even purchase them by using an app like OpenSea, which calls itself “the world’s first and largest NFT marketplace.”
There has been a buzz around NFTs since Saudi Arabia was on lockdown, during the early days of the pandemic in 2020, but it was mostly reserved for “crypto bros” and people who appeared to have too much free time online. In 2022, the metaverse became a reality potentially worth getting into.
With Saudi Arabia being so connected and smartphone usage being so widespread, Sebastian Fahey, managing director of Sotheby’s Europe, the Middle East, and Africa, said it made sense to host the first NFT forum of its kind in the Kingdom.
“We thought it was a perfect marriage of the local community plus also the digitally native community that is building (being built),” he told Arab News. “And, as could be seen by the questions coming through the panel today, there is already a very established digital art appreciating and collecting community in Riyadh and in Saudi Arabia. Saudi Arabia is a very connected country, so it makes sense to be here.
“What we’re seeing from our perspective as an auction house, Sotheby’s itself is a 278-year-old auction house and, throughout its history, we’ve been using our DNA of curating the best of a certain genre. And this movement, this medium of digital art, NFTs, has been having a meteoric rise over particularly the last year and a half or so.”
The exhibition was world-class and had, what he called, “some of the most important and historically significant artists in the NFT space, going all the way back to the very first NFT minted, which is the seminal work called Quantum by Kevin McCoy that was minted on May 3, 2014.”
Edward Gibbs, chairman of Sotheby’s Middle East and India, said that the educational focus on NFTs was a “natural next step” in the auction house’s history of supporting innovative cultural programs and was a testament to its longstanding commitment to Saudi Arabia.
“We are delighted to be hosting this first of its kind project at the Diriyah Biennale as a partner of the Visual Arts Commission and Sotheby’s,” said Aya Al-Bakree, CEO at the Diriyah Biennale Foundation. “The biennale is a hub of arts engagement and learning which inspires creative dialogue across cultures while developing the local ecosystem.”
The biennale runs until March 11 and showcases some of the world’s leading artists.


Balad Beast brings global beats to historic streets

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Balad Beast brings global beats to historic streets

  • ‘MDLBEAST put us on the international map,’ say Saudi electronic duo Dish Dash

JEDDAH: The music festival Balad Beast concluded its fourth edition this weekend, having transformed Jeddah’s UNESCO World Heritage district of Al-Balad into an open-air celebration of music, culture and creativity that attracted thousands of music lovers over two nights.

The festival, organized by Saudi music platform MDLBEAST, featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds.

French Haitian singer-songwriter Naïka performed on the second night of Balad Beast. (Supplied)

Speaking to Arab News, MDLBEAST chief creative officer Ahmad Al-Ammary, also known as DJ Baloo, described Balad Beast as a “cultural takeover” adding that finding the right spaces for dance floors was a challenge, “but Balad is constantly evolving and we work with that change.”

Addressing the challenges of working in a heritage area, he said: “Balad is sensitive and condensed, so logistics can be complex. In our first year, heavy rain flooded one of the planned squares and we had to relocate the Souq Stage to a much smaller space, but it worked and it has remained there ever since.

HIGHLIGHT

Reggae superstar Shaggy noted that the reality of playing live in Saudi Arabia often surprises those who arrive with preconceptions.

“Yes, the alleys are narrow and the district is old, but they’re full of ideas, patterns, colors and visuals. Everything flows here,” he continued. “As a festival, it’s hard to define Balad, because it gives so much of itself creatively. It’s incredibly generous with its ideas and details, and inspiration comes from everywhere.”

Balad Beast featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds. (Supplied)

Balad Beast featured performances from international artists including US rapper Playboi Carti, making his first appearance in Saudi Arabia; US rapper Destroy Lonely; Swedish DJ and producer Alesso; and Bosnian-German DJ Solomun on the opening night. The following night saw French-Haitian singer-songwriter Naïka, reggae superstar Shaggy, Dutch DJ Franky Rizardo, British DJ Pawsa, and US rapper Tyga, and more take the stage, while Saudi and regional artists including Cosmicat, TUL8TE, Zeina, Vinyl Mode, Moayed, Dish Dash, Musab, Varoo and HiFi appeared across the festival, offering audiences a mix of global and local talent.

Saudi electronic duo Dish Dash reflected on the festival organizer’s impact for local artists.

As a festival, it’s hard to define Balad, because it gives so much of itself creatively. It’s incredibly generous with its ideas and details, and inspiration comes from everywhere.

Ahmad Al-Ammary, MDLBEAST chief creative officer

“MDLBEAST put us on the international map,” the brothers told Arab News. “It helped us get recognized by festivals, promoters and event organizers abroad. When we travel, people don’t expect this level of talent coming from Saudi Arabia, especially considering we didn’t have this scene before.”

Shaggy, who performed a hit-filled set during the festival, told Arab News: “I’ve been blessed with some incredible songs, and I see music as a gift and a tool for service. When I go on stage, I’m there to entertain people, to make them smile and feel good, but that service also supports many livelihoods from the people working at this festival to those who work with me. These songs have become part of people’s lives, and I don’t take that lightly.”

Balad Beast featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds. (Supplied)

Shaggy also noted that the reality of playing live in Saudi Arabia often surprises those who arrive with preconceptions.

“I’ve performed in Saudi Arabia more than once, and while there are certain rules that are different, it’s not an issue for me. My focus is always on delivering the hits and giving the audience a great time,” he said.

“There’s a big misconception. People have more freedom than (outsiders) think. Everyone has been extremely nice.”

Asked what advice he would offer to aspiring artists, Shaggy said: “Understand that what you’re given is a gift and a form of service. Stay humble, do the work, and remember why you’re doing it.”

As Al-Ammary noted, there are many such aspiring artists now making a name for themselves in the Kingdom.

“Talent is emerging everywhere, at different levels,” he said. “The scene is still in a mysterious and surprising phase. There’s a rawness to it.”