Iraqi actress Kurdwin Ayub wins big at Berlin Film Festival

“Sonne” had its world premiere on Feb. 12 at the festival. (AFP)
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Updated 17 February 2022
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Iraqi actress Kurdwin Ayub wins big at Berlin Film Festival

DUBAI: Iraqi actress Kurdwin Ayub, a former refugee, won the Best First Feature award at the 72nd Berlin International Film Festival on Wednesday for her drama “Sonne.”

Ayub’s full-length feature, which she wrote and directed, centers around a Kurdish, Vienna-born teen, Yesmin, who makes a dance video with her non-Muslim friends.

The clip of the three girls goes viral overnight. Yesmin is then faced with cultural and religious challenges. 

“Sonne” had its world premiere on Feb. 12 at the festival.

Ayub was born in Iraq in 1990. She left her country with her family during the First Gulf War. The filmmaker, who is now an Austrian citizen, grew up on the outskirts of Vienna in a refugee camp.

Her shorts have been shown and awarded at numerous international film festivals. In 2013, she was awarded the Vienna Independent Short Newcomer Prize, while in 2011 and 2012, she received the Viennale Mehrwert Short Film Prize.

In 2012, she presented a series of her short films at the Viennale. Her feature documentary “Paradise! Paradise!,” which she directed and filmed, won multiple awards including Best Camera at the Diagonale — Festival of Austrian Film — and the New Waves Non Fiction Award at the Sevilla Festival de Cine Europeo.

This year’s Berlinale was held in-person for the first time in two years but was a shorter competition than usual, with strict regulations for audiences just as COVID-19 infections were peaking in Germany.

The festival awarded its Golden Bear top prize to Spanish director Carla Simon’s semi-autobiographical drama “Alcarras,” about a family of peach farmers fighting for their future.

There were 18 films from 15 countries vying for the Golden Bear, with the jury led by Indian-born American director M. Night Shyamalan.

The Berlinale is now the third major European film festival in a row to award its top prize to a woman director, following Cannes and Venice last year.

German-Turkish comedian Meltem Kaptan, 41, won the festival’s second ever gender-neutral acting prize for her performance in “Rabiye Kurnaz vs George W. Bush.”


At Jazan festival, Suad Al-Asiri paints memory, land and leadership

Updated 13 January 2026
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At Jazan festival, Suad Al-Asiri paints memory, land and leadership

  • Local artist channels personal hardship into works that reflect Jazan’s identity, heritage
  • Jazan: A Nation and a Prince, places region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi

RIYADH: At the Ahad Al-Masarihah pavilion at Jazan Festival 2026, Suad Al-Asiri’s paintings blend memory, place and personal history, offering visual narratives shaped by beauty and hardship. 

A novelist and visual artist, Al-Asiri has long used art as a storytelling tool. After a near-fatal car accident in March 2024, her work took on a new urgency. Bedridden for 11 months, cut off from the public world for more than a year, she describes that period as one of the most painful in her life — yet also transformative. 

“First of all, praise be to God for granting me life, as the accident was extremely severe,” she said. “By God’s grace, I was given a new life. All my thinking after the accident was about becoming an inspiration to others — about enduring pain and obstacles, and still leaving an impact.” 

Her return to public life came in 2025, when she participated in National Day celebrations with the ministry of interior. By the time she arrived at Jazan Festival, she was ready to channel that experience into her art. 

The centerpiece of her display, “Jazan: A Nation and a Prince,” places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi, governor and deputy governor of Jazan respectively. 

Visitors linger over the details: the painting incorporates coffee beans, sesame and khudair — materials drawn from local products.

“I wanted people to recognize these products immediately,” she said. “They are part of Jazan’s daily life, and using them makes the work more tangible, more connected to everyday experience.” 

The painting sparks conversation. Visitors discuss leadership, identity, and the intimate relationship between people and their environment. 

Beyond the central piece, Al-Asiri presents individual portraits of the two princes, expanding the dialogue into a broader exploration of heritage and memory.  

Her journey into art is tied to her life as a storyteller. Early experiments with charcoal and pencil evolved into abstract art, drawn by its expressive freedom. 

From there, she explored realism, surrealism, and eventually modern art, particularly pop art, which has earned her wide recognition in artistic circles. Her novels and media work complement her visual practice, earning her the title “the comprehensive artist” from the governor.

Yet what stands out most in this exhibition is how Al-Asiri’s personal resilience flows through each piece. Her experience of surviving a devastating accident, enduring months of immobility, and returning to the public eye informs every brushstroke. 

Visitors sense not just her artistic skill, but her determination to turn life’s hardships into inspiration for others. 

Walking through the pavilion, one can see it in the way she blends heritage symbols, southern landscapes, and scenes of daily life. 

Each painting becomes both a document and a dialogue — a celebration of Jazan’s culture, a reflection on identity, and a testament to the power of human perseverance. 

At Jazan Festival 2026, Suad Al-Asiri’s art is a quiet, persistent inspiration for anyone who pauses long enough to listen.