REVIEW: ‘In From The Cold’ is a lukewarm spy thriller

“In From The Cold” is on Netflix. (Supplied)
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Updated 10 February 2022
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REVIEW: ‘In From The Cold’ is a lukewarm spy thriller

  • Great fight scenes are let down by a patchy plot in Netflix’s new series

LONDON: The spy thriller genre is becoming something of a crowded space — most of the streaming platforms have at least one marquee title (think “Jack Ryan,” “Hanna,” “Treadstone” and their ilk) — so it’s a little surprising to see Netflix giving the green light to another IP built around espionage and shady dealings.

“In From The Cold” introduces viewers to Jenny, a recently divorced mom chaperoning her daughter on a trip to Madrid, who suddenly finds herself whisked away by the CIA, who believe her to be a Russian operative with a skillset vital to unpicking a terrorist plot. But they’ve made a huge mistake, Jenny insists. She’s just a normal mom trying to enjoy some much-needed time with her daughter.

It wouldn’t be much of a show if that was the case, however, so soon enough, Jenny is dusting off her Black Widow-esque spy suit and agreeing to infiltrate a Spanish terrorist cell. It kicks of an eight-part story that veers from gritty streetfight to gritty streetfight, via a few tense standoffs and a couple of double crosses.

Showrunner, creator, writer and executive producer Adam Glass (who has writing and producing credits on “Criminal Minds” and “Supernatural” among others) alternates between Jenny’s present-day adventures and her teenage training in Soviet Russia. It’s an effective plot device as details of Jenny’s past click into focus during her Spanish escapades. The action is decent too, with some excellently choreographed fight scenes between Jenny (Margarita Levieva) and pretty much everybody else in Madrid.

It’s a shame, then, that the story and the dialog are so woeful. Glass mashes up elements of every Cold War Soviet cliché with tropes from every shady CIA movie, and sketches out a two-dimensional supporting cast with little to do other than offer up exposition. Levieva and Stasya Miloslavskaya (as Jenny’s teenage self) are great, but they struggle to raise “In From The Cold” above the mundane.

In a genre that’s getting increasingly crowded, the twists and turns of Glass’s show do little to make it stand out.


Mohamed Abdo rings in New Year with landmark Saudi celebration in London

Updated 02 January 2026
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Mohamed Abdo rings in New Year with landmark Saudi celebration in London

  • Abdo performs 16 of his most beloved songs over 4 hours
  • He lauds ‘genius choice’ of first Saudi-led New Year show

LONDON: Saudi Arabia’s music icon Mohamed Abdo welcomed the New Year with a historic sold-out concert in London, marking what organizers described as the first Kingdom-led celebration in the UK capital.

Organized by Global Gala, the event drew more than 1,400 people, with Saudis traveling from the Kingdom and across Europe to attend.

There were also local fans, underscoring the wide appeal of the evening and the growing international presence of Saudi Arabia’s cultural events.

The concert was held at the Great Room at Grosvenor House, a venue of particular significance for Abdo because it was the same location where he first performed in London.

Tickets sold out rapidly following the show’s announcement. The organizers said the strong response reflected both Abdo’s enduring popularity and the anticipation surrounding a Saudi-led New Year’s event abroad.

When asked about the timing of the concert, Abdo praised the organizers’

decision to stage the event on New Year’s Eve, describing it as a “genius choice” that aligned naturally with the spirit of welcoming a new year.

Over the course of four hours, Abdo performed 16 songs, spanning decades of his career.

The audience responded warmly throughout the night, particularly during well-known tracks including “Al Amaken,” “Ashofak Kil Youm,” and “Majmouat Insan.”

The audience included prominent figures from the worlds of entertainment, media and public life.